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Entrepreneurs and company rock stars divulge their secrets for success
8 San Diego Brands Explain How They Made It to the Top
Joe Kudla
Athleisure for men: Joe Kudla went where no man has gone before when he founded Vuori in 2015.
Ten years ago, the former CPA and business owner began practicing yoga as a way to work through pain he was experiencing from having played sports in high school, as well as lacrosse at USD. It was then that the sometime apparel investor began researching the world of yoga. “As a surfer, I knew there were 4 million people that surfed in the US and there are hundreds of brands competing for that surfer,” he says. “But there were 30 million practicing yoga. The market was like eight times bigger than surfing and men were 30 percent of it—and the fastest-growing demographic. That was the a-ha moment. ‘Why is there nobody doing anything cool for guys in this premium activewear space?’”
He launched Vuori, pronounced “vee-OR-ee,” from the Finnish word for “mountain.” Kudla is not Finnish but loved the name and the meaning.
Vuori’s line of jogger pants, board shorts, and hoodies favors a neutral color palette and clean design aesthetic. Many of its fabrics are proprietary, including a lot of full dull yarns with a brushed hand to make them extra soft. Notably absent are the primary colors, logos, and team sports aesthetic typical to the gear Kudla says he grew up with.
But most people, including wholesalers, didn’t get Vuori when it first launched. “The wholesale accounts wouldn’t talk to us. They were confused as to what we were trying to accomplish.” Consistently they were told they needed to address the female consumer walking in wearing Lululemon. At the time, Lululemon sold menswear, but in their stores, Kudla felt like he was shopping for his wife. “If the wholesalers were thinking about activewear at all, they were thinking about women. Men’s just wasn’t a category that really existed at wholesale. So we had to build the distribution ourselves.”
They started out selling directly online. Later they opened a space in Encinitas for free yoga, boot camps, art shows, and community events, which they eventually turned into a permanent retail store in March 2016.
Vuori has since launched a women’s collection and, in addition to being sold in retailers like REI, CorePower Yoga, and Sun Diego, they have five stores in tony California districts—the Encinitas flagship, the marina in San Francisco, Manhattan Beach, Fashion Island in Newport Beach, and, as of November 2019, Del Mar Highlands Town Center—right next to Jimbo’s and below five planned fitness concepts. Kudla admits “the rent can be scary,” but he leverages his e-commerce data, which illustrates where his customers live and shop, to make informed decisions. They’re looking to open four more retail stores this year in places like Scottsdale and Denver.
Vuori had long been profitable enough to expand without actively seeking funding. But in August, Norwest Venture Partners presented Kudla with an opportunity. They put $45 million in minority investment on the table, allowing him to maintain control of the business, enjoy a long-term investment horizon, and benefit from a network of pros who could guide him. He says it checked off all the boxes. “It wasn’t a bad time to do it, but it definitely was not in our strategic road map to raise money in 2019.” Now they can return money to early investors and, as he puts it, save for a rainy day.
And rain is something that Seattle-born Kudla knows something about. It rained every day for six months his senior year of high school, so he decided not to attend the University of Washington. Instead he came to San Diego and hit the ground running. —Erin Meanley Glenny
Cassandra Curtis and Ari Raz
Sydney Prather
“Imagine throwing a dart at a dartboard and it hits the perfect person you were supposed to meet at the time,” says Ari Raz, cofounder of baby food company Once Upon a Farm.
He’s describing how he met Cassandra Curtis, who created Mother’s Garden, the company’s predecessor, in 2013. But he might as well be talking about Once Upon a Farm’s entire trajectory, which has involved one fateful connection after another.
First there was Curtis. Seven years ago, she was a working mom in University City who wanted her daughter to have the freshest, healthiest food possible, but didn’t have the time to make it. Curtis knew someone in high-pressure pasteurization, which destroys bacteria in food without heating it, and she applied it to recipes that she sold in local farmers’ markets and stores.
Meanwhile, Raz was running a baby food delivery company in Washington, DC, and was looking for a technology that would scale the business. He heard about Curtis through a friend of a friend; he reached out—several times—and in 2016 the pair relaunched her brand as Once Upon a Farm.
They set their sights on grocery stores, a challenge because all the other baby food on the market was shelf stable, and theirs had to be refrigerated. They brought on an advisor, Greg Fleishman, who had experience with Kashi, Bear Naked, Coca-Cola, and other big brands. Fleishman in turn introduced them to John Foraker, the CEO who had grown Annie’s from a small mac-and-cheese maker into a $100 million business; he became one of their first investors and an informal advisor.
By 2017, Once Upon a Farm was small but succeeding. Curtis and Raz had nearly $1 million in sales. That June, a call from Fleishman changed everything. For several years, A-list actress Jennifer Garner had been looking for a business to get involved with; as a longtime advocate for kids, she thought she could do even more good through the right company. Fleishman, who knew Garner’s manager, told her about Once Upon a Farm. Soon Curtis and Raz were driving up to LA for a meeting.
“It’s crazy to think about today,” Raz says. “What are the chances someone that famous hears about a company this small?”
When Garner learned that Foraker was involved, she wanted to meet him. For three hours they talked about how businesses could be a force for good, and by the end of the meeting, they had both decided to join Once Upon a Farm as cofounders, with Foraker as CEO.
8 San Diego Brands Explain How They Made It to the Top
“There’s definitely been adjustments,” Curtis says. It was hard to relinquish control of the business, but doing so let Raz and Curtis focus on the things they really enjoy. Curtis develops products and makes sure they contain the best-quality ingredients; Raz is working on international expansion. He also oversees the company’s organic farm in Oklahoma—the farm where Garner’s mother grew up (now run by her aunt and uncle).
In the past two years, Once Upon a Farm has expanded from 300 to 9,000 retailers across North America. The company is tight-lipped about sales, but it’s safe to assume that they’ve grown far beyond $1 million. And though these days it’s often described as “Jennifer Garner’s baby food company,” the original founders don’t mind.
“To turn this concept into the vision we held for it—to provide as many children as possible with nutritious food,” Curtis says, “this was the way to do it.” —Sara Clemence
J. Dean Loring grew up in the meat business—he refers to himself as an “SOB,” son of a butcher—and he was running his own burger joint in his 20s (Stars Hamburgers in Humboldt County, with two locations still operating). But it would take more than those qualifications to open a totally new burger chain in San Diego, on the brink of the recession, in a relatively saturated market, with some stiff competition.
Loring’s bright idea? Open a fast-casual (aka counter-service) restaurant where full-service, white tablecloth restaurants are king: La Jolla.
“Fast-casual concepts were in their infancy during the recession, and real estate was a lot cheaper,” he says. “We figured, why not? It’s easier to exceed the guest’s expectations in a limited service environment when expectations are lower. It allows us to focus on food and making it better every day. That was our logic: offer pure, simple, delicious food for a value at a time when maybe people had a bit less money.”
It worked. On the first day, Burger Lounge ran out of food after just three hours. Four months later, they opened a second location in Kensington. Loring and his business partner at the time, Michael Gilligan, personally funded the first four locations before Loring went out on his own as president and CEO and partnered with private equity firm KarpReilly. Today, Burger Lounge has 25 locations throughout the US, with plans to expand further this year.
Now, as that fast-casual concept is no longer novel, Burger Lounge is instead banking on its “original grass-fed burger” to drive business.
“It’s a bit like Chick-Fil-A laying claim to the ‘original chicken sandwich,’” he says. “Does anyone believe they were the first people to think of putting chicken between two slices of bread? Before we put cows in industrial feed lots, all beef was essentially grass-fed. Since many are not aware of the evolution of the beef industry in America, we think it makes sense.”
Burger Lounge vets and manages relationships with responsible, sustainable purveyors.
“We had to sleep with a few frogs to find a few princes,” he quips. “Over time, you figure out if you can build trust with them and if their operation is authentic.”
And the menu continues to evolve. Just last year, Burger Lounge introduced a vegan burger. But it won’t put imitation meat on its menu anytime soon. “Selling a lab-produced burger doesn’t fit with our values,” he says.
When asked about Burger Lounge’s business valuation, Loring stays mum, because he’s not looking to sell it or to franchise for the foreseeable future. Instead, he shares a different number: 3 million—the number of diners per year at Burger Lounge’s 25 locations. Loring proudly claims that he’s built the country’s largest restaurant consumer base of fresh American grass-fed beef.
“Americans eat roughly 50 billion hamburgers a year. I don’t think that is going away anytime soon. Our grass-fed beef hamburgers are better for you, better for the environment, and I think they taste better.”
Spoken like a true “SOB.” —Sarah Pfledderer
8 San Diego Brands Explain How They Made It to the Top
Reid Carr
When Reid Carr founded his agency 18 years ago, the marketing industry was very different. Red Door Interactive was still trying to convince clients to build their first website. But as digital marketing tactics and platforms grew exponentially, RDI adapted along with them. They put the first restaurant on social media (Souplantation) and were the first company to collaboratively design an office using Pinterest.
Carr and his team won clients when they were relatively small and then helped them grow. From there, he would try to win what he calls more “twos”—”Win something smaller than your first. That’s where I focus. You know you can work on that because you have clients that are bigger. Then if we grow them, and they become our largest, it creates room to win more twos and threes.”
The key is to diversify. “We have to act like a mutual fund,” he says. “I’ve been through multiple economic downturns. I’ve watched a competitor go out of business damn near overnight because all their clients were home builders. If you get into any one category or vendor, you put yourself at risk.”
The formula has worked. Asics, Titleist, Bosch, Thermo Fisher, Charles Schwab, and Shea Homes have all been clients for years, the latter two for well over a decade.
Carr wants to remain “fiercely independent” and never sell out. “I want to build something I can hand off,” he explains. “So, there’s a strong foundation, core values, and infrastructure that will allow the next generation to flourish. I strongly believe that if you’re built to sell, it’s usually a shaky infrastructure because they believe it’s going to be someone else’s problem.”
Carr’s company is not a cutthroat environment. None of his colleagues are out solely for themselves. Carr gave a TED Talk in 2014 on running a “100 percent jerk-free workplace.” In marketing, he says, people will come forward with an idea “and a creative will say, ‘Hey, man, stay in your lane, this is my thing. You’re not good enough, cool enough, old enough, experienced enough.’ Our creative team is not like this because of our core values.” He maintains a culture of respect and open-mindedness by hiring candidates that have these innate values (vetted through an in-depth, three-hour job interview). Any employee can express an opinion, no matter department or rank, which allows for a diverse workforce.
They can’t work for jerks, either. In fact, over the years RDI has fired three clients—including one that was their second-largest—and fired “a ton before we ever won them.” A toxic organization causes problems; if it’s an individual, sometimes the client will do something about it. “We’ve had cases when they came back years later and said, ‘Things have changed here, can we talk?’”
You never know who will knock on the red door next. —EMG
San Diego brands explain how they made it to the top
Aliza Carpio | Photo: Madison Parker
Of the nearly 50 million people around the world who use TurboTax, probably very few know that it started in San Diego. Back in 1983, scientific programmer Michael Chipman came up with the idea of software that could guide people through filling out their tax returns, and even print out the forms to mail. That’s when ChipSoft was born. Up in Palo Alto the same year, tech consultant Scott Cook and his wife were balancing the family checkbook when he had a similar idea. Cook and Stanford student Tom Proulx created the personal finance software Quicken and founded Intuit Inc., which acquired ChipSoft ten years later.
Today, Intuit is based in Mountain View, traded on the NASDAQ, and has 19 offices in eight countries. Its Carmel Valley campus is home to 1,500 employees who work on TurboTax and the apps Turbo and Mint.
While there’s an in-house strategy to keeping all those customers happy—which they’ve coined Customer Driven Innovation (CDI) and Design for Delight (D4D)—management also pays a lot of attention to the well-being of the employees who implement that strategy.
“Culture is queen,” says Aliza Carpio, who came to Intuit from HP 18 years ago. She is now Intuit’s “principal tech evangelist,” which puts her in charge of creating a cool office culture in her company.
Intuit boasts a robust offering of extras and extracurriculars. Every employee-run club has a local Intuit executive as a sponsor or guide, like the African Heritage Network and the Asian Pacific Network. Intuit’s San Diego campus hosts five meetups—one of which is San Diego JavaScript, the largest tech meetup in San Diego. There are book clubs, workshops, and programming with companies like Athena and Qualcomm. During Hacktoberfest 2019, when engineers contribute code to open-source projects around the world, less than six percent of the participants worldwide were women. But among the Intuit engineers contributing, a full 23 percent were women.
8 San Diego Brands Explain How They Made It to the Top
Madison Parker
In 2013, the company launched an initiative called Tech Women @ Intuit, or TWI. The initiative ensures that women are not just applying to work at Intuit, but also choosing to stay and moving up in the company. The programs support women at all stages of their careers, and the company also reaches out to middle and high school students. There are mentorship programs, professional development circles, and events—one of which is the Grace Hopper Celebration, the world’s largest gathering of women technologists, produced by anitab.org. Carpio, who also hosts the podcast Tech Heroes, cowrote two talks presented to 60,000 women in engineering at the 2019 event. There, she noticed a huge shift in the types of questions candidates were asking compared to even the previous year. Instead of asking about the interview process and what projects to expect, their only inquiries seemed to concern culture—opportunities to give back to the community, team dynamics, and why Carpio has stayed at Intuit so long.
“You have to have champions like me for people to feel like they belong, can do the best work, can be fulfilled. I’ve been here 18 years because the culture is really cool. Eight different jobs in 18 years and I’m always thinking about it.”
Today, one-third of Intuit’s board of directors are women. The executive team, including the chief financial, technology, and marketing officers, is 40 percent female. If getting to the top is tough, Intuit women have cracked the code. —EMG
NuVasive president Matt Link
You know you’ve made it when a former Pittsburgh Steelers running back and Hall of Famer wants to be your spokesperson. Jerome Bettis is that spokesperson for NuVasive, the spinal tech company that changed his life.
In 2017, Bettis was suffering from incredible back pain and his doctor recommended a spinal fusion (a surgical procedure joining two or more vertebrae), but he was reluctant.
“He’s an avid golfer, and he was concerned about how quickly and effectively he could return to golfing,” explains NuVasive president Matt Link. “Through a recommendation of a former teammate who’d had a similar issue, he ended up having an XLIF.”
XLIF (Extreme Lateral Interbody Fusion) is NuVasive’s pioneering spinal surgery technique.
Before XLIF, most surgeries for spinal fusions required stripping away muscle and moving blood vessels. And the minimally invasive options weren’t easy to teach and reproduce. NuVasive’s founders developed technology that allowed for a new safe and relatively easy procedure. During an XLIF, surgeons enter from a small incision on the side of the body, without having to strip away muscle. They’re able to use this path toward the spinal cord because of NuVasive’s neuromonitoring technology, a retractor with a built-in system that tells surgeons where the nerves are so they can navigate around them. Overall, this approach results in a smaller scar and faster recovery time.
NuVasive was a small neurophysiology tech startup in Scripps Ranch before XLIF brought the company into operating rooms around the world. They secured venture capital funding and invested heavily in clinical trials to show that the technique was safe and effective. After obtaining FDA clearance, they introduced XLIF to the market in 2003.
It wasn’t an overnight success, though. “There was a healthy skepticism in the community,” Link says. It was very different from existing techniques, and nobody had heard of it before. It took time to gather data and win over the medical community.
NuVasive continued to improve the technology, and in the mid-2000s, sales for neuromonitoring started to take off. The company added new tech to its portfolio and expanded—a lot. During one especially fruitful period, NuVasive went from a $100 million company to a $1 billion company in 11 years.
NuVasive is now the world’s largest spine-focused company. It has a satellite office in Amsterdam—though its global HQ and largest employee base remain in San Diego. Link credits the city’s biotech community and the talent they’ve drawn from it for a lot of the company’s success. —Heather Karpel
Paul Goodman and Griffin Thall
Sydney Prather
In 2010, two La Jolla guys returned from a surf trip in Costa Rica with the ultimate souvenir: 400 brightly colored bracelets woven by two locals, which they sold to friends under the name Pura Vida, inspired by the country’s laid-back lifestyle. Today, an eye-catching $75 million acquisition has made Pura Vida one of the most enduring success stories of San Diego’s lifestyle brands.
Social media marketing was in its infancy a decade ago when Griffin Thall and Paul Goodman founded the brand. This was back before influencers were sponsored—before “influencer” had even entered the Insta-lexicon—and succeeding meant more than cracking an algorithm. It was grassroots, with the pair personally seeking out true fans, organically building a powerful feel-good presence into an empire.
From their early days selling in local boutiques, and soon enough at Coachella and Padres Opening Day, they strung together a community. Today, about 65 percent of Pura Vida’s sales come from e-commerce, 20 percent from wholesale, and 14 percent from monthly subscriptions.
And while social media platforms have changed over the years, from Vine to Snapchat to TikTok, the Pura Vida demographic hasn’t. Now it has a name—the VSCO girl. Named for a photo editing app, VSCO girls represent a market many brands want to break into. They wear Birkenstocks, drive Jeeps, drink from sticker-covered Hydro Flasks, and love Pura Vida. The vibe? Studiously unplanned.
“How can you go for the most unpolished look and still consider it marketing?” asks Thall, who says 98 percent of his demo are women. “It’s the complete opposite of retouched.”
Thanks to its fluency in content marketing, Pura Vida boasts an incredibly engaged customer base (No. 1 in jewelry, according to marketing consultant Stylophane) and a following of over 1.9 million on Instagram and just under 2 million on Facebook. In summer 2019, they sold a majority stake to Vera Bradley after interviewing more than two dozen private equity firms.
The Indiana-based publicly traded company, primarily known for its sturdy quilted handbags, acquired 75 percent of Pura Vida for $75 million, with the right to acquire the remaining 25 percent of the company after five years. Thall, 32, and Goodman, 30, also stand to earn up to $22.5 million in bonuses if the company meets certain performance goals.
8 San Diego Brands Explain How They Made It to the Top
Sydney Prather
Their decision to sell offloads lead production and back-office functions—accounting, finance, legal—to Vera Bradley, freeing up the existing Pura Vida team to focus on branding, marketing, and sales in their new La Jolla headquarters (ocean views, ping-pong, palm frond wallpaper).
The founders, who are SDSU alumni, employ 750 artisans in Costa Rica, El Salvador, and India, while raising more than $1.9 million for charitable causes through online sales of their charity collection bracelets.
While cause-minded outfits like Toms Shoes were an early influence, Pura Vida’s true brand heroes are Billabong and RVCA, both of which were pioneers in using real skaters, surfers, artists, and musicians in their influencer campaigns—in other words, professional athletes, not models.
“That girl in the dress with the photo crew in the Maldives? That’s done. No one cares,” Thall says. “If you can sell something that is the complete opposite of that, you might be onto something.” —Gillian Flynn
8 San Diego Brands Explain How They Made It to the Top
Like so many traditional comic book characters, Comic-Con had relatively unassuming beginnings.
In the 1970s, Shel Dorf, Ken Krueger, and Richard Alf gathered about 100 enthusiasts in the basement of The US Grant hotel. Last year—its 50th—Comic-Con’s estimated 135,000 attendees took over the San Diego Convention Center and surrounding downtown blocks. They came not just for comics, but for movies, television shows, games, cosplay, and more. If you were there (in or out of costume) you might have spotted Tom Cruise, Kristen Bell, Lin-Manuel Miranda, or Arnold Schwarzenegger. Presidential hopeful Cory Booker even took a break from campaigning to visit. A museum in Balboa Park is in the works.
There were a few secrets to Comic-Con’s success, not least that it was—and still is—run by fans. “We have always wanted to put the type of show together that we would want to attend,” says David Glanzer, the organization’s spokesperson and chief communications and strategy officer. Driven by passion rather than popularity, Comic-Con has both predicted shifts in culture and encouraged them. It hosted a panel on what was then called The Star Wars in 1976, a year before the film’s release.
“Comic books, film, science fiction literature… we felt that they were expressive forms of art that were fun and often educational,” Glanzer says. “We just tried to put on the best show we could, focusing on those things that we felt had merit.”
Comic-Con took a big-tent approach, gathering different media and genres under one roof. “There is something of a cross-pollination,” Glanzer says. “You may like movies, but then come to discover that you like science fiction as well—or comic books or gaming or costuming or interactive multimedia. I would hope that we had at least a small part in bringing these forms of art to a wider audience.”
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That’s putting it mildly. Along the way, entertainment companies realized how much power there was in Comic-Con’s ardent audience. The event has become a key promotional platform for Hollywood, and the changes that has brought haven’t always been welcome. But Glanzer says they try to stay true to their roots. “Comic-Con really is dedicated to increasing the public’s awareness of popular art. We are fans ourselves, and we are learning every day.” —SC
We ask the city's best food photographers to choose their favorite pics and share their secrets to capturing a drool-worthy pic
Food is a notorious diva to photograph. The wrong lighting can make José Andrés’ paella look like a jaundiced grain bowl. You could be staring at the best sandwich of your life, but shoot it from above and—hey, congrats on that abandoned piece of lettuce bread. A cottage meme industry has been built around the hilariously bad photos on review sites that make Michelin-star food look like Michelin tires.
Especially in a visual modern media world, food culture depends on great photographers capturing the painstaking work in equally deserving ways. We asked four of San Diego’s top food photographers for their favorite shot from another year of documenting what we eat.

Getting this kind of shot takes a bit of yoga. Asana yourself into the corner, hold your breath, pray that a chef on the move doesn’t back into your light stand.
“You’re stepping into someone’s workspace during their busiest moments, so it’s a balance of being present to get the shot and being invisible to not slow anything down,” Kimberly Motos says.
The subject here is the Birdman sandwich from Chick & Hawk—hot fried chicken thigh, tangy slaw, kimchi comeback sauce, sweet and spicy pickles, potato brioche bun—getting a hearty dousing of its difference-maker seasoning. Motos captures the parts of the process that diners don’t usually see: the chaos behind something that looks so simple.

“I love this image because it feels like a moment you want to step into,” says Lucianna McIntosh. A warm, sunny day at The Fishery in PB with oysters, caviar, and martinis. Yes, please.
The little details—the glass sweating a little, the direct afternoon light creating stark shadows, the oyster glistening on the tray—are the main characters. Instead of trying to overly control the setup, McIntosh “followed the light and lines that draw you in more,” she says. “This was one of those moments where everything lined up on its own for a second. I love it when the shadows end up being just as important as the food itself.”

La Jolla native Eric Wolfinger—who won a James Beard Award for Tartine Bread, one of the most stunning bread books of all time—says he doesn’t have a signature style. His style is a conduit.
“I see my job is to translate the chef’s point of view into something you can feel,” he says.
For this shot, Fleurette chef Travis Swikard had one directive: cuisine du soleil (“cuisine of the sun”). With a spread of leeks vinaigrette, herb-roasted golden chicken, and beets, Wolfinger wanted to create a scene that felt straight out of the French Riviera, relaying the light, bright style of Swikard’s new spot.
Some bonus additions here: Extra lights—to add lots of warmth—and a clipping from an olive tree.

Timing and light are everything in food photography. In Lucien—La Jolla’s tasting-menu-only restaurant with moody ambiance—a single strobe flash creates the ideal spotlight.
Dee Sandoval says she uses the “natural, just-plated energy” of the dish to “create a portrait of moment and craft.” That’s why this Mostra Ghost Bear espresso ice cream—with San José dark chocolate mousse, soy-miso caramel, and koji shoyu chocolate sauce—looks like it might dissolve halfway to your mouth.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Meeting new friends is a scary and sweaty venture—that’s where the city's social event planners come in
Walking into a room full of strangers isn’t high on the fun index for most. It’s inherently awkward: Everyone’s standing in closed-loop clusters, deep in conversation, and, depending on your social aptitude, the feeling is somewhere between light apprehension and burning alive from the inside out. The pull to retreat or reflexively look busy on your phone is stronger than the drink you now deeply crave. Having friends is nice, but making friends can be brutal.
There’s plenty of commentary on the loneliness epidemic. Last year, the American Psychiatric Association reported that one in three adults feel lonely at least once a week; those aged 18 to 34 are more likely to feel isolated and even more likely to turn to social media as a result. Dr. Vivek Murthy’s “My Parting Prescription for America” cautioned that “being socially disconnected increases our risk of heart disease, dementia, depression, anxiety, and premature death.” So it’s not just an emotional need; it’s nearly nutritional—chit-chat and the occasional wine-fueled, emotional deep-dive are just as important as Pilates and a reasonable amount of kale.
Finding social connections in any city is hard, but San Diego has very specific challenges. This is largely a transient population that acts as a temporary hotspot for many and a permanent home for few. Pick your reason: high rent, surreal gas prices, housing shortage, meh job opportunities (ranked 71st in the country in 2025), or the fact that active military is a sizable chunk of us (110,000-ish)—stationed here for a stretch, then gone. This constant flow of departees sucks out the potential for deeply established families and friend groups, leaving a good share of nomads, searchers, and plenty of people feeling socially awkward.
“There’s an underlying loneliness in all of us,” says Ramel Wallace, the host of monthly meetup CreativeMornings. “There are not a lot of San Diegans who are born and raised here, so [even those] San Diegans end up being just as lonely as the person who just got here.”

Every month, in local libraries, breweries, and small businesses, there are ambitious social architects who have made a career out of undoing social sads. Extroverted champions of the awkward and searching, they’ve struck gold on in-person connection.
The first moments in a social situation are crucial. Sets the tone and cools the nerves.
At Pitch-A-Friend, singles recruit their close friends to present a slideshow of their dating green flags. The entry points for connection at Pitch-A-Friend are simple, old tech: stickers. Each colored sticker indicates if the wearer is single or taken, queer or straight, or practicing ethical non-monogamy (in a partnership but open to others under a mutual understanding).
At the helm of each showcase is Arielle Fuller, aka Chief Wingwoman, who is making dating hopeful again. As Fuller explains, this takes some of the fear of rejection out of a first interaction. “Putting a sticker on immediately means, ‘I wanted to leave my house and talk to someone, and I am a safe space to come and speak to me,’” she says.
Of course, not all of San Diego’s events designed to make connections are romantic. On the last Friday of every month, hundreds gather at San Diego Central Library for the local chapter of CreativeMornings—an org formed to unite creatives in various cities across the world (designers, artists, writers, producers, performers, architects, etc.).

These aren’t your standard business card swaps, though. Coming from a hip-hop background, host Wallace uses call-and-response to break the fourth wall. “This is not my stage at all, this is our stage,” he says.
In your standard lecture-based meetup, the crowd silently faces the host and acknowledges nobody except those they came with. At CreativeMornings, everyone is encouraged to look around, pay attention to the strangers in the audience—not just the host. Wallace will pull volunteers to read the CM manifesto aloud, and he passes the mic to creatives, who make 30-second pitches to the community about projects they’re working on—and there’s always an invitation to connect and collaborate with the presenters whose ideas struck a chord.
The U.S. Chamber of Connection (yes it exists) says people experience life transitions nearly every year, and in these stretches are more open to forming new habits, relationships, and communities. In a revolving-door city like ours, the transition often comes when someone moves away. In 2023, the Census Bureau reported San Diego had the ninth-highest rates of domestic out-migration in the US.
This poses an issue for friendships that IRL SD addresses in monthly friend-making events called 619 Night.
“San Diego isn’t a place a lot of people stay forever,” says Alex Hunter, the creator of IRL SD. “They leave, and people [who stay] lose that community, so they’re hungry for community again.”
Their website describes the vibe as “backyard party meets college fair meets networking event meets happy hour.” Each follows a theme—wellness, sports, refresh and reset, etc.—with related community groups joining as well.
“The people I encounter are trying to get a fresh start in some capacity, so they’re more open, receptive, and ready to meet new friends,” Hunter says. “They need the circle.”

Another way adults can break out of this disconnection is to revert in unison, says artist Elisa Summiel-Bey. The 2015-ish adult coloring book moment in the US was based on some real science, with multiple studies finding coloring has a noticeable meditative and stress-release effect by taking the brain away from anxieties and mental inventories, and focusing it on a simple, easy art. Summiel-Bey’s company Illustrated Melanin throws “Color & Chill” events, turning that trend into a group exercise, along with live DJ sets, wellness experts doing sound baths, and food and drink from BIPOC-owned local businesses. “I tend to think of coloring as your way to tap back into your childlike play,” she says. “As adults, I think we’re almost scared to let loose and have that unabashed joy.”
All of these social meetups attract crowds of likeminded connection-seekers, but high attendance is not the only thing that matters. Metrics nuts can track RSVPs, but spreadsheets can’t capture intangible wins: friendships made, innovative ideas sparked, collaborations kicked off. At CreativeMornings, Wallace redefines ROI as Return On Imagination. Resounding success means thoughtful inquiries over coffee, curiosity about the monthly meeting themes, and requests to take the microphone.
A simple, observable ROI is an increased number of window shoppers to the experience—on the periphery, watching from afar, looking for the right way in. Hunter from IRL SD sees the anxiety in her DMs. “The scariest part for you right now is not meeting new friends: It’s the unknown,” she says. “It’s the gap between ‘I’m here’ and ‘That’s where I need to be.’ If I can help you understand, or get a little bit of a shape around that unknown, it’s much more approachable.”

Being able to bridge that gap, however, depends on your ability to step out of your own mind. “It’s not a connection crisis; it’s a courage and confidence crisis,” says Fuller. The first hello could be as easy as, “Hey, cool shirt.” These are the types of things she includes in her confidence lab reels on Instagram and weekly newsletters.
Ever left a social event and shot straight into a spiral? Was I being weird? Why did I tell that story? I hope that person moves to another state very soon.
The experts say that post-event self-interrogation is a standard-issue part of being alive.
“I love awkward people, and I love being awkward myself,” says Wallace. “It’s humbling to experience: ‘I’m not alone. Finally someone is not put together.’ So give yourself that grace.”
Jeannine Boisse (she/her) is a freelance writer and professional creative with a background in Radio & Television. Based in sunny San Diego, Jeannine spends her time exploring the city's vibrant brewery scene, cooking up new recipes in the kitchen, and connecting with new people.
As NASCAR lands in San Diego this weekend, a recently burgled dad is irregularly excited
My 15-year-old daughter tried to steal our car this week, so I’m ready to become a NASCAR dad. It would be appropriate discipline. We just relocated to a nice suburb within walking distance of her high school. The suburbs are like living in a Tesla commercial. I am pretty far from the wealthiest dad in this neighborhood (I am the least wealthy dad in this neighborhood), more than a few engineering degrees short of being in the running.
I’m fairly certain watching NASCAR is a violation of our HOA and a violation of my daughter’s emotional HOA. But NASCAR hits San Diego this weekend and I have a fever I’ve never felt before. I want to watch 111 drivers do dangerous things in cars and trucks on an active military base in the ocean. Since my lifelong exposure to NASCAR is limited to Talladega Nights and every single iteration of the movie Cars, I can only base my plan of attack on oafish stereotypes.
So while other neighbor dads are sizing bubble jackets for their golf simulators, I’m gonna grow a Ricky Bobby, run the extension cord for the TV out into the carport we share with six other condos, fill a cooler with a proper 80-20 split of Hamm’s and Mountain Dew, treat a lawn chair like an ADU, and spend a few hours yelling ohsheeeit as if it’s a single, nine-syllable word.
The quality parents in our neighborhood seem highly attuned to the sound of any vehicle breaching the 6 MPH threshold, so I should gather a crowd pretty fast. They may come over with strongly worded emails in their hearts, but one glimpse of Shane van Gisbergen and hometown hero Jimmy Johnson guzzling the last remaining drops of gasoline on the planet in a dazzling display of carmanship—they’ll join my NASCAR pop-up party.
By the time my daughter brings her friends over, we’ll have a real welcoming committee.
Because, like I said, my daughter tried to steal my car.
She wasn’t going to Mexico. But while Claire and I were off doing businessy stuff to afford my teen’s skincare rituals, she and a friend decided to teach themselves stick shift. She’s never driven a stick before. I’m not saying she has, but if she has driven a vehicle at all—it would have been done in a remote, abandoned parking lot where the only possible thing she could destroy was the concept of driving itself.
But a couple TikTok videos later, she and her friend felt a certain level of mastery had been achieved, and they gave it a go. They backed our VW Bug out of the garage with a series of stalls and transmission seizures, and managed to get it into the carport, attempting to do “donuts.” That’s when I got a call from a resident, who had taken an active interest in this experiment.
Which got me wondering about the power and might of vehicles. Turns out, even at carport speeds there exists a bit of potential fireworks. A garage door could become not a garage door anymore. At 145 MPH on Naval Base Coronado this weekend (don’t worry, they slow down to 100 MPH for turns), NASCAR drivers are essentially doorbell ditching gods. I didn’t register the temperature after my daughter’s trial run, but the track at NASCAR races usually hits a cool 130-150 degrees, enough to lightly sear some Nikes (the tires themselves hover in the 200 degree range).
And that is at least part of our fascination with NASCAR (the other fascination is the legendary pit parties, which either set humanity back a few evolutionary links, or advance it by the same amount of links). These drivers do something all of us do every day in a very efficient, boring way—drive a car—and take it to its extreme impulse. Grace and precision at the thunderous edge of shit going terribly wrong. Most of us have looked at San Diego home prices and felt a burning desire to see how fast our Honda Pilot could make it to our new home in Vegas. So NASCAR drivers are acting on our own wildest impulse.
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
Stake Chophouse & Bar brings contemporary classics and old-school service to the heart of Coronado
Stake Chophouse & Bar isn’t your average steakhouse. Blue Bridge Hospitality’s Coronado outpost is a modern interpretation of a big-city steakhouse nestled in the heart of the small coastal community. The team at Stake has reimagined the whole steakhouse experience. By prioritizing a seasonal farm-to-table sourcing philosophy, a personalized guest experience, and unique service touches, like a formal steak presentation and a bespoke knife selection process, Stake distinguishes itself in a sea of steakhouses.
Exceptional steaks, including Wagyu from Japan, Australia, and the U.S., and fresh seafood flown in daily form the core of Stake’s culinary identity. The menu features a five-course omakase-style steak experience highlighting house favorites, plus an array of cuts, and classic steakhouse staples—think a wedge salad, baked potato, or pasta carbonara—refined for a contemporary palate without losing their traditional appeal. Stake focuses on seasonal sourcing from the region’s best family farms and specialty purveyors, and incorporates intentionally unexpected touches to create something truly unique.
“I challenge our chefs and myself to take it a step further in sourcing,” says Chef Ronnie Schwandt. “It’s important to us to highlight different farms, unique one-off farms—whether it’s cattle, strawberries, a local fisherman or from anywhere in the United States, we’re always trying to find that niche.”
Beyond the menu, Stake emphasizes outstanding service, says Vinny Spatafore, Director of Hospitality Operations. Staff maintains detailed notes, allowing them to remember guests by name, recall previous orders such as a favorite martini (also memorable for the customer since it’s served in an extra tall, distinctly-shaped glass), and celebrate special occasions like birthdays and anniversaries.
“When you have those points of topic that you remember about a guest, they appreciate that,” he says. “Our servers are really good with that—we have a couple servers who have been here since the beginning and they’ll remember somebody from years ago, their name, their kids’ names, where they live. I’m really thankful to have a great front of house staff.”
Award-winning wines, rare whiskeys, special events, and a complementary black car service that provides transportation for guests throughout Coronado add to Stake’s appeal.
Schwandt stresses that Stake offers more than a meal; they aim to give patrons something unforgettable.
“It starts when you walk up the stairs and are greeted by the hostess—that sets the tone for the night. Then you’re greeted by a server, who may know you by name, and can guide you through the menu and curate as they get to know you,” says Schwandt. “Most people leave kind of blown away; they leave feeling like they just had an experience. That’s the goal, right? Whether you’re serving smash burgers or high-end steak, you want somebody to leave thinking, Wow, that was awesome.”
In a sport obsessed with prestige, a San Diego–born golf brand is betting on something more fun and less fussy
Music drifts across the fairway. Someone’s in flip flops. The Pacific flashes in the distance. Sun peeks onto shoulders through the palm trees. It’s spring, technically, but the air reads suspiciously like summer. At the par-3 course at Liberty Station, the longest hole barely stretches past 120 yards, and no one looks particularly interested in becoming the next PGA legend.
This is where Sunday Golf was born.
“I got dragged to a par-3 course in 2019 —The Loma Club—and it was way more my jam,” says Ronan Galvin, CEO and co-founder of Sunday Golf, a company that makes lightweight golf bags for players who’d rather carry less and laugh more. “It was a lot different than the stereotypical ideas you have about golf where it’s kind of long, uptight, and exclusive.”
Galvin spent over a decade in the golf industry working in product development, sourcing and manufacturing. But he didn’t grow up swinging clubs. Basketball and football were more his speed. What clicked for him was a simpler, more relaxed kind of play: shorter rounds and weekend games built for fun rather than formality. The kind of golf that resonated for him felt accessible, effortless, and surprisingly his lifestyle.

He noticed something else, too.
On a course where five clubs do the job, players were still lugging 14. So Galvin built something smaller. Lighter. A bag designed specifically for par-3 rounds, the Loma Bag is sleek, functional, and refreshingly unfussy. It’s practical minimalism in a sport known for excess.
Sunday Golf was slated to launch in January 2020. Then, COVID hit. Shipments stalled; lost at sea. The future felt shaky. But the series of catastrophes for the young company turned out to be anything but: By the time inventory arrived that August, golf had become one of the few activities people could safely do.
“It introduced and brought so many people back to the game,” Galvin says. “It created a habit for a lot of people, which is a big reason golf is on its growth trajectory.”
It turns out Americans can’t get enough of golf. Forty-eight million of them swung clubs last year, a 41 percent jump since 2019, and the National Golf Foundation says the total could top 50 million by the end of 2026.
The brand rode this unlikely momentum. Since 2021, Sunday Golf has expanded into larger lightweight bags and continues evolving from there. A major reason for the company’s success is its approachability, a value so central that it’s literally written on the office walls in the form of the company’s guiding mission: “Get 500,000 golfers having more fun by 2027.” This goal is measured, fittingly, by golf bags sold.
Sunday Golf has already passed 300,000 bags sold.
But the numbers aren’t the point.

“To remind the world that life is meant to be enjoyed,” Galvin says of the brand’s why. In an era dominated by screens, golf offers something analog. “People are outside, touching grass with their friends. A golf bag is a golf bag, but our products are vehicles to help support that.”
Unlike legacy golf giants promising proximity to Rory McIlroy-level greatness, Sunday Golf leans into what Galvin jokingly calls “diet golf” or “golf light”—weekend rounds, driving range sessions, company scrambles. The bags are built for the casual golfer, and the fit feels obvious.
That philosophy resonates across Southern California, where year-round sunshine means golf courses never really hibernate for winter. As Galvin puts it, “the laid-back lifestyle of San Diego kind of seeps into everyone’s veins.”
Sometimes the validation arrives via email: a 76-year-old customer is able to walk the course again because their golf bag is lighter. Parents are able to take their children out with Sunday Golf’s kids line.
For Galvin, that’s the real win. Not perfection. Not prestige. Just more people outside, enjoying themselves. In San Diego, that might be the most natural mission of all.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
Announcing a partnership between Art & Design District, SDFC Playmakers, and San Diego Magazine
FOR IMMEDIATE RELEASE
SAN DIEGO, CA — [June 15th, 2026] — Art plus story equals culture. Today, three local groups deeply invested in advancing San Diego arts and culture— San Diego FC Playmakers, Art & Design District, and San Diego Magazine—have joined forces to tell its stories.
The initial project will be a landmark September edition of San Diego Magazine—fully dedicated to the people, ideas, and identities of the city’s creative community. After its release, those stories and more will extend across six months of integrated digital, social, and multi-platform coverage. Art & Design District and SDFC Playmakers will serve as co-publishers of the expanded editorial vision.
The Art & Design District is evolving into San Diego’s first home for the performing arts at iconic downtown venues like the Civic Theatre and Jacobs Music Center alongside research and development programs focused on artist live/work spaces, galleries, studios, and New School of Architecture & Design.
“[The Art & Design District initiative] is a long-term investment in San Diego’s creative life and the creative workforce that powers our cultural experiences and creative industries here at home and across the world,” says Jonathan Glus, Prebys Senior Fellow for Art & Design in Residence at Downtown San Diego Partnership. “But infrastructure alone is not enough. The public needs to see, understand, and participate in what’s being built and why. Joining as co-publisher of this issue means helping ensure that the story of San Diego’s creative community—its artists, its institutions, its future—gets told at the level of ambition the moment requires.”
San Diego has entered a defining chapter in how the region invests in its creative community, with civic and philanthropic leaders working alongside artists, brands, institutions, and people to chart a new model of public-private support for arts and culture.
As digital co-publishers of San Diego Magazine‘s arts and culture coverage, SDFC’s Playmakers partnership will include a six-month integrated collaboration designed to sustain the visibility of San Diego’s creative community well beyond a single issue.
“The Playmakers program was built on the belief that the creative community is essential to what makes San Diego, San Diego,” says Sebastian, San Diego FC’s SVP of Brand and Innovation. “Investing in local media that tells those stories—and reaches the audiences who need to hear them—is one of the most direct ways we can support the artists, organizations, and cultural leaders shaping this city’s future. We’re proud to step in as digital co-publishers of San Diego Magazine‘s arts and culture coverage and the founding partner of this new editorial program.”
Under the partnerships:
The partnership represents a new model for regional media: civic and cultural institutions providing the resources required for sustained, ambitious, local editorial media focused on the neighborhoods it serves.
“For 78 years, the magazine has told the story of arts and culture here,” says Claire Johnson, CEO of San Diego Magazine. “But the fragmentation of traditional media has made it harder than ever to cover this community at the depth and scale it deserves. SDFC Playmakers and the Art & Design District have recognized something critical: Media is not separate from the civic conversation, it’s the stage for the conversation.”
San Diego Magazine retains full editorial control over all reporting, features, and original content produced under both partnerships.
“Our role in this ecosystem is to tell the story of San Diego’s culture and provide context for our readers.” says Johnson. “These partnerships give us the resources to do justice to that responsibility—and to extend that commitment well beyond a single issue. Our readers also deserve to know exactly how this work was funded. I’m grateful to our partners, and to the arts and culture community in San Diego for letting us tell this story.”
The September Arts & Culture Issue will be released early September 2026, with digital, social, video, and podcast coverage rolling out through early 2027.
ABOUT SAN DIEGO MAGAZINE For 78 years, San Diego Magazine has been the region’s leading lifestyle and culture publication, reaching approximately 6 million readers monthly across print, digital, newsletter, and social platforms. Owned and operated locally, the magazine has been the connective tissue of San Diego’s cultural conversation since 1948.
ABOUT SDFC PLAYMAKERS The Playmakers program is an ongoing initiative that seeks to identify and showcase the talent of San Diego creatives who are contributing to the culture, substance, and flow of our community. We want to bring the San Diego community together by marrying football and creativity to provide a platform for these Playmakers who are positively impacting our culture by pushing the boundaries through innovative ideas. The goal is to create a program that consistently provides growth and exposure opportunities for San Diego creatives, while shaping an authentic direction for San Diego FC’s brand and community-building process. Through this program we hope to contribute to the creative fabric of our city by providing paid jobs, projects, collaborations, as well as networking opportunities for Playmakers.
ABOUT THE ART & DESIGN DISTRICT The Art & Design District is a Downtown San Diego Partnership initiative, supported by the Prebys Foundation, working to shape a connected, vibrant arts and design district in downtown San Diego. Led by Art and Culture Expert Fellow Jonathan Glus, the initiative convenes artists, cultural leaders, civic stakeholders, and residents in service of a downtown that reflects the creativity, identity, and diversity of the region. Learn more at downtownsandiego.org.
Scripps study shows that some patients may be able to taper their dose and maintain results
While glucagon-like peptide-1 (GLP-1) receptor agents have been used to treat Type 2 diabetes for more than 20 years, their recent emergence as weight-loss wonder drugs marked a new frontier in medicine. But their effectiveness has left some patients wondering what to do once they’ve reached their goal. Stopping the medication could mean regaining some, if not all, of the weight. A Scripps Clinic internal medicine physician recently conducted a small study of whether GLP-1 patients who had reached their goal weight could maintain that weight by taking their regularly prescribed injection every other week instead of weekly. Spoiler alert: 30 of 34 patients did. Read more about the study here and what that may mean as pharmaceutical companies roll out oral GLP-1s.
For more nutrition, wellness, and healthy living tips, sign up for the San Diego Health newsletter here.