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Johnny Rivera has had some big San Diego restaurant success—but this tiny eatery is his best yet
The yellowtail aguachile is food art and unlike other restaurants, doesn’t get abusively happy with the lime
Photo Credit: James Tran
This is like when Metallica played with the symphony. Longtime San Diego restaurateur Johnny Rivera is best known for big, loud things. The table-sized breakfasts at Hash House A-Go-Go. The maple-bacon donuts at Great Maple. But Wolf in the Woods is so gentle and soft. Almost lovely. No, not almost. Absolutely lovely.
It’s a tiny box of charms and bistro chairs on a tree-lined street in one of the city’s most iconic and calm-inducing neighborhoods. This one’s for lovers. Rivera is an art and music kid who wandered into restaurants and never left. The sort of kid who wore neck scarves to punk shows, toying with the stiff definitions of so-called gender appropriate fashion.
His first restaurants—Hash House, Tractor Room (RIP), and Great Maple had that nervy creative energy to the food (Cap’n Crunch French toast may not sound wild in the post-Instagram age, but it was when they opened in 2000).
Photo Credit: James Tran
You can see the creative energy in the commissioned art of Wolf in the Woods (a Taos artist, Jackson Ballard). You can see it in the uniforms of the servers, which look European and fashion-modely. Rivera still wears his scarf.
You’ll see it whisk by in Wolf’s tiny dining room, as he leans down to explain the story of a bottle of wine—like, say, the Baron de L Pouilly Fumé 2018 from I Ladoucette (Pouilly Fumé, especially from Ladoucette, is one of the world’s great white wines). He almost twitches when he talks about this bottle. His narrative zeal for turned juice gives it rich backstory and thrill, adds a couple points to your personal rating of it.
Executive chef Carmine Lopez does wonders with a petite kitchen
Photo Credit: James Tran
Dear god, try the corn piñon soup. Chef Carmine Lopez uses fresh shaved corn, a splash of cream, tops it with New Mexican Hatch red chile powder, roasted pine nuts, and halfway submerges a couple corn fritters in the show. Of all the places we put corn in America (packaging, fuel tanks, toothpaste), this is by far my favorite. Corn is the greatest sugar, and its intense sweetness is balanced just right with this simple bowl of food. It is the best thing we eat here.
New Mexican, Spanish, Latin, and Native American food cultures were all inspirations for everything in Wolf, and the famed Hatch chile makes frequent cameos. It shows up on the mini burger, where it’s a condiment two ways— fresh chopped chiles and a Hatch crema—along with melted white cheddar on brioche. Hatch is such a historic flavor that most Americans have a memory of.
For me, it’s the taste of supermarket salsa from the ’80s. I realize that sounds disparaging, but it’s a good memory (I consider the discovery of salsa a major and spiritual life marker). Lopez plays on my emotional, sense-memory connection to Hatch and gilds that memory, makes it better and brighter.
Photo Credit: James Tran
At 1,100-square-feet, Wolf feels like a San Francisco or New York restaurant—humans tucked in every little corner, strangers no more. Some may not enjoy the close-quarter humanity, but it makes the place feel alive, lends it a joie de bustle. If you require acreage and privacy at restaurants, go early or go to Olive Garden.
The kitchen’s also quaint, which explains why it’s mostly tapas at Wolf. They have a couple tostas (Latin cousin of bruschetta, really) and you shouldn’t miss the one brushed with garlic and tomato puree, then topped with thin slices of the famed Jamon Iberico. Aguachile is everywhere these days, and most places waterboard it with so much lime it tastes like scurvy medicine. But Lopez’ is a star, with a far more mellow and fragrant cucumber jus and serrano peppers.
The Brussels sprouts salad is pretty fantastic, a whole pile of fresh, raw shavings is tossed with fennel, red onion, and a vegan cashew dressing with Madras curry powder, then finished with fennel pollen. It’s the best whole spice rack I’ve ever eaten. Order the Calvados liver pâté with thyme—the famed French apple brandy cutting through the creamy carnivore treat. Only complaint is that I wish they had the space to let the dish sit on a counter for a while. It arrives cold and the flavor of any food, but especially pâté, is a diva and refuses to perform until it hits room temp.
Photo Credit: James Tran
They’ve only got a couple entrees, and the must-try is the “Duck and Three Sisters,” a showcase of the three historically crucial agricultural crops in North America: corn, squash, and beans. Mary’s duck breast sits atop a silky corn puree with squash ad green pole beans, the whole affair drizzled with a shallot jus with Spanish Rioja wine.
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Rivera says he wanted to create a cave à manger, a Paris tradition of a wine shop that also serves chefy snacks. Wolf in the Woods does feel like that. It also feels personal. It feels like Rivera went to France, fell in love or lust or joined a cult that believes in the healing power of Rhone wines—and now he’s invited you over to his cute boho house to indoctrinate you with his hip fashion.
Indoctrinate me.
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
The former BoujieMana executive chef lands at the Mission Hills restaurant to re-introduce himself to San Diego
For two-and-a-half years, one of California’s most promising culinary talents has remained surprisingly off-the-radar, working as executive chef in a uniquely named restaurant tucked inside a Serra Mesa office building. He hasn’t gone completely unnoticed though—food critic Troy Johnson calls BoujieMana a “hidden gem with an all-star team.” And that team? Led by said promising chef, Dante Cecchini.
A San Francisco transplant with a resume as long as a CVS receipt and as star-studded at the Andromeda Galaxy, first cut his teeth under chef Elizabeth Falkner at the Bay Area pastry shop Citizen Cake before moving to Big Night Restaurant Group, where he rose through the ranks to become chef de cuisine at places like Marlowe, Park Tavern, and The Cavalier under the tutelage of restaurateurs Anna Weinberg and chef Jennifer Puccio.
He also worked at Morris with chef Gavin Schmidt (from the three Michelin-starred Coi), cooked at the James Beard House twice, was named a Rising Star Chef by the San Francisco Chronicle, and one of Zagat’s “30 Under 30,” among his other accolades. So it’s surprising that he hasn’t had the chance to make a bigger impression in San Diego yet.
But he’s ready to do so as the new executive chef at Communion.
Opened in 2024, the Mission Hills restaurants offers a sky-high view from its top floor perch of The Sasan building at the corner of Washington and Goldfinch Streets. Guests enter through Paradis, the ground floor cafe on the way to the elevator, where a sanctuary-meets-sensuality vibe and strong cocktail program have gleaned generally positive reviews over the past year-and-a-half. But Cecchini wants to bring an infusion of new ideas to the kitchen.
Not too many all at once though, he says. To ensure loyal regulars will get the chance to get used to his approach to fine dining, he’s phasing out former chef Mike Moritz’s menu in stages, but says by the end of February the transition will be complete.
He’ll keep the tasting menu in some form or another, but at the very least expect twists on some of Communion’s signature dishes, like the za’atar-crusted lamb lollipops and the Spanish octopus. “[They’re] still going to be really approachable. It’s just going to be super flavorful, very colorful, but super seasonal,” he says.
Emphasizing seasonality much more will be a major part of Cecchini’s ethos at Communion. “You’ll never see strawberries on the menu in winter,” he promises. Tomatoes in February? Not on his watch. But there will more attention to plating presentation and dry-aging proteins like fish and duck. He’ll also incorporate some of his Italian heritage and training into the menu, like introducing Sardinian dumplings and using ingredients like bottarga, a salt-cured piece of roe that’s either grated or thinly sliced (like Parmesan) with an intense umami profile.
With Cecchini’s years of level experience, expectations are as high as Communion’s rooftop location. He has three words: bring it on.
“I want to invite everyone in for them to experience what’s different. I promise that everything that they come in and eat will be great,” he says. “I know that’s a big thing to say, but I’m feeling very confident.”
Communion is located at 901 W. Washington Street in Mission Hills.
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
The specialty sourdough bakery will expand to more pastries, sandwiches, and coffee in its first brick-and-mortar space, opening in 2026
Stop me if you’ve heard this one before: person gets laid off during the pandemic. Bored at home, they turn to baking. A passing interest turns into a passion, and before you know it, they’re launching a full-fledged bakery.
Yes, that’s the story of how Mi Pan Bakery started, and yes, 10,000 other aspirational bakeries began the exact same way. But the difference is that Mi Pan’s baker and owner Alejandro Gomez didn’t stop at making a few loaves of sourdough for his friends and family.
He’s spent the last five years building a beloved local business whose bread and pastries are now sought out at three different farmers markets, was nominated for both Best Bread and Best Farmers Market Food Vendor in San Diego Magazine’s Best of San Diego Reader’s Choice Awards for 2025, and only decided to finally move from baking in his garage to their first brick-and-mortar location in order to keep up with sheer demand.
“I talked to my wife, and I said ‘Listen, if we’re not going to move out of the garage, I don’t think I can keep doing this, because I’m baking pretty much 10 to 12 hours a day,’” Gomez laughs. “I think it’s time.”
After a year of looking for the right location—where Gomez and his wife and business partner Alejandra Ruelas could open Mi Pan with enough space for an expanded commercial kitchen, an area for hosting workshops, and an onsite retail store—they found it. Mi Pan Bakery’s first brick-and-mortar location will open in the first half of 2026 at 6435 Mission Gorge Road in Grantville.
Once open, Mi Pan will still remain at all of the farmers markets: Tuesdays in Pacific Beach, Saturdays in Little Italy, and Sundays in Chula Vista. They hope to add one more to their rotation once they have the ability to increase production. Gomez says he also plans to launch a wholesale side of the bakery, something he says multiple businesses have approached him about, but he hasn’t been able to take on with his small operation. And then, maybe one day, maybe even a second location in North County.
Gomez also didn’t work as a baker previously, unlike other pandemic-launched operations like Companion Bread Company and Relic Bakery. But in the past five years, he’s taught himself the craft and traveled across the world to places like France, Spain, and Mexico City to both take and teach various baking classes, something he also plans to offer at the new space.
Mi Pan’s menu will remain small, offering its signature sourdough and pastries—especially medialunas, an Argentinian pastry that’s a cross between a flaky croissant and soft brioche with a light glaze on top. “If you haven’t tried it, you should,” he promises. “They’re amazing.” They’ll also add sandwiches using its own bread, as well as coffee. (Most of this will be intended to-go, but it’ll have a few tables onsite if people wish to enjoy their goodies right away.) But above all, Gomez says what they’re building is meant to last, modeled after the family-owned neighborhood cafes of his native Mexico and across Europe.
“It’s not about being the kind of trendy bakery that’s hyped for six, seven months, or a year, and then after that, they disappear,” he says. “We want an atmosphere that feels like home, and then when you come back… you’re greeted by name. I think that’s what we want—a warm, reliable, everyday bakery where the community feels welcome and you always find exceptional bread and pastries.”
Mi Pan Bakery will open at 6435 Mission Gorge Road in Grantville in mid-2026.
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
The local-friendly Mission Hills spot opens this weekend inside chef Brad Wise’s Italian chophouse
If Cardellino tells a story of fire and Italian bravado, Carlo is its soft, sensual counterpart. The cream to the cookie. Sophia Loren to Sylvester Stallone. According to owner and executive chef Brad Wise, it’s exactly the balance Cardellino needed.
Carlo’s story begins this weekend when it opens inside Cardellino. It’s not really a speakeasy. More a hidden cocktail bar within the restaurant, tucked behind a wine wall that wasn’t there a few months ago. The newly constructed, intimate space fits 32 guests at a time. Wise says the time was ripe for adding a new layer to the Cardellino experience. That particular part of the building never quite had the right feng shui.
“Where you walked in the front door previously, there was always a 750-square-foot, rectangular-shaped portion of the restaurant that I was just never in love with,” he explains. After seeing the huge success of sister restaurant Fort Oak’s “Snowed In” experiential holiday bar, he wondered if something similar would work.
“If you’re not figuring out how to create a different experience for people to come back multiple times over and over, the food and service these days is only going to do that so much,” he adds.
The idea is that guests can pop in for a drink before dinner at Cardellino or after they dine at Communion or Fort Oak. It’s designed to be a local’s spot and an arena for beverage director Jess Stewart and her team to flex their cocktail muscles in a smaller, more obsessive setting.
Carlo is reservation-only and specifically designed to be a bit more chic than Cardellino’s brick and bulbs. “It’s reds, mauve, purples—there’s a really beautiful flower installation hanging from the ceiling,” Stewart says. “Walk through a curtain, and we really want it to transport you.”
Stewart adds that it’s a traditional cocktail menu, so patrons can request a dealer’s choice. But she’s confident that the drinks she and lead bartender Marina Ferreira have concocted will blow your socks off. The menu has two themes: The Fates (whimsical house creations) and The Legends (elevated takes on classics). One example of a Fate cocktail is The Prophet, with bourbon, cognac, dates, palo santo, and bitters, while a Legend is Carlo’s spin on a negroni, starring a Schwarzwald dry gin with 47 different botanicals, Barolo chinato instead of sweet vermouth, Campari, and a pinch of salt to counter the bitterness.
Wise says his team is already working on another hidden bar that will open in the next two to three months (he wants to keep the details close to his chest), but now that he’s back in the bar world, it’s game on. Carlo may just be the start.
Reservations for Carlo are available on Resy. For more information, visit ciaocarlosd.com.
Chef Alex Carballo has helped launch ambitious concepts like Haven Farm + Table at Fox Point Farms in Encinitas, managed huge kitchens like Stone Brewing World Bistro & Gardens in Escondido, and made an appearance on San Diego Magazine’s 2025 cover featuring the biggest and brightest food stars in San Diego. The man’s a talent, gives a damn, and is a rock of the scene when it comes to launching new concepts that actually run. And come January, he’s opening Nómada in Carlsbad as the newest partner of Grand Restaurant Group (GRG).
Carballo’s menu will feature different regional cuisines from around Mexico. The group’s new beverage director, Sean Ward (Lumi, Huntress, Nolita Hall, Duck Dive), will focus on agave spirits from producers in Mexico and California. It may be the first time Carballo is at the helm as a partner, but considering he has over two decades of restaurant management, operations, and chef consulting under his belt, it sounds like GRG made an AJ Preller–level genius acquisition.
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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
The annual event honors middle market companies creating jobs, scaling up, and investing in the region
San Diego is known for its startup culture and innovation economy, but what happens when the company moves beyond its early-stage years? The San Diego Business Impact Awards aim to answer that question, spotlighting the middle market businesses helping drive the region’s economy.
Hosted by San Diego Regional Economic Development Corporation (EDC) and JPMorganChase, the second annual awards celebration takes place on Thursday, July 23, from 4:30 to 7:00 p.m. at Scripps Research Auditorium. More than 200 executives, entrepreneurs, and business leaders are expected to attend the networking and cocktail event honoring some of San Diego County’s fastest-growing companies.
Businesses headquartered in San Diego County that have operated for at least two years are encouraged to submit their nomination by Thursday, June 18 at 4 p.m. Companies across industries—from technology and life sciences to tourism and consumer products, as well as pre-revenue startups—are eligible for recognition.
For EDC President and CEO Mark Cafferty, the event is as much about building connections as celebrating success. “We’ve had a longtime partnership with JPMorganChase; their work aligns with our efforts to support underserved communities and drive talent development,” says Cafferty. “And the networking was invaluable last year. I’m still in touch with people I met at last year’s awards.”
EDC is an independently-funded nonprofit that works directly with San Diego companies to help them grow the local economy, make the region as a whole more competitive, and attract and retain top-tier talent with quality jobs. Through EDC, companies can get help starting or expanding their business with support for things like site selection, permit navigation, and regulatory guidance, plus connections to local resources and potential business collaborators.
The San Diego Business Impact Awards began as an idea with one of EDC’s longtime strategic partners, JPMorganChase. The two organizations share a commitment to San Diego and are dedicated to bolstering middle market businesses.
“We’re blessed with a robust innovation economy and startup community,” says Aaron Ryan, San Diego Region Manager for JPMorgan’s Commercial and Investment Bank and vice chair of the firm’s’ San Diego Market Leadership Team. “But one of the segments of the business community we felt was overlooked was emerging middle market companies—the businesses that are no longer small but not yet large.”
Ryan says supporting those companies is critical as they scale and decide where to invest, hire, and grow.
San Diego’s high cost of living remains one of the region’s biggest business challenges, making talent recruitment and retention increasingly competitive. But local leaders point to the region’s quality of life, climate, and collaborative business community as advantages that continue to attract employers and workers.
“In order to support thriving households, there has to be enough high-quality jobs for people to be able to afford to live here,” Cafferty says. “Once a company grows and excels past that middle market point in their growth cycle, they become much more likely to pay higher wages and compete globally.”
Both Cafferty and Ryan proudly tout the unique collaboration that exists among San Diego County businesses. Bringing together top universities producing high-quality talent, cutting-edge research institutions, a robust military and defense presence, leading ocean science and environmental organizations, and a binational, cross-border identity creates a distinct business ecosystem that defines and strengthens the San Diego region.
Last year’s San Diego Business Impact Awards celebrated nearly 60 honorees from 49 industries, representing a total of 8,232 jobs across eight sectors, including: software and technology, healthcare and life sciences, consumer goods, professional services, finance, construction and manufacturing, defense, and hospitality and tourism. On average, honoree companies doubled their revenues over the previous year, employed more than 145 San Diegans each, and offered an average annual compensation of $192,415.
Top honorees included defense contractor Innoflight, environmental consulting firm Bancroft Construction Services, life sciences startup Element Biosciences, defense technology contractor GALT Aerospace, organic grocery store chain Jimbo’s, and biopharmaceutical company LENZ Therapeutics. During the event, Innoflight Founder and CEO Jeff Janicik held a fireside chat offering his insights on investing in the community and embracing San Diego culture.
This year, organizers hope to continue highlighting the middle market players driving economic impact across the region. Nominations are now open through June 18 at 4 p.m. Get your tickets to the San Diego Business Impact Awards celebration to enjoy drinks by Snake Oil Cocktail Co., light bites, live music, and networking.
Inside the plant-based steakhouse from the creatives behind Kindred and Mothership
The Perfect Order: Vulture Martini | Potato Pavé | Crab Cake
Kory Stetina is a long way from learning what vegan food was through a pamphlet at punk-rock shows in his teens. He stands in his dream restaurant, Vulture, wearing a non-sportsy sports coat. He’s married with a child. There’s a very non-punk potato pavé on the monogrammed plate, the servers are in tux-adjacent attire, and this whole building in University Heights has been turned into a plant-based funhouse with formidable, obsessive style.
Despite the earmarks of midcentury continental formalism, five out of 10 people in here wear arcane t-shirts. Word got out early on that Vulture was a fine-dining experience, and while there’s a tableside Caesar and velvet curtains and soft, artful furniture, that was never the intent. Stetina had to do some PR legwork to pop the “special occasion” balloon that floated over the project—another collaboration between himself and Arsalun Tafazoli of CH Projects—and it seems to be working.
One of the t-shirt people I recognize: Justin Pearson of The Locust and Three One G Records. A thoughtful and progressive punk force in SD, he’s seated at a corner table with individuals who look like they’ve at least dabbled in if not dedicated their lives to graphic design and can casually play a theremin near a rare fern. Vulture captures that same dinner-party-for-creative-people mood that the Middletown bar Starlite first brought to the city.
It’s a place for grown-up punks, for ideas and ideals.
(Obtrusive but important note about punk rock and plant eaters: The rather genuine punk music of the 1970s and ’80s that eventually birthed Green Day and Nirvana and even, I guess, My Chemical Romance emerged from a philosophical and creative instinct to challenge status quos, which often meant expressing unpopular and political opinions in an excessively loud and urgent manner—pretty much exactly what Simon & Garfunkel were doing but far more invigorating and annoying. There were plenty of bands who got big because they had great hair and a good producer; there were other bands who got cult-famous based on the holy-wow way they expressed uncomfortable ideas, making people question the way they lived. Eating only plants was a part of this live-different worldview, and, like any good movement, it got co-opted by the tad too righteous, moral, and shame-mongery. It should be said that Stetina made his name in San Diego by being a philosophical vegan who’s un-mongery.)
To get to Vulture, you enter through Dreamboat, a well-lit, bright, Mr. Clean-ish, ’60s-era, plant-based, romantically American diner that’s all white and chrome and charm—poodle-skirt notions and connoisseur coffee and smoked potato latkes and Impossible burgers and baked goods and milkshakes and cocktails. Seating occupancy: one-and-a-half people on Ozempic (fine, it’s 10).
In the back corner of this tiny diner is an antique host stand. The host takes you through a velvet curtain, down the short hall, and through a door, until you enter into, what?
Some will call it a speakeasy, but it’s really just a fun surprise restaurant (“speakeasies” do still exist, but they’re not on OpenTable, and almost everyone with a project they call a “speakeasy” will, on their most honest days, admit it’s not a speakeasy).
You’ll step into cavernous, amber-glow, lava-lamp darkness. So, the first experience Vulture offers all of us is temporary blindness, followed by the opportunity to behold the shockingly slow ability of human eyes to adjust to radical shifts in light. The music is on point, a mix of obscure indie tracks and guilty-pleasure soft-rock bangers. Thanks to listening bars, restaurants have become the stereo-system showrooms of America. Remember that guy in high school who one day showed up with box speakers in his trunk and a $6,000 head unit, an amp, subwoofers, and EQs, and his car sounded like Dr. Dre’s and Rick Rubin’s place of business? That guy is restaurants.
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
After two decades of work and four years of waiting, the Carlsbad restaurant's opening came with a big splash
It had been open six weeks when it got the Michelin star. At six weeks, a restaurant is a newborn. Newborns wail and struggle to breathe. They’re cracking open their first panic attack. Nine months in the flotation tank of the mom spa, then—blammo—the landlord shuts off the water and fairly traumatically evicts them into a drafty world that has no clue about mood lighting.
It’s old food critic wisdom that restaurants need six months to get running and ready for real analysis. Crew members will have lied on their resumes, narcissists will find themselves bored, the strangely emotional demands of diners will break newbies. It’s a fresh organism dedicated to executing nightly public theater, and it takes time for all the parts to learn how to operate as a fluid whole—develop mutually beneficial roles, nail the timing, speak the unspoken language.
Granted, the team at Lilo in Carlsbad aren’t newcomers, and they’ve had way more time than they ever wanted to plan this out. Plus, the partners—restaurateur John Resnick and chef Eric Bost—helped earn their restaurant across the street, Jeune et Jolie, a Michelin star (and they run its raved-about sister restaurant, Campfire, down the block).
“We’re lucky,” Resnick says. “About 80 percent of the people on our team, we either worked with immediately or they came back because they were excited about this project.”
The project is a 22-seat, tasting menu–only restaurant featuring Bost, longtime chef de cuisine Dusan Todic, wine director Savannah Riedler (formerly of Post Ranch Inn and two-Michelin-starred Saison), and beverage director Andrew Cordero (Jeune et Jolie and Campfire). It’s four years in the making. When a 10,000-square-foot building became available on State Street in 2021—the last of its kind on one of Carlsbad’s most up-and-coming drags—they jumped at it. The plan was to build a massive all-day restaurant (Wildland, now open) and, behind it, tiny Lilo, where they could showcase what their vision of the ultimate San Diego dinner experience could be. It’s the kind of James Beard Award and Michelin bait that ambitious restaurateurs dream of and makes basic sense when they have a chef-partner like Bost.
“Campfire and Jeune—from the time leases were signed to opening doors—took about 12 months,” Resnick says. “So I kind of felt like, alright, 18 months should be doable.” He pauses. “It was not.”
At that time, the pandemic was still slowly releasing its chokehold. Supply chains had been shot with a billion tranquilizer darts. Building two restaurants at a time while exhibiting a noble American amount of ambition was no picnic. The week after the project finally broke ground, the construction lead on the project—“the only person more essential to the buildout than us as owners,” Resnick says—departed. A fun idiosyncrasy of construction in North County is that most contractors live 40 minutes away and prefer freelance gigs closer to home. So, finding help was hard. Plus, a new ordinance had been passed in Carlsbad since Resnick opened his first two restaurants.
“I was down in Baja having lunch when I got an email about needing a ‘minor site development plan,’” Resnick remembers. “I was like, ‘Well, it’s got the word minor in it; it’s probably not a big deal.’ That one thing added nine months to the project.”
Project costs ballooned. Hems were hawed. The buzz on this project had been loud, and now the scene wondered and whispered. I ask Bost and Resnick if there was a time they considered giving up or drastically reducing the vision.
“It came up, yeah,” Resnick says. “At the end of the day, it was a ‘the only way out is through’ type of thing.”
They thought they’d launch in July 2023. The doors opened in April 2025.
For Bost, the unveiling of that restaurant was especially redeeming. In 2020, he’d lost what felt like everything. He’d spent 20 years working his way through some of the world’s best kitchens: Le Cirque, The Ritz-Carlton in St. Thomas, Alain Ducasse, and both The Lodge at Torrey Pines and The Inn at Rancho Santa Fe in San Diego. He hit the top when he was named executive chef for Guy Savoy, launching the famed French chef’s elaborate Vegas restaurant and then overseeing his places in Singapore. In 2017, ready to do his own thing, he returned to SoCal and spent two years developing the idea for his dream restaurant. He finally opened his unpretentious tasting-menu place, Auburn, in LA in 2019.
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
Scripps study shows that some patients may be able to taper their dose and maintain results
While glucagon-like peptide-1 (GLP-1) receptor agents have been used to treat Type 2 diabetes for more than 20 years, their recent emergence as weight-loss wonder drugs marked a new frontier in medicine. But their effectiveness has left some patients wondering what to do once they’ve reached their goal. Stopping the medication could mean regaining some, if not all, of the weight. A Scripps Clinic internal medicine physician recently conducted a small study of whether GLP-1 patients who had reached their goal weight could maintain that weight by taking their regularly prescribed injection every other week instead of weekly. Spoiler alert: 30 of 34 patients did. Read more about the study here and what that may mean as pharmaceutical companies roll out oral GLP-1s.
For more nutrition, wellness, and healthy living tips, sign up for the San Diego Health newsletter here.
