There’s no such thing as a universal language. Polish ophthalmologist L.L. Zamenhof proposed that Esperanto, the language he constructed, be the shared tongue to help bridge the global gap, but that never caught on despite being used in the 1966 b-movie Incubus, starring William Shatner. But there are a few things that translate easily across distant cultures: emojis, pickled vegetables, and psychedelic rock.
Admittedly, that last one is a little anachronistic, but it’s still true. Back in the ‘60s when artists like The Beatles, Jimi Hendrix and Cream were soundtracking a cultural movement, the sonic elements and chemical additives that fueled their music spread across the globe. Brazil had the tropicália movement, which paired guitar fuzz with samba rhythms and a message of protest against the military-led government. Cambodia had a thriving psych-rock scene in the ‘60s and ‘70s, which met resistance by the Khmer Rouge government, as told in the recent production of Cambodian Rock Band. And Mexico had Los Dug Dug’s, a fiery and exciting band of acid rock iconoclasts—and they’re still going.
Los Dug Dug’s earned their claim to fame by being the first Mexican rock group to sing in English (though they mostly sang in their native Spanish) and to also cover The Beatles. But all it takes is one listen to their fuzzy, epic psych-rock jams to understand their appeal. The best starting point for newcomers to the band is their 1973 album Smog, one of four albums released during their career, all of them well worth exploring. Smog, however, essentially comprises a back-to-back sequence of stellar rock ‘n’ roll songs, vintage in sound but featuring the kind of aesthetics that would no doubt appeal to listeners of contemporary artists like Tame Impala, Ty Segall and King Gizzard and the Lizard Wizard.
Take the title track, for instance, which is loaded with a raw, driving guitar sound but is even more notable for a very un-rock ‘n’ roll element: flute. It’s a delight to listen to, but true to the title, “Smog,” its themes remain relevant today, nearly 50 years later, with fretful lyrics about the state of pollution. There’s a heavier groove to “I Don’t Care (Yo No Sé)” that rivals early Black Sabbath in sheer, raw power, and “Cuál es tu Nombre” is, one of the catchiest rock songs of the era, whether or not you speak the language.
Now in their seventies, the members of Los Dug Dug’s are still stirring up a mighty ruckus, bringing their swirling, wild psychedelia to younger generations and new stages, many of whom weren’t even alive when the first wave of psych-rock drenched the globe in acid. (Like me—I was born in the ‘80s.) There’s no better time than the present to discover another chapter in one of rock music’s most significant stories. But, of course, there’s no reason to stop here. With more labels reissuing hard-to-find records from around the world in the ‘60s and ‘70s, and fewer barriers to finding them, there’s never been a better time to get an education in global psych. Los Dug Dug’s just happen to be an excellent place to start.
Raphael Saadiq, Jamila Woods (January 23, House of Blues): Raphael Saadiq is one of the best R&B artists of our time. Back in the ‘90s, he performed as a member of Tony Toni Toné, later striking a solo career of his own with even more impressive results. Albums like The Way I See It display how seamlessly he combines different eras of pop music—neo-soul with vintage ‘60s and ‘70s aesthetics—and his songs are simply a delight to hear. Get there early for Jamila Woods, who I wrote about in this space last year and who’s making some of the best music of any genre these days.
The Midnight Pine (January 27, The Casbah): If you’ve been going to see shows in San Diego during the past decade and somehow haven’t seen The Midnight Pine yet, you’re missing out. The band’s members are all involved with other projects, and if you’ve heard the upbeat punk-pop of vocalist Shelbi Bennett’s other band The Havnauts, the more spacious and earthy folk and Americana of The Midnight Pine might come as a surprise. But there’s a reason I named their 2014 album Buried as my favorite local album of 2014.
Fistfights With Wolves, Belladon (January 30, Music Box): Belladon is a San Diego band to watch, balancing intoxicating synth-pop songs with gorgeous vocal harmonies. And they’re celebrating the release of their debut album at this show, which also features progressive rock group Fistfights With Wolves. It’s a diverse lineup, but it’s guaranteed to be a thrilling night.
The San Diego music scene lost a beloved voice this week. Alberto Jurado, vocalist of Death Eyes, passed away due to heart complications, and his loud, lively presence will be missed. A fundraiser is being held at Small Bar on Sunday, January 26, to help his family with funeral and other unforseen expenses.
Jeff Terich is the music critic behind the blog The Setlist. His writing has been published in Stereogum, Bandcamp Daily, American Songwriter, Fodor's and Vinyl Me Please.
It’s official: Live music isn’t happening much of anywhere throughout San Diego for the next couple weeks at least, confirming what I suspected in my last column. Venues such as Belly Up, Music Box, The Casbah and Soda Bar will be shuttered for the remainder of March, and many of the bands who had tour dates lined up through the spring have either canceled or postponed them. And it’s not an ideal situation to be in. It means lost revenue for the musicians, but also the venues and the people who work there.While Soda Bar and The Casbah are closed, each is having merch sales to benefit their employees—and a lot of it is pretty cool, so I’d highly recommend that anyone who supports local music should get a t-shirt, a hoodie or a mug. But it’s also a good time to buy music directly from the artists.The best way to do that is to either buy merch from a band’s online store or to buy their albums via Bandcamp. I’ve chosen some of my favorite albums from the past year or so, and better yet, I’ve paired them with specific situations you might find yourself in while social distancing. You’re going to be indoors for a while, most likely, and you’ll need some music for every scenario. Also, if you’re planning to wait until Friday to buy some of these, Bandcamp is waiving its revenue share for a day, so all the money goes directly to the artists.
Music for a Quiet Morning
Jessica Pratt – Quiet Signs
Jessica Pratt has recorded three full-length albums, and each of them is gentle, hushed and stark. They’re all quite beautiful, though her third, Quiet Signs, is the most maximalist of the three, which isn’t really saying that much. Most of these songs still mostly comprise her voice and acoustic guitar, with occasional touches of piano or light percussion. It’s great music for rising with the sun and enjoying a cup of coffee before telecommuting or, if you prefer, going back to bed.
Music for Motivation
Kaleta and Super Yamba Band – Médaho
I don’t know about anyone else, but music helps motivate me a lot better than, say, listening to a podcast. Don’t get me wrong—podcasts are fine, but they can be distracting when I need to get down to business. So sometimes I’ll opt for the loudest most intense music at my disposal, but more often than not, I need something with a groove. Benin-born Kaleta and his New York based Yamba Band most certainly have groove. Theirs is a blend of Fela Kuti-style Afrobeat, James Brown’s funk and King Sunny Ade’s juju guitar, and it’s got groove for days. I don’t know about you, but I feel ready to take on whatever comes my way (which is just email and takeout, I suppose).
Music for Daydreaming
Jay Som – Anak Ko
A little distracted? That’s OK! Distracting yourself or even just zoning out for a bit is entirely permitted. While you’re doing this, put on the new album by Bay Area artist Jay Som, which is a lush and gorgeous indie pop record full of dreamy melodies and dense arrangements.
Music for In-Home Happy Hour
Ratboys – Printer’s Devil
Working from home means that the lines between work and time off are going to be a little blurry, which is why it’s important to set some boundaries for yourself. Choose a time to “clock out”, and have yourself a stay-at-home happy hour. And you’ll need some music for that, of course. I recommend the new album by Chicago’s Ratboys, whose style of indie rock has the kind of energy and upbeat melodies that feel appropriate for a little treat-yourself time after work.
Music for a Living Room Dance Party
P.E. – Person
My favorite album of the year thus far is one that’s probably going to keep me grounded for a little while, just because it’s so much fun. P.E. is a Brooklyn band that features members of Pill and Eaters, and their sound is somewhere between weird, no-wave industrial and super-catchy synth-pop. So while some of their sounds are a little experimental, songs like “Soft Dance” and “Pink Shiver” are basically perfect pop singles. You can’t go out to dance right now, so put this on and do it in your living room.
Music for Insomnia
Caribou – Suddenly
I should clarify that when I say “Music for Insomnia,” this probably isn’t music that will get you to sleep. To be honest, I’ve always had trouble sleeping with music on. Some soothing voices? Perhaps, but not music. But the new Caribou album, while riddled with beats and samples, is to my ears very much a late night album, and it’s something to keep you company if you’re up at night, deciding whether or not you should mix together all the types of cereal in your cupboard.
Music That Soothes (Without Being Too Sedate)
Four Tet – Sixteen Oceans
Perhaps you just need something to listen to that’s not too intense, not too gentle or sparse, just something pretty with enough energy to make you feel like a human being. Well, UK producer Kieran Hebden, aka Four Tet, is great at that. Most of his music has energy and momentum, but never veers into sensory overload EDM. And his newly released Sixteen Oceans is one of his prettiest to date.
Music for Meditation
Tengger – Spiritual 2
Most of us will probably need some time for meditation, to re-center ourselves, to find a moment of peace while things are a bit scary. Some would probably prefer silence, but if you can add music to the equation, then you should do so, at least that’s my personal take on it. Tengger is a South Korean group that makes epic and beautiful electronic music that tends toward the hypnotic. Perfect for your solitary moment of inner peace. Or yoga. That works too.
Music To Hear Just Because It’s Really Good
Moses Sumney – græPart One
But do you really need an excuse to buy some good new music? The best reason is because we enjoy listening to it! And one album I enjoy a whole lot right now is the first installment of Moses Sumney’s græ. He’s releasing it in two parts, with the second installment coming in May. But even if it’s half an album, these 12 tracks are some of the most sonically inviting, emotionally powerful songs I’ve heard all year.But no need to stop there, spend some time on Bandcamp and stream new albums to find other music you might want to buy. It’ll make a musician’s day, and they could really use that right now.
Jeff Terich is the music critic behind the blog The Setlist. His writing has been published in Stereogum, Bandcamp Daily, American Songwriter, Fodor's and Vinyl Me Please.
In hindsight, the ’90s were pretty weird. People tend to remember the decade’s music in terms of its novelties (“Macarena”), its heavily hyped trends (grunge) or the Spice Girls. But a lot of what was happening just under the mainstream radar was a lot more interesting. And big record labels with money to burn certainly thought so as well; in the wake of Nirvana’s massive success with 1991’s Nevermind, every company with seemingly endless A&R resources was snatching up every last indie artist without a contract. There were success stories, of course, but the market only had so much room for an alternative rock hitmaker. So for every Beck or Cake, there were dozens of groups like Royal Trux, Boredoms, or even San Diego’s own Drive Like Jehu, who simply didn’t write radio-ready anthems and likely weren’t all that interested in doing so.
There were some interesting exceptions, however, like Soul Coughing. In 1996, the New York band landed their own hit with “Super Bon Bon,” a sort of nonsensical, bohemian beat-poetry breakdown driven by an upright bass groove and frontman Mike Doughty’s off-kilter Dadaist lyrics: “Too fat, fat, you must cut lean/You gotta take the elevator to the mezzanine.” There’s no question why it was a hit—it’s an incredibly catchy song—but it’s certainly weird. Yet it’s got nothing on the band’s debut album, Ruby Vroom.
Released in the fall of 1994, Ruby Vroom introduced Soul Coughing at a time when samplers and drum machines were starting to supplant guitars in alternative music. The Beastie Boys, a hip-hop group, had become staples of modern rock radio while the breakthrough of Beck’s “Loser” early on in 1994 had spawned a number of soundalikes—Primitive Radio Gods, Forest for the Trees (who actually cowrote “Loser”) and Fun Lovin’ Criminals, to name a few. Soul Coughing emerged more as a parallel, their style a hybrid of beat poetry, jazz, hip-hop, and rock that doesn’t make a lot of sense on paper but is a hell of a lot of fun in your headphones. Take, for instance, the single “Screenwriter’s Blues,” a spoken-word narration of Hollywood clichés and ennui featuring a number of one-liners like “We are all in some way or another going to Reseda, someday, to die” and “I am going to Los Angeles to build a screenplay about lovers who murder each other.” Is it bizarre, perhaps too much so for a mainstream radio audience? Absolutely. But is it an absolute blast to listen to? You bet.
That’s true of the whole of Ruby Vroom, which turns 25 this year. I’m not sure how the album might sound to those who weren’t around the first time to hear it—without the context of the fairly absurd alt-rock explosion of the ’90s, it’s an odd one. But to these ears, it holds up well. The cartoonish Raymond Scott samples on “Bus to Beelzebub,” the free-association absurdities of “Casiotone Nation,” the surprisingly tender ballad “True Dreams of Wichita”—it’s all playful, innovative, and fun. A lot of other albums from the same era haven’t fared so well.
Mike Doughty is playing the album in its entirety on tour for its anniversary, and though I don’t ordinarily go for the album-anniversary concert gimmick, something about this one appeals to me. Perhaps it’s because Soul Coughing hasn’t and will likely never reunite, or that this album just hit me at the right time in my life. Maybe you just had to be there.
Mike Doughty plays Soul Coughing’s Ruby Vroom Saturday, March 23 Soda Bar
Other Recommended Shows This Week:
Veronica May Band, Ariel Levine, The Havnauts (Casbah, March 22): Three different local artists with three different styles and approaches will be sharing the stage on Friday. The Havnauts just won a handful of San Diego Music Awards, and with good reason—they’re one of the best new bands in town. But headliner Veronica May’s been around awhile, and her bluesy songs about her own mental health struggles are both compelling and deeply affecting.
Stay Strange presents: A Night of Strange Music (Black Cat Bar, March 22): The title isn’t misleading at all. Local curator Sam Lopez has been putting together showcases of truly peculiar sounds for many years, and every time I’ve gone to one, I’ve walked away from them having been exposed to something new and unfamiliar, and had a really fun time. Open your ears and your mind and see what happens.
Foals (The Observatory North Park, March 23): In terms of contemporary alternative rock, well, it’s honestly not that different from the ’90s; you still hear a lot of Foo Fighters, for instance. But Foals is one of the few Big Indie bands that have kept my interest, thanks to songs with big hooks and an even bigger focus on richly layered atmospheric elements.
Jeff Terich is the music critic behind the blog The Setlist. His writing has been published in Stereogum, Bandcamp Daily, American Songwriter, Fodor's and Vinyl Me Please.
August is San Diego at full volume. Summer crowds are still chasing sunshine, but the calendar belongs to locals who know this is when the city really shows off. One night you’re dancing under the stars, the next you’re watching thoroughbreds with a plate of oysters in hand, catching Broadway hits, wandering gallery exhibitions, or rallying on a downtown pickleball court. Whether you’re looking for live music, festivals, theater, food, or an excuse to spend as little time indoors as possible, these are the August events worth putting on your calendar.
On the heels of Cross Pollination II’s release, house musician Lane 8 will co-headline FNGRS CRSSD x Cross Pollination, a day of back-to-back grooves at Waterfront Park.
Cross coasts at the Civic Theatre for a jukebox musical rooted in family, coming of age, and blossoming talent in Alicia Keys’ Hell’s Kitchen, inspired by the 16-Grammy Award-winning singer’s NYC upbringing.
August 23
Jeff Goldblum is a classic man. In his show at The Rady Shell, Goldblum will accentuate his old-school charm with his Mildred Snitzer Orchestra and the San Diego Symphony Orchestra.
Photo Credit: Aaron Rumley
Theater & Art Exhibits in San Diego This Month
August 1–October 10
Explore gallery walls lined with artwork juried by acclaimed artist Paul Mpagi Sepuya and chosen by the Athenaeum Music & Arts Library for its esteemed 34th Annual Juried Exhibition.
August 7
As you already know, we adore San Diego. That’s why we’re assembling the city’s crème de la crème—including over 90 curated vendors—in Liberty Station for our annual Best of San Diego Party, presented by Pechanga Resort & Casino.
Helado Negro and Reyna Tropical each specialize in bilingual music, songs overflowing with proud markers of Latinx identity. Hear the ear-tingling transmissions from their collaborative LP at Epstein Family Amphitheater.
August 16
Country music superstars, proud Georgians, and close pals Jason Aldean and Luke Bryan are doubling down on their summertime stadium tour with a boot-stomping concert at Petco Park.
August 27–September 6
The one-woman play Eleanor—told via the eloquent perspective of Eleanor Roosevelt—will make a limited return to the North Coast Repertory Theatre.
More Fun Things to Do in San Diego This Month
Now Through September 3
For six straight Thursdays, downtown’s Fifth Avenue will shut down and become the city’s first-ever street-style pickleball event. Bring a paddle and enjoy DJs, a wellness market, and zero-proof drinks at Gaslamp Urban Pickleball.
August 8
Del Mar Thoroughbred Club’s newest foodie event, the buttery Turf & Surf Festival, offers a luxurious combo of land and sea, built for watching trackside with a loaded plate in hand.
August 22
For the first time since 2019, the free Chula Vista HarborFest will hit the shores of Bayside Park with a classic car expo, lucha libre showdowns, and the chance to meet a mermaid.
August 29
Celebrate the seven decades (and counting) spent upholding Point Loma’s coastal landmark during Cabrillo Under the Stars, a 21-plus fundraiser with bites, Beatles covers, and, best of all, twinkling lights.
Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.
Renewable energy companies building hundreds of power plants. Biotech startups using artificial intelligence to create personalized medicine for children with rare diseases. Hospitality companies quietly powering thousands of local events. Consumer brands growing from beach-town startups into national businesses. These are the kinds of companies driving San Diego’s economy today, and the businesses recognized at this year’s San Diego Business Impact Awards offer a snapshot of where the region is headed.
Hosted July 23 by San Diego Regional Economic Development Corporation (EDC) and JPMorganChase, the second annual awards event honored four local companies for innovation, growth, and economic impact. More than 100 nominations from San Diego’s middle-market businesses were reviewed by a 10-person judging committee, with winners selected across four categories: startup, early-stage innovator, rising star, and established heavyweight.
Two-time honoree Jimbo Someck, founder of Jimbo’s organic grocery stores, also joined the event for a fireside chat on buying local, supporting emerging brands, and giving back to the community.
“San Diego’s strength comes from its makers and builders—the resilient people who endure great risks and overcome obstacles to build and scale a company,” says Aaron Ryan, San Diego Region Manager and Middle Market Banking at JPMorganChase & Co. “These awards aren’t just recognition; they spotlight the talent, grit, and innovation shaping our region’s future. By celebrating those who create and build, we foster connections and fuel the growth that keeps San Diego thriving.”
Photo Credit: Matt Furman
Building the Infrastructure Behind Clean Energy
Heavyweight honoree SOLV Energy has grown alongside the country’s rapid investment in renewable power. “It’s an exciting time for SOLV Energy as we are experiencing significant growth,” says CEO George Hershman. “The business has doubled over the last year and has almost double-digit growth since its inception.”
The Rancho Bernardo-based company designs, builds, operates, and maintains utility-scale solar and energy storage facilities. Since its founding in 2008, SOLV Energy has built more than 500 power plants.
Growth has translated directly into hiring. About 200 employees work from the company’s local headquarters, including roughly 20 interns. “Our intern program is a big part of the way that we grow our workforce,” Hershman says. “Last year, 43 percent of our interns became full-time employees. We believe San Diego is a great community to build and grow a high-tech infrastructure and technology company because of the incredible workforce—the ability to attract top talent and draw from world-class universities.”
Photo Credit: Matt Furman
Developing Medicine One Patient at a Time
Startup honoree La Jolla Labs is tackling one of medicine’s biggest challenges by developing personalized RNA therapeutics for patients with rare diseases—many of them children with neurological disorders like ALS. Using proprietary artificial intelligence and machine learning tools, the biotech company develops treatments tailored to each patient’s specific genetic mutation.
CEO Tamar Grossman says the recognition reflects how far the company has come despite limited resources. “We’re honored to be recognized for our ability to change and save patients’ lives and turn our lean startup into a clinical company with very minimal resources,” she says.
Grossman credits San Diego’s concentration of research institutions—including UC San Diego, the Salk Institute, and Scripps Research—with creating a pipeline of talent and collaboration. “San Diego is one of the world-leading centers for technology, genomics, and RNA therapeutics,” she says. “We have over 30 RNA therapeutics companies here, and we support each other and help with anything related to drug discovery.”
She says that collaborative spirit extends beyond formal partnerships. “You can walk around Torrey Pines, go into a café, and find colleagues from the industry and have an ad hoc conversation,” Grossman says. “That’s something very unique to San Diego.”
While Snake Oil Venue Company may not be a household name, chances are many San Diegans have attended one of its events. The early-stage innovator honoree has expanded from beverage catering and mixology consulting into venue management, operating Julep Venue in Mission Hills, Bramble Bay Venue in Imperial Beach, Vesper Venue, the Chapel at Liberty Station, and five outdoor venues throughout Liberty Station—more than 500,000 square feet of event space altogether.
“We do a lot of launch parties for corporations and new products,” says CEO Mike Esposito. “I really like working on the entrepreneur side of things, where new businesses are entering the San Diego market and looking to make a splash.”
Snake Oil has executed more than 16,000 events, employed more than 1,000 people, and partnered with more than 900 local vendors, including caterers, florists, photographers, entertainers, and other hospitality businesses. The company also works with many of San Diego’s nonprofits, museums, and cultural institutions. “We get to celebrate people’s most important moments,” Esposito says. “Whether that’s a wedding, celebration of life, or quinceañera, we’re fortunate to be involved in the community in so many different ways.”
Photo Credit: Matt Furman
Growing a Beach-Town Brand into a National Business
Rising star honoree ALOHA Collection is proof that a simple idea can grow into a thriving company. Founded by two roommates who wanted a better way to carry wet swimsuits after a day at the beach, the lifestyle brand has grown into a business while maintaining strong year-over-year growth.
Now headquartered in Carlsbad, ALOHA Collection employs more than 100 people and operates its California flagship store in Encinitas, which is slated for a remodel. With roots in Hawaii, the company is known for its lightweight, splash-proof travel bags that have become a familiar sight on beaches in San Diego and beyond.
“‘Aloha’ is part of our name, but it’s also how we move through the world,” says CEO Lynna Barnard. “It’s how we show up for people, the way we travel, the way we give back.” Since day one, the company has maintained a 5 percent giveback to Hawaii conservation efforts, contributing millions of dollars over the years.
“I think what’s so inspiring about ALOHA Collection, and the founders in particular, is when you dream big, those dreams can come true when you work hard and trust in the universe,” Barnard says. “It’s inspiring to be a role model for other people wanting to start businesses from humble beginnings. Start small and watch it grow.”
Together, businesses like these form a cornerstone of San Diego’s economy—not only through the jobs and revenue they generate—but through the local workers they hire, vendors they support, and investments they make in the region. Their growth doesn’t happen in isolation; it ripples outward, strengthening the broader business community and the people who call San Diego home.
Immersive theater productions, open-air pickleball matches and affordable festivals are among San Diego’s marquee happenings as we turn to August. Fans of horror classics and fourth-wall breaking can explore their interests via the new theatrical comedy Die Already! and the one-woman show ha ha ha ha ha ha ha, respectively. Pickleball enthusiasts can sign up for Gaslamp Urban Pickleball, a weekly chance to play outdoors, shop for gear and take advantage of neighborhood dining deals. Plus, for the budget-conscious, admission is free for a handful of local festivals, including the three-day Ramona Country Fair, ArtWalk Liberty Station and Cardiff Dog Days of Summer.
Dine on a sustainable farm-to-table spread from Barron Creek Farm at Thursday’s Mid-Summer Harvest Feast. The evening will begin at 5:30 p.m. with tunes from local band Wild Caravan, charcuterie, herbal refreshments and an optional guided tour of the farm (with the chance to harvest your own herbs). Then, guests will be seated for a four-course dinner at 6:30 p.m., crafted by Chef Jesse Bermudez of Rancho Valencia. Tickets are $100-$150 per person on a sliding scale; proceeds from the event will support the nonprofit farm’s environmental initiatives.
1501 Kelly Street, Oceanside
Uncorked: Del Mar at Del Mar Thoroughbred Club
August 1
Sample a worldly selection of wines, champagne, cocktails and more through the 7th annual Uncorked: Del Mar this Saturday from 2-5 p.m. at Del Mar Thoroughbred Club. Dress in derby attire and enjoy an afternoon with horse racing, live music, food trucks, and unlimited tastings, with over 100 unique libations at this 21-plus event. Ticket options include general admission ($84) and early admission ($100), which comes with entry at 1 p.m. and exclusive pours; proceeds from this event go towards the nonprofit Urban Surf 4 Kids.
2260 Jimmy Durante Boulevard, Del Mar
Concerts & Festivals in San Diego This Weekend
Santigold at Humphreys Concerts by the Bay
July 29
It’s common for musicians to go through cycles of exploration, but few are as adept at reinvention as Santigold. Even her oldest songs, like 2008’s “Shove It” feel revolutionary for their scale. She’s embraced a slew of influences—punk, dancehall, electronica, new wave—all on her way to becoming an alternative pop pioneer, a fashion icon and a beacon of originality. This Wednesday at 7:30 p.m., Santigold will perform at Humphreys Concerts by the Bay with special guest Troy Baker Sound. General admission (standing only) is $68 for this concert.
2241 Shelter Island Drive, Shelter Island
Ramona Country Fair
July 31–August 2
Enjoy a western weekend at the Ramona Country Fair, returning this Friday from 4-11 p.m. and Saturday and Sunday from 11 a.m. to 11 p.m. at Ramona Outdoor Community Center. The festivities include a cornhole tournament, an off-road car show, carnival-style entertainment and themed music lineups: Rhythm & Roots Night (Friday), Rock & Reggae Night (Saturday), Blues Brunch (Sunday morning) and Old Country Night (Sunday evening). Admission is free, while ride tickets (32 for $20) and wristbands ($30 online, $35 in-person) are available online.
421 Aqua Lane, Ramona
SummerFest at The Conrad
July 31–August 29
La Jolla Music Society will spend a full month celebrating classics at The Conrad during the 40th anniversary of SummerFest, beginning this Friday. This year’s festival, themed “Making History,” will open with The Incomplete History of the World in Ten Pieces (Friday at 7 p.m.), followed by Vienna 1900 (Saturday at 7 p.m.) and What If? (Sunday at 3 p.m.). In addition to the 21 concerts, there will be over 50 free events, including open rehearsals, lectures, coaching workshops and an informative preview (Wednesday at 6 p.m.). Those interested in Friday’s show can join the waitlist; tickets range from $40-$95 for Vienna 1900 and $65-$95 for What If?.
7600 Fay Avenue, La Jolla
St. Vincent with the San Diego Symphony Orchestra
August 1
Last September, St. Vincent collaborated with conductor Jules Buckley and a 60-piece orchestra on a one-off concert for the BBC Proms series. Its success birthed two further triumphs for the acclaimed alternative musician: a sublime live album (Live in London) and a nationwide orchestral tour, with its penultimate performance set for Friday (7:30 p.m.) at The Rady Shell. Joining St. Vincent will be the San Diego Symphony Orchestra and a special guest, Pakistani singer and composer Arooj Aftab. Tickets range from $68-$117 for this concert.
Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.
Siblings make better music. That’s the hot take, and there’s some logic and science behind it. The Bee Gees, Jackson 5, Billie Eilish and Finneas, AC/DC, Van Halen, The Allman Brothers—heck, even the Hanson brothers, why not? Beyond just a shared sense of taste and nonverbal communication developed over decades of living and evolving together, there’s a thing called “blood harmony.” The genetically similar throat cavities, vocal cords, speech patterns, and resonant bone structures all blend each unique voice into a more homophonic sound than what comes out of two non-related singers.
Those throat cavities are working wonders for emerging San Diego band We the Commas—three brothers (from oldest to youngest) Lenny, Jordon, and Cam Comma.
Raised in Vista and Carlsbad, the family opted out of cable TV (video games got a pass). Without binge-watching to fill bored hours, the trio turned to music. Guitar Hero led to GarageBand and finally to live instruments—guitars for Lenny and Cam, drum set for Jordon. In their sound, the influence of Stevie Wonder, Erykah Badu, The Who, and Dave Matthews Band is obvious, and so is surf culture, specifically that laid-back chill of North County surf culture.
“We’re like the Black Beach Boys,” Cam says. (Note: Three of the five founding members of the Beach Boys were siblings—the theory gets stronger.)
Their debut EP pretty clearly lays out how they see their sound—titled SARB, an acronym for Surf Alternative R&B. That resonates in the song “Sherry,” with its easy-listening, windows-down-on-the-101 vibe. It also works in the louder, surf-punkier “Pissed Off.” Despite some advances in reducing core stereotyping tendencies, people still tend to autofill Black musicians into rap and R&B. The Comma brothers immediately circumvent that by declaring themselves out the gates.
“SARB makes it so [listeners are] open to all of the things that we want to do,” Lenny says. “From there, you can put a label on whatever you think it sounds like.”
Courtesy of We the Commas
People—and musicians further up the stream—are taking note. In 2023, they co-wrote the song “I Keep Fallin’” with Eric Cannata, guitarist for multi-platinum SoCal band Young the Giant. In early 2024, they were tapped to open the national tour of Brooklyn’s jazz-pop heroes, Sammy Rae & The Friends. Comedian Gabriel “Fluffy” Iglesias invited them to warm up his show at Pechanga a couple months later.
“We really believe genuinely, with our whole hearts, minds and souls, that this is going to work the way that we think it’s going to,” Cam says, grinning ear to ear.
Currently, the Commas live together in Vista, and the dream, wholeheartedly, is more alive than ever. They’ve put out two dozen singles and a trio of EPs: SARB (2020), Old School Love (2021), and Aeroplane (2024); this year alone brought the release of three new singles, including “Let Me,” a silky-smooth entry in their growing collection of love songs.
“We fully realized the magic is in all of us together,” Lenny says. “We know that this doesn’t happen without each person, and we have respect for each other because we need each other.”
As they grow as brothers and as a band, the Commas try to always remember what unified them in the first place.
Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.
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