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Inside Rob Quigley and Kathleen Hallahan's award-winning East Village domicile
Architect
Rob Wellington Quigley, Faia
Builder
Kathleen Hallahan, Architect
Built
2015
Neighborhood
East Village
Consider the contemporary urban castle: armored walls, an enormous redwood entry, floating staircase, monumental fireplace, and the Golden Room, where all who enter on foot shall be received amid the glow of gold stucco. These ingredients add up to an eye-catching, mixed-use East Village building whose top two floors comprise the new home of architects Rob Quigley and Kathleen Hallahan.
Quigley, one of San Diego’s finest and best-known architects, is the designer of the popular two-year-old Central Library. His and Hallahan’s home, which they’ve given the Gaelic name Torr Kaelan, is just a block away, along 13th Street. Only 42 feet wide, it rises five stories, like a 21st-century tower with medieval roots.
Torr Kaelan is rugged on the outside, with a steel gate and masonry block walls. But the 13th Street façade “unzips,” as Quigley says, to reveal—through glass walls and bay windows—rich interior spaces for the resident working architects and other creative tenants.
Architecture: Modern Wonder
Quigley and Hallahan look out across the courtyard in their newest home and office building. The building won a 2015 Honor Award for design excellence from the American Institute of Architects California Council.
Climb the floating white metal mesh staircase or ride the elevator to the fourth floor, where Hallahan and Quigley live. Step out of the elevator cab (which is usually adorned with a single flower on a tri-legged table), pass through a 10-foot redwood door, and suddenly, you’re in a vast, breathtaking 19-foot-high space that unfolds seamlessly into living, dining, and cooking areas, with a loft above the kitchen.
If the home’s palette is neutral or natural and the furnishings spare, the building materials are strong. Unpainted masonry block forms the tall, pale gray walls, complemented by a smooth concrete fireplace in the dining area. Quigley is especially fond of this efficient Rumford-style fireplace, modeled after one he grew up with. “It changes the atmosphere of the entire room,” he says.
Hallahan, who served as general contractor and Quigley’s design collaborator on the project, points out another special effect. “Having a [raised] fire burning here, next to the dining table, somehow helps you focus on conversation.”
Two surprises appear at opposite ends of this great room. Built against one soaring wall are black floor-to-ceiling bookshelves, where art and family mementos punctuate the rows of books.
Architecture: Modern Wonder
The raised concrete fireplace warms the room and the early 1960s dining set by the Danish designer Niels Møller (from Boomerang for Modern). The moonlike oculus admits natural light and releases warm air through a rooftop chimney. Hallahan’s office in the loft and the Spartan kitchen below are crucial parts of the fourth floor’s open living space.
At the other end of the room is an elegant recessed opening in the roof: an oculus, which sends a pool of natural light indoors that moves with the sun’s path. On the roof this round opening becomes a solar chimney, a simple mechanism to cool the home naturally as hot air rises.
The oculus is cut into the ceiling above the loft—which serves as Hallahan’s office—over the sleek kitchen. One of her favorite parts of the day comes with climbing the stairs to the loft in the morning. “I can catch a blush of reflected sunrise color, see blue sky, and smell the lavender and herbs,” she says.
Architecture: Modern Wonder
Indoor-outdoor living at its most glamorous and glittering. Constructed mostly of concrete and concrete block, Torr Kaelan is virtually fireproof.
The deck is, of course, the couple’s large outdoor living room, an extension of the dining and kitchen area, which can be enclosed by huge glass doors when it’s chilly or windy outside. Where the living areas provide shelter and refuge, the deck is the opposite, opening to sweeping views of the bay, the Coronado Bridge, and the Central Library with its iconic dome.
Living high above ground level is nothing new for Quigley and Hallahan, whose previous home-and-offices for decades was their Beaumont Building in Little Italy. Hallahan says she just needs a few carefully placed plants on the deck to keep her spirit happy. “If you put a plant in a prime location and know it’s precious and cherish it, like a flower in a vase, it’s enough,” she says.
Architecture: Modern Wonder
Quigley, Hallahan, and their cat, Josepher, take in the twilight under the glow of the main library’s dome. A low charcoal-gray wall and honeysuckle vines create a seating area while shielding an outdoor tub and shower.
Architecture: Modern Wonder
Natural light floods a sleek shower stall through a translucent side wall. The stall lacks a door, to allow wheelchair access.
Rewards came quickly. “It was not 20 minutes after planting our honeysuckle that we had our first hummingbird,” she recalls. “All of a sudden we were in nature again.” The honeysuckle has matured into a hedge screening an outdoor tub and shower. Herbs such as rosemary and basil are just steps away from the kitchen, ready to be plucked for terrace-to-table garnishes.
Working in the kitchen is part of the life of this home, so no one and not much is hidden away. Its open shelves and long, black island counter facing the living space are kept immaculate and uncluttered—an unmistakable sign that this is the domain of two 21st-century architects.
Having cared for their aging parents, the couple is looking 20 years ahead, says Quigley, age 70. Their home is subtly wheelchair accessible, designed to allow them to live out their lives here. The master bedroom is on the same floor as the great room. The upstairs bedroom and bath, occasionally used by their grown daughter, Thea, could become a caretaker’s quarters.
Architecture: Modern Wonder
The golden wall, which extends from Quigley’s office up to the couple’s terrace, is part of a comprehensive solar collector system that supplies nearly all of the building’s energy needs.
Ever the urban pioneers, the couple chose to build in the East Village after Little Italy became too developed. “We wanted to be in a location that would keep us alive and wouldn’t be isolated,” Hallahan says. “East Village has young people, parks, music.”
Architecture: Modern Wonder
A white mesh staircase winds through the building, seemingly floating between floors. Here, it rises from an office landing to the architects’ home.
“The neighborhood is still determining what it wants to be,” Quigley adds. “But one thing I really like about this building is the way it engages with city life and offers us a refuge at home.”
Architecture: Modern Wonder
Photos by Stephen Simpson and Darren Bradley
Spend an evening with Goose, explore Chula Vista’s annual Lemon Festival and feel the heat (and the beat) in Hell’s Kitchen
From Chula Vista to Oceanside, and several locales in between, this weekend’s festival boom is centered on films, jazz, maritime adventures, and much more. Starting with the single-day outings, literary lovers can peruse the KPBS San Diego Book Festival and fans of aquatic-themed fun can check out the first Chula Vista HarborFest in seven years. Then, there’s the two-day cultural festivals, with SamaFest’s celebration of Filipino performing arts and the San Diego Ho’olaule’a Hawaiian Festival, a showcase for Pacific Islander traditions. Finally, jazz aficionados can salute to Miles Davis at the first-ever California Coast Jazz Festival, cinephiles can screen global queer cinema at San Diego LGBTQ Film Festival, and women’s sports will take center stage and conquer waves at the Super Girl Surf Festival.
JUMP TO: Food & Drink | Concerts & Festivals | Theater & Art Exhibits | More Fun Things to Do
For the August workshop in its monthly Taste of Art series, the Oceanside Museum of Art is focusing on the bright and bold Pop artwork of Andy Warhol. This Thursday from 5:30-7:30 p.m. during Warhol at His Best, artists of all skill levels are invited to eat, drink, socialize, and paint colorful portraits in the style of Warhol’s most famous pieces, such as his depictions of Elvis Presley, Marilyn Monroe and Mao Zedong. Food, drinks, and supplies will be provided. Tickets are $65 for adults and $50 for OMA members.
704 Pier View Way, Oceanside
Enjoy a night of surf cinema, giveaways, specialty cocktails, and more during the return of Surf Night Sessions, hosted by Encinitas’ own Rose Machado. This Thursday from 7-9 p.m., guests can purchase $7 martinis, along with specialty margaritas, old fashioneds, and shots infused with Solento Tequila Blanco. Plus, a portion of every purchase of a Rodeo Flip handroll ($12), which comes with albacore, mango, gobo, yuzu kosho, and crispy onions, will go towards the Rob Machado Foundation and the Surfrider Foundation.
575 South Coast Highway 101, Encinitas

Reggae rock bands 311 and Dirty Heads are purveyors of free-flowing music, perfect for coastal drives and upbeat summertime soundtracks. Though 311’s Omaha, Nebraska origins don’t quite align with Dirty Heads’ Huntington Beach roots, both bands operate on a similar sonic wavelength. This Wednesday (5:30 p.m.), bands’ co-headlining tour will head to North Island Credit Union Amphitheatre, where they’ll be joined by Midwest rap duo Atmosphere and ROME, former frontman of Sublime with Rome. Tickets start at $24 for this concert.
2050 Entertainment Circle, Chula Vista
Catch short films, features, and special events during FilmOut San Diego’s 26th annual LGBTQ Film Festival, held primarily at the Museum of Photographic Arts. The festivities begin Thursday (7 p.m.) with Test and an after party, and close Sunday (7:30 p.m.) with Bookends and a champagne and dessert reception. This year’s lineup of LGBTQ+ cinema also includes intriguing documentaries on the legacy of Cruising, the activism of the Sisters of Perpetual Indulgence, and the 1990 murder of Billy London. Ticket options include passes for individual screenings ($18) opening night ($70), closing night ($39) and complete festival access ($190).
1649 El Prado, Balboa Park
Surfing is the centerpiece of the free Super Girl Surf Festival, but it’s only one part of the three-day schedule at Oceanside Pier. This Friday (9 a.m. to 7:30 p.m.), Saturday (8 a.m. to 8 p.m.) and Sunday, partake in wellness classes, roam the festival village, enjoy performances from the likes of B.O.B., Iration and Hippie Sabotage, and watch women’s longboard and WSL shortboard surfers compete on the water. But the sports don’t stop there, with competitions for female skaters, lifeguards, BMX riders, swimmers, volleyball players and more. Concert pre-registration is no longer available, but VIP options (starting at $135) are still on sale.
300 The Stand North, Oceanside
Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.
No gatekeepers, no creative rules, no perfect definition—the city’s DIY publishing scene makes room for anyone with something to say.
If magazines are like the adultier eldest daughters who know exactly how much anarchy they can get away with, zines are the far less predictable younger siblings going on whim and instinct. Those who draw on the walls around the house, DIY their own piercings, and experiment with different emo/straight-edge/back to emo phases (or not-phases). Boundaries and routines are what zines were created to rail against.
Walk into Verbatim Books’ zine corner, and this rebellion is immediately clear. Zines have no singular form, no clean category or definition. Vintage magazine scraps are collaged into new meaning alongside mini fandom zines. Single sheets of plain white printer paper are covered in nothing but black ballpoint pen. Repurposed hardback book covers are folded into something entirely new. Some are duct-taped together, others stapled. Some glossy, others matte. There are guides to anything and everything, comic panels, photography, hand-drawn cartoons, poetry, recipes, diaries, and ramblings that only make sense to the person who made them—and that’s on purpose.
Zines are creative magic. And with no rules, they’re incredibly accessible. Anyone can zine and have a voice, regardless of artistic training or work life experience.
You are your own Anna Wintour, Graydon Carter, Ruth Whitney.
San Diego–based zine creator Lyssette Williams specializes in mini zines—often limited to eight pages, they’re meditations in abbreviation. Outlining, thumbnailing, and revision all move quickly from idea to page. Larger projects, including Williams’ long-form graphic novel thesis, move at a slower pace. For those, she often returns to pen and ink, a choice that resists the over-editability of digital work.
Raised by a single mother and navigating mixed-race identity in a predominantly white town, she finds a home for processing it all in zines. Her work deals in identity, belonging, self-definition, and punk-rock childhood. But it isn’t always heavy; Williams creates a mini duck-themed zine called Backyard Duck Propaganda that’s hard not to love. “When I create, I think about what would have helped me find the words back then, what my younger self would’ve needed,” Williams says. “[Zines] put the tools in your hands and democratize art. They’re translations of memories and identities.”

For Williams, a big reason she keeps creating is being surrounded by other creatives—a scene that extends across the border. She points to Verbatim and Comicbook Artists of San Diego, plus events like Zine Fest (October 17–18 this year at Woo in Barrio Logan) and Black Comix Day at the WorldBeat Cultural Center.
Zines have always been a road for subcultures. During the Harlem Renaissance, Black creatives like Langston Hughes and Zora Neale Hurston self-published one issue of Fire!!, which inspired other Black authors. In the 1930s, zines (then called fanzines) were hubs for sci-fi nerds to write fanfiction, address the fandom, and create new characters. Superman actually made his public debut in a fanzine called Science Fiction (he was originally cast as a villain with a fully receded hairline). A couple decades later, zines about feminism and riot grrrl became subculture de rigueur.
The internet nearly killed zines, of course. But now, people tired of the algorithm’s firehose are finding comfort and renewed inspiration in analog. Zines, a salve for digital fatigue.

A giant figure in San Diego zine culture is Burn All Books. Founded by Amanda and Nick Bernal, BAB started as a risograph (digital screen printing) studio and turned into one of those places that keeps expanding the whole scene around it, even forming its own archive group, SCANNNERS. Since opening in January 2023, it has published over 35 works and collaborated with more than 100 artists, writers, and zinesters.
For Duophobia, the pseudonym for local twin sisters Alora and Kiani Dotson (affectionately known as the “possum twins”), zines make room for experimentation and play that doesn’t fit anywhere else. Room for eclectic cartoons and dirty jokes. For sticker-covered sketchbooks.
It’s that same brand of nostalgia you might feel when, say, you walk past the carcass of an abandoned mall and see a faded cartoon mural. Their work lives somewhere between childhood and adulthood, where being unserious is taken very, very seriously.
“We’re born and raised in San Diego, and the community of artists here is a main reason we started publishing,” Kiani Dotson says. “There are people here like Trixxie Land who run open art gatherings. Show up, and you’re part of it.”
Land, a zinester herself (she made 250 single-page zines during 2020’s lockdown), is all about storytelling over hierarchy. Art shouldn’t be about gatekeeping or intimidation, she says. So she holds open-invite arts shows at Subterranean Coffee.

Duophobia regularly share their work at local galleries like Subterranean, filling that lowbrow space with pieces that answer: “What would’ve made us laugh as kids?” Children are often the first to pick up their zines, unfolding them in every direction while parents briefly panic at the impulsive destruction. The twins always step in. “No, no, it’s okay,” they say, before showing how one sheet of paper folds into an entire little book. “It’s like magic.” More often than not, the kids leave with a tiny zine tucked under a tiny arm, future San Diego zinesters in the making.
When asked what a zine really is, Alora Dotson’s response was simple: “It’s anything. Literally anything. The more genuine you are, the more people are going to hear what you have to say. Your voice matters, even if it’s just a silly joke or story. People want to hear about it.”
Not a perfect definition? Exactly. Zines inherently resist categories. Want to turn a single playing card into a storybook? Do it. What about your favorite graffiti artist’s signature tag at Prince Memorial Skatepark? Turn it into a zine.
Everything’s a zine.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
From tacos to tailors and trainers to travel, these are the businesses, people, and places that earned San Diego readers' votes
San Diego Aesthetics and Med Spa
Elicia Soltesz, Elicia Marie Beauty
Ashley Fierro, Ashley Fierro Makeup
Michelle Langston, MSN, APRN, FNP-BC, HNB-BC, Starlite Aesthetics
Alysa Espiritu, Afterglo Beauty Lounge
Ronnie Page, Gold Comb Barbershop North Park

Ryleigh Hunter, Headbang Salon
Ann Teresa Degischer, Maen the Salon
Lindsay Axelrod, Pixiedot Salon
Lauren Skinker, Lucky Cat Tattoo

Father Joe’s Villages Turkey Trot
The Camp Transformation Center, West Chula Vista
Singing Hills Golf Club at Sycuan

Camila Casanueva, The Yard Gym

Austin Harrington, Captain’s Quarters
Bivouac Ciderworks, Savoy Dry Apple Cider

Missi Burns, Et Voila

Prospera Internal Medicine and Aesthetics
Behind every beautiful space is a thoughtful process, and ASID San Diego is helping homeowners understand the value of professional design.
A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.
It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.
For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.

“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”
ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.
Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?
ASID’s answer: start with one hour.
ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!

“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”
Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.
“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”
Follow ASID San Diego on Instagram, LinkedIn, and Facebook for updates on upcoming events, or connect with the chapter directly at [email protected] or 619-548-8847.
From celebrity pickleball tournaments to intimate dinner parties with your favorite Food Network chefs, here are all of the can’t-miss events going on Sept 30–Oct 4
Play is underrated. Somewhere along the way, someone decided it was something we should outgrow. That you A good song comes on, and they dance. A game appears, and they’re in. Someone hands them a melting ice cream cone, and somehow it’s the best part of the day.
Adults tend to need a reason. Or maybe just the right setting.
That’s part of what makes the Del Mar Wine & Food Festival feel different. Yes, the week revolves around food and wine, with celebrated chefs, winemakers, and restaurants drawing crowds from across the region. But what lingers afterward is the conversations that stretch a little longer than expected, the strangers who become dinner companions, the live music that pulls people out of their seats, and the rare chance to spend a few hours simply enjoying yourself without much of an agenda.
The Grand Tasting is the festival’s centerpiece, bringing thousands of guests together over two days for hundreds of bites and pours. But some of the week’s most memorable experiences happen on a smaller scale. In the days leading up to the main event, intimate dinners, chef collaborations, and guided tastings create opportunities for guests to interact more closely with the people behind the food and wine and with each other.
Here’s your guide to the 2026 Del Mar Wine & Food Festival happening September 30–October 4.

Start festival week the San Diego way: ocean views, Baja-inspired bites, and a drink in hand as the sun goes down. The Signature San Diego Opening Night Party at Monarch Ocean Pub sets the tone for the week ahead with a walk-around tasting experience celebrating the flavors that make this city impossible to replicate. It’s an evening of fresh coastal cuisine, bold Mexican flavors, Baja seafood, and plenty of local favorites—all served against one of Del Mar’s most iconic backdrops. Consider it your first official toast to the weekend ahead…

Wine and competition make an unexpectedly perfect pair. You can join Drew Brees and celebrity players at Barnes Tennis Center for a pickleball tournament benefiting Feeding San Diego, where the sidelines are just as exciting as the court. Grab a paddle, cheer from the sidelines, or simply enjoy a glass of wine while the action unfolds. The day blends friendly competition with an all-inclusive tasting experience.
Since year one, Del Mar Wine & Food Festival has partnered with Feeding San Diego to raise $100,000 in support of the organization’s mission to fight hunger across the region. Every serve, sip, and bite helps give back to the community that makes this festival possible.
Remember that pickleball paddle you swore you’d use? Time to put it to work.

This is essentially a passport to Spain with no airport required. Set among the lush grounds of Rancho Valencia, Rioja Uncorked celebrates one of Spain’s most iconic wine regions with an evening of exceptional pours and thoughtfully paired bites. Guests will sip their way through Rioja wines while enjoying a menu featuring everything from Hiramasa crudo and uni toast to duck rillette, birria mini tacos, Cardiff Crack tri-tip sandwiches, and a sweet finale from Karen Krasne of Extraordinary Desserts (date night plans, solved).

Justin Wine Dinner sounds simple: three chefs, one unforgettable table. But chefs Kaitlyn Weber (Estancia La Jolla), Buddha Lo (Top Chef), and Jackson Kalb (Top Chef) are taking you on a one-night-only culinary ride where three styles collide over a multi-course menu paired with exceptional pours from Justin Vineyards & Winery. Set in Estancia’s coastal estate, the evening unfolds course by course with pairings from Justin wines as each chef brings their own style to a menu focused on craft, connection, and a bit of friendly culinary overlap. It’s the kind of culinary conversation that only happens when very, very talented people cook together.

Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
From handmade goods to one-of-a-kind finds, these local shops prove the best souvenirs are the ones with a story
Almost everything in this Oceanside shop is made by local artists and independent weirdos, and almost none of it requires a gallerist’s budget. Goblin Shark Emporium rotates a new featured artist every month between the vinyl crates, blacklight posters, and hilariously specific stickers, so you can walk out with original work and a tarot reading to contemplate as you sip your Banana Dang Coffee from a couple storefronts down.
Tucked within the potting tables and ferns of Mission Hills Nursery, the oldest nursery in Southern California and a Kate Sessions original, sits Through the Fold, the sweet indie bookstore that mother-daughter team Gail Levine and Jennifer Medeiros hand-built and opened in late April. Two retired educators and lifelong bibliophiles run it like a neighborhood living room: three book clubs, toddler story time, and a summer camp for the 7-to-12 set. It’s the rare retail run that smells like soil and new paperbacks, which is to say, like a very specific kind of heaven.
Open since 1993 under the unbeatable tagline “Books of Martians, Murder, Magic, and Mayhem,” this Rosecrans Street institution is the city’s portal for anyone who would rather be on a different planet. Load up on sci-fi, horror, and fantasy, then stick around for the weekly Dungeons & Dragons campaign, because the only thing better than reading about another universe is rolling a d20 inside one.
On the ground floor of the downtown Central Library, tucked into the Joan and Irwin Jacobs Common, sits the Library Shop, a tightly curated gift store stocked with presents and trinkets you didn’t know you needed: wind-up kitchen timers, specialty pencils, felt coasters in colors cheerful enough to overcome the first half of the Padres’ season—you get it. Every dollar funds the San Diego Public Library system, which makes the shop’s official “Guilt-Free Shopping” motto the rare slogan that holds up. Come for a paperback, leave having formed a genuine emotional attachment to a $4 pencil.
The window at this North Park shop is alive: a front-of-house catio where adoptable rescue cats audition for your heart while you pretend to be just browsing. From there, a literal catwalk runs along the ceiling to a back resting room (because existing around inferior beings is exhausting for cats). Owner Vera Blatchley of Purrgatory stocks the full cat-lover arsenal, plus a wall of gifts for the feline who already has nine of everything. Fan favorite: a retro-style, bubblegum-pink Kit-Cat Clock.
Surf art’s everywhere, but it’s somehow always a little kooky. Painter Andy Davis’ style captured that elemental soul, making him one of the most successful surf artists of the last few decades (check his giant mural at Town and Country Resort). His tiny Encinitas storefront, Club Paradise, is a gallery-slash-gift shop that stocks his paintings and prints—and he’s using the space as a culture club for local and touring creatives.
Tulux is the Pacific Beach swimwear label out of Cass Street, where designer Yamhed Torres turns the whole Tulum fantasy into bold, limited-run bikinis. This year, Vogue México y Latinoamérica named her one of just 10 emerging designers to watch, so each suit comes with the kind of credentials that practically books its own sunset getaway. Everything is one and done: When a piece sells, it’s gone for good, which is either smart scarcity or the universe telling you to commit.
Free lotto tickets at crystal shops? Yes, please. Pacific Beads owner Shlomo Gruer greets you at the door of this Clairemont Mesa warehouse with 4,000 square feet of crystals, geodes, and beads by the bin. You come for wholesale amethyst and sterling findings; you leave holding a fistful of healing stones and a statistically remote shot at early retirement. Need another reason to visit? Owner Gruer has his own line of jewelry, and Pacific Beads also hosts jewelry-making classes.
El Cajon’s Parkway Plaza could look radically different in the near future, as city officials are hatching plans to reinvent the one-time community and commercial center. Inflection points of iconic structures are always compelling times to visit and tabulate your own urban-planning daydreams. As you do, hit the first NAMA-certified automatic cotton candy vending machine in the country. Push a button, and 123 Sweetsss spins you a fresh cloud of childhood in under a minute. No carnival, no county fair admission, no sweaty teenager in a paper hat required.
A new program guides new moms through high-risk pregnancy and into the “fourth trimester”
Mai Vue was just 34 weeks pregnant when she delivered her baby. Her pregnancy had been complicated, and she’d had a recent second trimester pregnancy loss, which led to her receiving specialized care from Sean Daneshmand, MD, a Scripps Clinic perinatologist who oversees high-risk pregnancies. Dr. Daneshmand and his team took care of Mai during her pregnancy, through the birth of her healthy baby girl and beyond. Mai was part of a program Scripps launched to provide support to new moms in the weeks and months after delivery. The postpartum program, known as Scripps Health’s Fourth Trimester Continuum of Care, provides care for women with high-risk pregnancies to optimize their health after childbirth and reduce the risk of complications in future pregnancies. Click here to learn more.
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