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MasterChef winner Claudia Sandoval on the life-changing ups and downs
You can’t unmeet Claudia Sandoval. The National City native has the personality of a meteor shower. With her now signature red hair, bright red lipstick, and a laugh that tumbles out of her easily and often, she’s that person who shifts the gravity of a room in her direction just by being herself. A few years ago, she was a social worker for the County of San Diego. She and her daughter were sharing a bed in a one-bedroom apartment. Last September, she was crowned the winner of MasterChef with Gordon Ramsay, and got a check for $250,000. With the money, she invested in her catering and private chef business, Claudia’s Cocina. She bought the childhood home she grew up in. Her daughter got her own room. Now, the Latina chef has released her first cookbook, Claudia’s Cocina: A Taste of Mexico, and is eyeing her own restaurant in San Diego. I talked to her today about the book, how the internet funded her and her daughter’s life through the process, how she nearly got evicted during the show, and how you can be penniless and starving after winning $250,000. In fact, it sounds like MasterChef nearly broke her, until it made her.
Are you kidding? Everything has changed. I don’t even know where to begin. From the place that I lived. The flexibility I have to be home during the day and am able to pick up my daughter and take her to school. It’s just profoundly different. I’ve been able to cook in Michelin-starred restaurants. I’m able to enact a lot of change. It’s a whirlwind and I feel like I’m riding a wave. Whenever I come down from this cloud that I’m on, I’ll let you know. It’s surreal. It’s almost like I have a hard time expressing how good it’s been after being so shitty. Before me leaving to be on the show, things were horrible. I had to leave my husband. I had nothing. I had to rebuild my life in six years. Now I’m standing in the middle of a three-bedroom house that I grew up in and just refurnished.
My daughter was at the finale. My immediate family had gone to the finale, too. So they knew. But I couldn’t tell anyone who could potentially hire me. I couldn’t tell my actual employer. When I came back, my employer was going through their own little lull and they had to let me go. I felt like I was living in this twilight zone. My poker face is so good at lying now that it’s scary. If it’s hard for an adult not to tell anyone, imagine how hard it is for a kid. What I kept telling my daughter is, ‘We’ll lose everything. Not only that, but we’ll owe them money.’ I couldn’t afford to lose it.
I didn’t get it until October.
I couldn’t find work. I was pretty much starving. I was starting to look for a new place because I was a month behind on rent. I ended up finding a friend, she gave me assistant work. I was helping people do social media, and doing somebody else’s laundry. On top of that I had to write a book. I had a total of seven weeks to write this book, and I knew I wanted to do justice to it.
I bought the house I grew up in. I refurnished it. I paid off all my school debt. I’m a philosophy major from San Diego State. I paid off all my school loans. Paid off all my debts. I started Claudia’s Cocina. I bought a lot of kitchen equipment so that I could do private events and catering. Got my business up and running. My daughter and I went on a vacation to Okinawa.
I originally didn’t want to audition. I’ve always been a fan of the show. I watched it every week. I was one of those people who watched it from the comfort of my couch saying, ‘I could do that better.’ I remember way back when my ex-husband would say ‘You gotta go on that show.’ But I would never do it. And here I am.
I worked for the county of San Diego. I was a social worker and very unhappy with my life. I started Instagrammers San Diego, where we’d meet up with other people and create Instameets. It’s just a little club of people getting together and doing photography. That lead me to meeting [local advertising firm] i.d.e.a. We ended up setting the world record for the largest Instameet here in San Diego. There were over 500 people. Through that, i.d.e.a hired me on as an event manager.
So at i.d.e.a., I managed to win a couple cooking competitions in the office. So they were like, ‘Hell yes, absolutely yes, you should do the show.’ They were very supportive. But I was like, ‘I’m a horrible mom, how am I going to leave my child for three months?’ I couldn’t let i.d.e.a. know anything because of my confidentiality agreement. And I didn’t want them to replace me. So when I got the email saying, ‘You’re in. You’re one of the top 100. You can either be here for one week or three and a half months,” I talked to one of the partners at i.d.e.a. I told her I didn’t want to lose my job. She was great. She said ‘This is what we’re going to do.’ The plan was I was going to take a week of vacation because I had hours saved up. She said, ‘If you do not call us, or if you don’t come back on Monday, then we’ll know you’re in. We will put you on an administrative unpaid leave.’ But they were so gracious. They kept me on insurance so that my daughter was covered.
I had zero money. Zero savings. Friends said that I should start a GoFundMe. But I couldn’t say anything about the show. So I just posted that I had an amazing opportunity that could change my life. I added it all up. I’d need $3,400 to pay for rent, car and insurance. Three days after posting it on Facebook I had $3,400. One of my Instagram friends who I’d never met gave me $750. One of my Twitter followers gave me $1,200. It was amazing.
Oh yeah. There was a challenge chicken and waffles. I always make waffles. And I always make chicken. But I’ve never eaten them together because I’m just that Mexican. I decided to go bone-in because that’s the way I was raised. So I made a bone-in chicken thigh and it was raw. If there’s anything you don’t want to hear from Gordon Ramsay, it’s that your chicken is raw. The really odd thing was another single mom was in the bottom two with me that week. That was my holy hell moment.
Just being away from family. I don’t think people realize or understand. I was gone from my daughter for three and a half months. I was allowed to call her for five minutes once a week. The first couple nights were so rough. I wasn’t eating, I lost weight. The hardest part is that they can’t tell you WHEN that five minutes will be… it wasn’t like ‘Every Sunday at 10am.’ So when they’d tell me I could call home I had to just hope that my daughter was around. And then I’d just say ‘How was your day? Have they posted an eviction notice yet?’ We also had zero privacy. We were escorted everywhere. People sitting outside of the bathrooms when we went in there so that we didn’t ask to borrow cell phones.
[Chef and MasterChef cohost] Graham Elliott really helped me. Even he doesn’t have his family in L.A. when they’re filming. I asked him, ‘How do people deal with being away from family?’ He said, ‘At the end of the day what you have to remember is that when you look back on this, it will look like a blip of time. Because when you’re in it, it feels like every hour is a month.’
I specifically wanted it to be more modern Mexican without it being cliché. I know the food was going to come off super Mexican. The design doesn’t need to be cliché Tex-Mex. I wanted it to be super Claudia, which means a lot of red. I went to the publisher and said, ‘The number one thing I want is the best photographer you’ve ever had.’ I sent them 10 to 20 to 30 pictures with specific styles, point of focus. I had a photography heavy background. I knew what kind of paper I wanted. Uncoated stock. I didn’t want glossy pages. I wanted it to feel like it’s rustic. I didn’t want super glossy beautiful. I wanted it to be a little rough around the edges, like me.
I think a lot of them are super old. The oldest is probably either the aguachile, or the birria recipe. Whenever I thought about the book, I knew I wanted a specific chapter dedicated to where my family is from. I wanted to dedicate a whole chapter to Mazatlan. So much of what I eat is very seafood, ceviche, very fresh. You hear a lot about moles. You’re hearing more about Baja. I wanted to highlight a place in Mexico that’s sadly only known for its violence. There are lots of farmers and fishing boats and coming to port with all this amazing fish. I wanted to highlight a better side of Mazatlan.
I think one of my favorite stories is the one of making my mom’s chile verde pork. I specifically talk about how this is a dish I’ve been trying to make for many, many years now. Many of us when we think about food, we think about our mom’s favorite dish. This was one of them. I know I wanted to recreate that dish. I was intent on getting it perfect. And I think I was 29 or 30 and I finally took a day and turned on the music and cooked it. I took a pot full to the ranch where we had our horses, and my dad said, ‘Wow, this tastes just like your mom’s.’ I turned around and shed a tear. I felt like I was finally at that level. It was finally perfect.
Aguachile. I eat aguachile once a week.
I want Claudia’s Cocina to be a restaurant. It’s a concept I’ve had for many, many years—a truly fine dining Mexican restaurant, but using all of those traditional recipes. That was the original concept before Bracero opened [laughter]. I’m looking toward 2017 and looking for investors. I’ll be going in with another chef from San Diego.
I want to affect change in people’s lives. And it’s really given me a platform. Dreams don’t come true for people like us.
You can buy Claudia’s book here.
Making a MasterChef
PARTNER CONTENT
National City native and MasterChef winner Claudia Sandoval
You're guaranteed to do well with any of our winners from last year's Best Restaurants poll
Restaurant Week is back, taking place from Jan. 19-26. You have eight delicious days to try 180 restaurants all over San Diego County. Each establishment is offering lunch, dinner, or both.
Dinners are three-course prix-fixe menus priced at $20, $30, $40 or $50; lunches are two-course prix-fixe menus of $10, $15 or $20.
Can’t make it to all of them? Fret not. We’ve got a manageable approach. A half-dozen participating restaurants had the distinction of finding themselves in the winner’s circle of last year’s annual Best Restaurants poll. Below we’ve given you a taste of their Restaurant Week offerings, with links to the full menu. Choose one of these spots, and you’re guaranteed to pick a winner.
Winner: Best View (Urban) (Critic’s Pick and Reader’s Pick), Best Mac’n’Cheese (Critic’s Pick 2019)
Dinner, $50
Choice of starters including lobster bisque and sweet potato agnolotti
Choice of mains including prime hanger steak and local roasted swordfish loin
Choice of desserts including citrus crème brulee and chocolate-praline bar
Winner: Best Salad (Critic’s Pick), Best Chilaquiles (Reader’s Pick), Best of the Best Casual (Runner-up)
Dinner, $50
Choice of share plate options including beef tartare, local ahi tuna crudo, or local mussels
Choice of pasta alla norma, pork Bolognese, or Maine lobster taglierini
Choice of several mains including braised pork barbacoa, pan roasted flat iron steak, or burger
Winner: Best Healthy Eats (Runner-Up), Best Vegetarian (Runner-Up)
Lunch, $20
Choice of four starters including green Romanesco, and broccolini and edamame
Choice of four mains including eggplant parmesan focaccia, farmer’s market salad, and oyster mushroom asado bowl
Dinner, $30
Choice of four starters including Delicata squash, and roasted brussels sprouts
Choice of four entrees including samosa chaat and creamy puttanesca pasta
Choice of two desserts: banana cream pie and warm berry crumble
Best Service (Runner-up), Best Italian (Reader’s Pick), Best Wine List (Reader’s Pick)
Lunch, $20
Choice of three primos including Solare classica Cesare and caldo freddo
Choice of four secondos including Italian sliders and scaloppini di pollo ai funghi
Dinner, $40
Choice of three antipastis including bruschetta alla mano and ciccia cruda
Choice of several secondis including gnocchi viola e asparagi and pesce del Giorno
Plus panna cotta all lavanda and a craft cocktail
Winner: Best View (Water) (Reader’s Pick)
Dinner, $40
First course choice of tortilla soup, macho salad, or mussels and clams “Michelada”
Choice four mains including cauliflower al pastor and roasted chicken “divorciadas”
Choice of three desserts: pineapple buttercake, churros calientes de la casa, or brownie tres leches
Winner: Best Brewery (Reader’s Pick)
Lunch, $20 (includes a beer)
Choice of three salads including Little Gem Caesar, Fruity Goat, and SoCal Superfood
Choice of several mains including a burger, bruschetta BLT, and The Angry Chicken
Dinner, $30 (includes a beer)
Choice of several starters including Jidori Wings, 4-Square Grilled Cheese, and Yellowfin ahi poke “nachos”
Choice of several mains including True Craft Burger, Stone Brewing Medianoche, and The Angry Chicken
Six Picks for San Diego Restaurant Week 2020
Coasterra | Photo by Found Creative Studio
We ask the city's best food photographers to choose their favorite pics and share their secrets to capturing a drool-worthy pic
Food is a notorious diva to photograph. The wrong lighting can make José Andrés’ paella look like a jaundiced grain bowl. You could be staring at the best sandwich of your life, but shoot it from above and—hey, congrats on that abandoned piece of lettuce bread. A cottage meme industry has been built around the hilariously bad photos on review sites that make Michelin-star food look like Michelin tires.
Especially in a visual modern media world, food culture depends on great photographers capturing the painstaking work in equally deserving ways. We asked four of San Diego’s top food photographers for their favorite shot from another year of documenting what we eat.

Getting this kind of shot takes a bit of yoga. Asana yourself into the corner, hold your breath, pray that a chef on the move doesn’t back into your light stand.
“You’re stepping into someone’s workspace during their busiest moments, so it’s a balance of being present to get the shot and being invisible to not slow anything down,” Kimberly Motos says.
The subject here is the Birdman sandwich from Chick & Hawk—hot fried chicken thigh, tangy slaw, kimchi comeback sauce, sweet and spicy pickles, potato brioche bun—getting a hearty dousing of its difference-maker seasoning. Motos captures the parts of the process that diners don’t usually see: the chaos behind something that looks so simple.

“I love this image because it feels like a moment you want to step into,” says Lucianna McIntosh. A warm, sunny day at The Fishery in PB with oysters, caviar, and martinis. Yes, please.
The little details—the glass sweating a little, the direct afternoon light creating stark shadows, the oyster glistening on the tray—are the main characters. Instead of trying to overly control the setup, McIntosh “followed the light and lines that draw you in more,” she says. “This was one of those moments where everything lined up on its own for a second. I love it when the shadows end up being just as important as the food itself.”

La Jolla native Eric Wolfinger—who won a James Beard Award for Tartine Bread, one of the most stunning bread books of all time—says he doesn’t have a signature style. His style is a conduit.
“I see my job is to translate the chef’s point of view into something you can feel,” he says.
For this shot, Fleurette chef Travis Swikard had one directive: cuisine du soleil (“cuisine of the sun”). With a spread of leeks vinaigrette, herb-roasted golden chicken, and beets, Wolfinger wanted to create a scene that felt straight out of the French Riviera, relaying the light, bright style of Swikard’s new spot.
Some bonus additions here: Extra lights—to add lots of warmth—and a clipping from an olive tree.

Timing and light are everything in food photography. In Lucien—La Jolla’s tasting-menu-only restaurant with moody ambiance—a single strobe flash creates the ideal spotlight.
Dee Sandoval says she uses the “natural, just-plated energy” of the dish to “create a portrait of moment and craft.” That’s why this Mostra Ghost Bear espresso ice cream—with San José dark chocolate mousse, soy-miso caramel, and koji shoyu chocolate sauce—looks like it might dissolve halfway to your mouth.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Spruce up your home bar setup with product recommendations from local cocktail aficionado and Collins & Coupe owner Gary McIntire
I peel myself off my couch, crack my back, and force myself to the bar (23 years old, by the way). It’s a Friday night, and my smart watch is already informing me my body battery is critically low.
Nevertheless, party we must.
Because, to be fair, one of the best things about going out—dive bar, velvet-clad cocktail lounge, or anywhere in between—is the performance of it all. Watching a bartender shake and stir like it’s choreography, finishing the drink with a sprig or petal placed just so, feeling like your collection of mixers and spirits is worth pouring into the Holy Grail.
One of the worst things about going out, though? Being out.
So I thank God for the home bar.
No lines, no cover, no shouting your order over someone named Kyle who just discovered the AMF. No $19 cocktails that taste suspiciously like juice. Just me, my apartment (where I can play whatever music I want), and the quiet confidence of knowing I can make something decent without putting on real pants.
A home bar, I’ve learned, doesn’t have to be impressive. It just has to be intentional—a few bottles you actually like, some tried-and-true tools, and at least one drink you can make without Googling. That’s it. That’s the barrier to entry.
To create the ultimate home bar collection, we tapped the folks at San Diego cocktail supply shop Collins & Coupe to give us some of their recommendations. Pick and choose what you need, and start cocktailing.

You won’t get very far in your cocktail-making-journey without shaker tins. Boston shakers (two pieces, tin-on-tin) and cobbler shakers (three pieces with a strainer and cap) are the most classic styles, but if you want to avoid the tins getting stuck (or creating a mess on the floor), Boston shakers are the way to go.
“Koriko Tins by Cocktail Kingdom are the gold standard for every bar worth their salt. Every new bar we help outfit with tools insists on this brand and model,” says Collins & Coupe co-owner Gary McIntire.
“These are handmade, 100 percent solid copper and will last a lifetime,” McIntire says. “Because they are solid, there is no plated finish to wear off, and they will only look more beautiful with age.”
According to the pros, don’t even bother getting bar spoons shorter than 12 inches. One foot long is the magic length to get the best stirring results: “Rule of thumb is at least 50 percent of the spoon should be out of the glass,” says McIntire.
Sugar Skull Bar Spoon
Cocktail Kingdom Enamel Lucky Cat Bar Spoon
Pulp in your orange juice? We’ll allow it. But in your cocktail? Smooth and strained is optimal. You have two choices here: Hawthorne strainers have a spring that attaches snugly to shaking tins; julep strainers have no tabs or springs (originally created to drink mint juleps before straws became commercially available).
Bull in China Julep Strainer, Brushed Stainless Steel
Barfly Two-prong Heavy Duty Hawthorne Strainer
We’ve all seen those seasoned bartenders with the arm tats and haughty demeanors who can assemble perfect drinks with their eyes shut. The rest of us, however, need training wheels. Jiggers—those hourglass-shaped measuring tools—make consistent cocktail-making easy, although cheap versions tend to be inaccurate. Don’t skimp out on these.

“Heavy-duty and made of one piece,” McIntire says. “We use [this jigger] in our classes and at home. It comes in a bell-shaped version and a Japanese version, which is tall and narrow.”
“Glassware is always essential to the cocktail experience,” says McIntire. The martini glass is an avatar for American hair-loosening for a reason: sleek, viciously “V,” and highly spillable (danger always looks good). To start, look for a coupe glass (the fancy cat bowl-looking thing), a highball (glassware with posture), and a rocks glass (the blue collar hero).
Milo Crystal Rocks Glass by Viski
Savage Coupe by Nude Glassware
Meridian Highball with Gold Rim by Viski
You know how Caesar dressing tastes way better when you don’t think about the fact that there are anchovies in it? The same goes for cocktails and raw egg whites. Some of your favorites rely on the frothy ingredient to shine (whiskey sours, gin fizzes, etc.). Mesh strainers help make that magic happen. According to McIntire, always get the conical version; the round, bowl style could cause spills.
Lili Kim is a content coordinator and writer for San Diego Magazine, with experience highlighting local businesses and communities. When not writing or shooting film, she is likely brewing her seventh cup of tea of the day or strolling along Sunset Cliffs.
Stake Chophouse & Bar brings contemporary classics and old-school service to the heart of Coronado
Stake Chophouse & Bar isn’t your average steakhouse. Blue Bridge Hospitality’s Coronado outpost is a modern interpretation of a big-city steakhouse nestled in the heart of the small coastal community. The team at Stake has reimagined the whole steakhouse experience. By prioritizing a seasonal farm-to-table sourcing philosophy, a personalized guest experience, and unique service touches, like a formal steak presentation and a bespoke knife selection process, Stake distinguishes itself in a sea of steakhouses.
Exceptional steaks, including Wagyu from Japan, Australia, and the U.S., and fresh seafood flown in daily form the core of Stake’s culinary identity. The menu features a five-course omakase-style steak experience highlighting house favorites, plus an array of cuts, and classic steakhouse staples—think a wedge salad, baked potato, or pasta carbonara—refined for a contemporary palate without losing their traditional appeal. Stake focuses on seasonal sourcing from the region’s best family farms and specialty purveyors, and incorporates intentionally unexpected touches to create something truly unique.
“I challenge our chefs and myself to take it a step further in sourcing,” says Chef Ronnie Schwandt. “It’s important to us to highlight different farms, unique one-off farms—whether it’s cattle, strawberries, a local fisherman or from anywhere in the United States, we’re always trying to find that niche.”
Beyond the menu, Stake emphasizes outstanding service, says Vinny Spatafore, Director of Hospitality Operations. Staff maintains detailed notes, allowing them to remember guests by name, recall previous orders such as a favorite martini (also memorable for the customer since it’s served in an extra tall, distinctly-shaped glass), and celebrate special occasions like birthdays and anniversaries.
“When you have those points of topic that you remember about a guest, they appreciate that,” he says. “Our servers are really good with that—we have a couple servers who have been here since the beginning and they’ll remember somebody from years ago, their name, their kids’ names, where they live. I’m really thankful to have a great front of house staff.”
Award-winning wines, rare whiskeys, special events, and a complementary black car service that provides transportation for guests throughout Coronado add to Stake’s appeal.
Schwandt stresses that Stake offers more than a meal; they aim to give patrons something unforgettable.
“It starts when you walk up the stairs and are greeted by the hostess—that sets the tone for the night. Then you’re greeted by a server, who may know you by name, and can guide you through the menu and curate as they get to know you,” says Schwandt. “Most people leave kind of blown away; they leave feeling like they just had an experience. That’s the goal, right? Whether you’re serving smash burgers or high-end steak, you want somebody to leave thinking, Wow, that was awesome.”
After eight years and numerous awards, the cafe and roastery expands its operations in North County
San Diego’s coffee industry has yet to hit its ceiling. There are at least 850 coffee shops across the county (possibly over 1,000 at this point) and more specialty cafes and roasters seem to join the roster every other week.
Some newcomers, like Chance’s Coffee, focus on specialties like Vietnamese coffee; other stalwarts, like Bird Rock Coffee Roasters, have helped put the local coffee scene on the map with internationally acclaimed beans and baristas for 20 years. You can get a classic pour-over or an ultra, whipped cream–topped strawberry lavender basil blueberry matcha latte sprinkled with unicorn glitter—whatever your coffee style, San Diego’s got it… somewhere.
Steady State Roasting falls more in the former category, focusing on traceable, sustainable sourcing and no-nonsense roasting (no unicorn glitter here, sorry!). Founder and lead roaster Elliot Reinecke first started Steady State in a garage behind his house, roasting small batches until expanding slightly to a shared and not-quite-permitted space before landing in a lucky spot on State Street in Carlsbad.
Now, eight years later, Steady State is scaling up once more, opening its second cafe in San Marcos next to their roastery. The new location offers the same food and drink menu as the original Carlsbad location, and Reinecke says he plans to add an onsite bakery to bake items like English muffins and country loaves to supplement Prager Brothers’ more specialized pastries.
He doesn’t plan on opening more cafes, though. Rather, Reinecke plans to expand roasting operations and strategic sourcing. Currently, he sources beans from Colombia, Panama, across Africa, and as of this year, Costa Rica. “We’ve had Costa Rican coffee before, but we went to origin a few months ago and bought six different lots from there, all from really good high-end local farmers,” he explains.
The rising cost of sourcing does present some challenges, as does changes within coffee culture itself. Coffee has moved from a mass-market beverage to a highly personalized artisanal experience, but the current feeling is moving back towards focusing on quality over flashiness, says Reinecke.
If Reinecke’s prediction is right, coffee is headed on a similar trajectory to craft beer. Ten years ago, no one knew what Citra hops were. Now, even casual beer fans are versed in hop varieties, and that attention to detail is spilling over to coffee as well. How many of San Diego’s 1,000 coffee shops will remain once the unicorn glitter’s luster fades? My bet is on anyone remaining steadfast to sourcing, sustainability, and simplicity.
Steady State San Marcos is now open at 1320 Grand Avenue, Suite #9, San Marcos. Initial operating hours are Tuesday through Saturday, 7 a.m. to 2 p.m.
Listen Now: The Latest in San Diego’s Food and Drink Scene
Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
PARTNER CONTENT
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
The team behind Harumama and Blue Ocean will open Little Kiki Katsu & More on June 15, serving premium cutlets, Japanese sandos, and curated sake pairings
Every culture has its own comfort foods—cozy dishes that nurture the soul as much as the body. In the US, dipping a grilled cheese sandwich in a bowl of tomato soup can feel as satiating as pulling a warm sweater out of the dryer. In China, a steaming bowl of congee is basically a miracle remedy for anything you can imagine. I’m pretty sure Italian carbonara could achieve world peace. And in Japan, katsu remains one of the most universally satisfying inventions of the past century.
Katsu was originally invented as a riff on côtelette de veau, the classic French veal cutlet coated with breadcrumbs and pan-fried in butter. In 1899, a Western-style restaurant called Rengatei in Tokyo decided to put their own spin on the dish by pounding the cutlets until thin, then coating them with softer panko and deep-frying versus pan frying (like tempura) for a crispier, lighter, crunchier bite. Today, pork—called tonkatsu in Japanese—tends to be the most common base for katsu.
The dish has yet to achieve the same mainstream status as say, chicken nuggets, in the US. But Little Kiki Katsu & More hopes to change that, when the katsu-focused restaurant opens in Carlsbad on June 15.
Created by the team behind Harumama and Blue Ocean, Little Kiki will focus on premium katsu dishes paired with sake and around a dozen small bites like miso soup, karaage, edamame, and Japanese pickles. Executive chef James Pyo, who co-owns all three restaurants with his wife Jenny, created a menu that features proteins like Berkshire Kurobuta pork, Jidori chicken, salmon, scallops, and dry-aged Pacific cod for the katsu and grilled stone selections. (Note: the grilled stone options will be offered for dinner only.)

The lunch menu includes Japanese-style sandos like a tonkatsu sandwich with pork, housemade bread, and tonkatsu sauce (available regular or spicy). Dessert options are simple to start—yuzu cheesecake, matcha crème brûlée, and mango/yuzu mochi ice cream. The Pyos curated a selection of premium sakes as well, specifically for pairing purposes, as well as offering some beer and cocktails.
Little Kiki, which is named for Jenny’s cat, seats 25-30 guests inside with room for only a few more on the small outdoor patio as well. Designer and assistant Yoojin Jang says the vibe is meant to be warm and welcoming but modern, using colors like olive green, cream, and pops of orange against Japanese-style wood slats.
Initially, Little Kiki will only be open for dinner service, but aims to introduce lunch hours for the grand opening on July 1. Due to the limited seating, Jang encourages guests to make reservations, and while the restaurant will offer takeout, it will not be available on food delivery apps like Uber Eats or DoorDash to motivate guests to come experience it for themselves.
“Come in curious and leave satisfied,” says Jang. And keep your eyes open for subtle cat motifs—she promises they are hidden all over the place. Whimsy, it seems, is also on the menu.
Little KiKi Katsu & More soft opens on June 15, 2026 at 2958 Madison Street, Suite 101 in Carlsbad. Hours are Monday, Wednesday, Thursday, and Sunday from 11:30 a.m. to 3 p.m. for lunch and 5 p.m. to 9:30 p.m. for dinner; Friday and Saturday from 11:30 a.m. to 3 p.m. for lunch and 5 p.m. to 10 p.m. for dinner; closed Tuesday.

Listen Now: The Latest in San Diego’s Food and Drink Scene
Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Scripps study shows that some patients may be able to taper their dose and maintain results
While glucagon-like peptide-1 (GLP-1) receptor agents have been used to treat Type 2 diabetes for more than 20 years, their recent emergence as weight-loss wonder drugs marked a new frontier in medicine. But their effectiveness has left some patients wondering what to do once they’ve reached their goal. Stopping the medication could mean regaining some, if not all, of the weight. A Scripps Clinic internal medicine physician recently conducted a small study of whether GLP-1 patients who had reached their goal weight could maintain that weight by taking their regularly prescribed injection every other week instead of weekly. Spoiler alert: 30 of 34 patients did. Read more about the study here and what that may mean as pharmaceutical companies roll out oral GLP-1s.
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