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San Diego's celebrity cook talks horror stories, Today show etiquette, and his weird taco joint
Sam the Cooking Guy Lets Loose
Sam Zien was the worst cook on TV. That was the whole idea of his show, which became a hit in San Diego. What would happen if a tech sector burnout who couldn’t cook worth a damn learned his way around the kitchen while you watched? The idea paid off. His show won a bazillion local Emmys, landed him guest spots cooking on the Today show, and a few weeks ago he opened his own restaurant in Little Italy.
Of course, Sam was very different from other horrible cooks. He is one of the funniest people in every room. And he’s not shy. On his first Today show appearance, he told hosts Kathie Lee and Hoda to pipe down. “Please! Can I talk?” he said, shaking his hands near his head like a frustrated old man yelling at traffic. The clip went viral.
It’s been 17 years since the first episode of Sam the Cooking Guy. Sam is now a very good cook and a cookbook author many times over. As he explains it, the menu at his restaurant, Not Not Tacos, is basically what a white, Jewish, Canadian man would put into tacos. Pastrami. Mac ’n’ cheese. Mashed potatoes. Curried egg salad.
I’ve known Sam for years. We both started in TV at the same San Diego studio. We once did a gig together in Dallas and our plane got a bomb threat midflight (you can read about that ordeal here). This week we caught up. He told me his TV audition horror story (bright orange shirts still send his wife into PTSD), how he became a YouTube star, and what it’s like cooking on the Today show set, among many, many other things.
This interview contains strong language.
Sam Zien: Here’s the thing. I am on TV. All the time. I say, if you like me, great, because I’m on TV a lot. If you hate my fucking guts, great, because I’m on TV a lot. I come across myself on Time-Warner or Spectrum more often than I need to. I never watch; I lived there. They decided to stop the show, then I went away didn’t shoot anything for a year. Then they called and did one more season. It’s been two years since. Now I mostly focus on doing events for brands like Chosen Foods, Bumblebee Tuna, and Bed Bath & Beyond.
SZ: YouTube is where the emphasis is now. It’s given me so much more exposure. It all started because my son Max said, “Wouldn’t it be interesting? You always like radio and talking. What if we did a hybrid cooking show with you sitting at your desk?” So we set up a desk at the table we have in the kitchen. We put mics on it, called it The Sam Live Cast because it was streamed live. People could respond through social and ask questions. We’d be talking about Chinese New Year and being a Jewish kid and things I’d like to eat, and then cook something. Then I’m making beef chow fun and people can ask, “Was that black vinegar? What if I don’t have that?” So, we really liked that. We did about 20 to 30 minutes and then it just grew; it went to as long as an hour or an hour 15.
SZ: Then we realized people weren’t watching live. That’s the whole beauty of the internet. You get video on your own terms and your own time. So why are we going through this extra effort and work and fucking with our own schedules? Yes, there were a handful of die-hard loyals, but a few hundred people watching live doesn’t make a dent. Thousands of people would watch it after the fact. So we said “Fuck it, let’s not live stream it anymore.”
SZ: About a year ago Max said, “We have to make a change; it’s too long. They’re just too damn long. An hour isn’t great entertainment.” Some people would watch the whole thing, but they might be 90 minutes. Who’s sitting in front of their computer for that long?” So I told Max, “Dammit, boy, you make an excellent point. Shorten it. How long?” He said, “Maybe five minutes.” I might’ve shit myself a little when he said that. My heart palpitated, my eyes got a little watery. But I said, “Okay, let’s test it.”
SZ: Dammit if the views didn’t start to go up. And up, and up and up. Whatever we posted yesterday already has about 20,000 views. How do you not like that? He sent me a statistic that said in the last 28 days there’ve been almost a million and a half views. And 23,000 new subscribers in the last month. We’re now pushing 125,000 subscribers. Six months ago we probably had 20 to 30 subscribers. Of course I remind him it was my idea. I’m a father and I’m supposed to do that shit.
SZ: Now we’re making more money than we did with local TV. It’s not tons of money, but it’s a nice side benefit. I can say what I want, do what I want, don’t have someone in management saying, “You can’t say ‘crap’ on TV.” I had a TV exec tell me that. “You said, ‘Holy crap that’s great’ on an episode. You can say it, but we’re going to bleep it.” I told him that’s an awful idea. You know when I say “Holy bleep” the viewers aren’t filling in the blank word with “crap.” They’re going to fill it with “shit” or “fuck.” So I guess he was making my stuff better.
SZ: We’re reaching so many more people all over the world. Now Max is saying, “Look, we know how popular travel is on YouTube. You love Asia. Let’s go shoot. I love the idea of you being in the middle of a busy street cooking with people all over the place. I also like the idea of searching out a dish and teaching people about it. Eating something cool and then showing my take on it.
SZ: I don’t know. My agent called me once and said, “Good news is a major TV network is looking for a host. Bad news is the audition is tomorrow in New York.” So I hopped on a plane that day. On my way to the audition, I see a shirt I like in a store window. It’s bright orange. So I buy it. I’m thinking, “I’m looking good for this; I’m gonna stand out.” Another guy is in there not wearing an orange shirt. In my head, I’m already writing him off. Go home, loser. I got this one. As I’m walking down the hall to the audition room, my fucking heart starts beating like a sonofabitch. I’ve never auditioned for a thing in my life. The door slams shut and it’s just me under a spotlight in front of the production crew. I have the worst case of dry mouth I’ve ever had. Like, my tongue doesn’t work. The production assistant looks at me and says, “Would you like a glass of water?” I didn’t have to ask. I’m convinced they can see my heart beating in my stupid fucking orange shirt. I down the water so quickly, she says, slowly, “Do you need more?” There’s legitimate concern in her face. I walk out of the audition. I’ve booked a hotel because I didn’t know if they’d name me the host and maybe need me the next day. The hotel is a 20-minute drive, and I walk the entire way in the pouring rain to punish myself. It was the saddest thing. When I get back to San Diego, I open my bag and my wife points at the orange shirt and goes, “What’s that?” I tell her. She says, “Um, think that might’ve had something to do with it?” Now every time I see an orange piece of clothing, Kelly says, “Don’t.”
SZ: Honestly. So uncomfortable. I’ve been on the Today show a thousand times. I’ve been in front of 1,500 people. Nothing scares me. But the second that door shut, I almost shit myself. I’m sure a little pee came out.
SZ: It’s an amazing experience. They take really good care of you. It’s not like going on local TV, where you’re schlepping everything. They plan it all out way in advance. They get your recipes and discuss them with their culinary people. If you’re going on a Monday, you have a meeting on set Sunday at 3 p.m. The producer says, “Okay, you’re going to make enchiladas. What’s the first thing you’re going to do?” They put a Post-it note on the counter that reads, “Place bowl here.” They say, “Okay, you’re going to be with Al Roker; let’s give him a job.” You do, and they make more Post-it notes for Al. You go through all the steps, like, “So you’re going to open the oven, we’ll take the finished enchiladas and you’ll have your finishing conversation. Let’s go choose your plates.” …Now, this is something.
SZ: Yeah. You go downstairs to the main floor, where they basically have a Crate & Barrel, Pottery Barn, and Macy’s Home Store of anything you could ever possibly want to serve your food on. You could say, “I’m thinking a 16th-century Chinese plate with little yellow dots.” They’d say, “Yep, we got them right here.” When you see what you want, you just point at it. You’re not allowed to touch it. New York is all union, and the union guy’s gotta take it off the shelf. If you try to reach for it, they say, “Whoa whoa whoa… what’re you doing?” I’m there one day, and there are some guys unpacking Martha Stewart’s shit for the next day. They’re union. One of ’em says, “Yo, if you bust one of those plates you’re gonna get fuckin’ killed.”
SZ: Because I found people who could do it with me. Honestly, I couldn’t pull it off myself. I’d looked at properties with one of the guys from Grain & Grit over the past few years. There was something wrong every time. It was the classic Goldilocks. This space is too big. This space is too much money. Don’t like the view. But it wasn’t the spaces, it was me. I couldn’t make myself comfortable running a restaurant. It wasn’t until I was sitting with these guys about being the PR face of Little Italy Food Hall, doing the marketing and radio interviews, and I suggested the idea of Not Not Tacos. They said, “Hey, wait a minute, that might work. We have a group who can handle the parts you can’t.” So I can almost have my cake and eat it, too.
SZ: In the end, I brought my side of things. The food, the branding, the personality, the nonsense. They brought the experience of how to build it, set up, staff, do the HR. I’m not good at that stuff. I’m not allowed to pay bills in my house anymore. Kelly had to take that job 15 or 20 years ago. We almost got sent to prison because there’d be a stack under the bed. Finally she said, “Maybe that’s not your forte.”
SZ: C’mon. That stupid shit? Definitely. A food blogger referred to it as a “gimmicky menu.” I said, “Look, I didn’t throw stuff together to be ridiculous or get attention. If I wanted to do that I can just go run around naked, which nobody really wants to see. These are things I make all the time.” Pastrami in a taco is a version of one I’ve been cooking for a long time. Mashed potato tacos I do at almost every event. Same with the Asian salmon. The shrimp taco has been my wife’s favorite for years. These are real things I like to eat. Call it gimmick, but we don’t need more Mexican tacos in San Diego, especially from this Jewish Canadian boy. My strengths happen to be foolish food that people like.
SZ: I was fucking around on the beach and went to run after my kids. I took two steps and it was like the beginning of Saving Private Ryan. I went down like a sniper shot me. Just went splat. The pain was awful. I didn’t realize what I’d done for four days because I kept walking around on it. It was the size of an elephant and colors I hadn’t seen on human skin before. So I go to the doctor and find out I tore my Achilles. He told me that when this happens to football players, it’s a 90 percent chance they never play again. I had surgery. Still got a little bit of a limp, and I will for at least six months.
SZ: Kelly’s fear was, “Are you going to be okay with other people cooking your food? You’re not okay with the way people eat your food. You make something and you want it eaten now.” That’s what scares me. What if they don’t eat it right away? Then I’ll probably get sad. You gotta eat it right away. The cheese is hot and melty and not coagulated. I walked by the other day and a woman is eating the Smokey Pork + Mac taco and… she’s eating it with a fork. So I stop and I say, “What the hell are you doing?” Here’s the thing. Any food person will tell you this. Unless you take a bite of the entire thing, you’re not getting the benefit of what those different layers do, the way the mac is a bit spicy, but when eaten with the pulled pork and onions and sour cream, it’s balanced. You should try things the way they were designed. If not, you may as well stay home. You’re going to a restaurant because you like what they’re doing. Take a bite of the taco. So I asked the woman if I could have her fork and I threw it away.
You can try Sam’s weird tacos at Not Not Tacos, Little Italy Food Hall, 550 West Date Street, notnottacos.com. Listen to his interview on our podcast, Happy Half Hour, and check out his YouTube act here.
One of One combines creative seasonal drinks, ethical sourcing, and Filipino-American roots to stand out in San Diego's crowded cafe scene
In a city overflowing with cortados, ceremonial-grade matcha, and ambitious coffee startups, standing out isn’t easy. It’s even harder when your business doesn’t have a fixed address. That’s the challenge (and increasingly, the appeal) of One of One.
The Filipino-American coffee and matcha pop-up concept is the work of Kristin Cleavinger, a San Diego native who spent nearly a decade helping grow Alfred Coffee in Los Angeles before returning home to build a concept of her own. The business takes its name from Cleavinger’s grandfather Gregorio, who immigrated from the Philippines to the United States in the 1970s with almost nothing, but managed to build a life for him as well as his descendants.
It’s that sense of grit, perseverance, and identity that Cleavinger says fueled her to build One of One. “Throughout my time in specialty coffee, I was really curious about Filipino representation, because that wasn’t something that I saw,” she explains. She began to research coffee from the Philippines, but considering the island nation only produces about 0.25 percent of the world’s largest producer, Brazil, there wasn’t much to find.
Instead, she turned inward, drawing from her family’s history and her own Filipina-American identity to build something personal.
For her drinks, Cleavinger never uses refined sugars, and syrups are made in-house from organic and regenerative ingredients. The Summer Peach latte, the current seasonal special, layers Ceylon cinnamon, unrefined cane sugar, Maldon sea salt, and ripe yellow peaches for a riff on one of summer’s most glorious treats: peach cobbler. Another new drink is Mint Chip, inspired by Thrifty ice cream with a fresh mint syrup, dark cocoa powder, and chocolate chunks with a base of either espresso or hojicha (roasted Japanese green tea with a mild, sweet, earthy flavor and lower caffeine content than other green teas).
Other crowd pleasers include the signature Neapolitan latte, which is inspired by childhood memories of her family using Neapolitan ice cream to create pan de sal ice cream sandwiches. She layers housemade organic strawberry syrup, Madagascar vanilla bean-infused oat milk, and dark cocoa-swirled espresso for a tricolored beverage experience that she recommends sipping before stirring to taste each layer on its own merit.
Past specials have ventured deeper into Filipino flavors, like a turon-inspired latte using jackfruit and banana; another was a coconut pandan matcha made with organic coconut water and topped with a pandan matcha cream.
The sourcing decisions behind these drinks are equally deliberate. Coffee comes from Boondocks, a Filipino-owned LA roaster whose founder is originally from National City. Its current offering, the Galleon blend, combines beans from southern Luzon in the Philippines with Chiapas, Mexico—a nod to the communities woven into San Diego’s own cross-border identity. Matcha is sourced through Este, a local San Diego company that works directly with producers in Mie Prefecture, Japan.
Every supplier is chosen for value alignment as much as quality—Boondocks’ current blend, for example, directly supports women-owned farms. “Each person has the power to choose where they want to put their dollar,” Cleavinger says.
You can catch her at regularly scheduled pop-ups at places like Olivewood Gardens in National City (every third Saturday), Ayi in South Park’s Summer Series (every Saturday morning in June), and on regular rotation at Home Ec and Best Bud Floral in Kensington. (More dates are listed on Instagram as well.) Cleavinger says she does have plans to launch a brick-and-mortar shop in the future, ideally with an expanded beverage menu, space for art shows, and a community gathering place for local and Filipino-owned makers.
In a crowded field of coffee concepts, One of One shows that a memorable drink can do more than wake you up. It can tell you something about the person behind the idea—who they are, where they’re from, and where they’re going next.
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
CoCo Ichibanya's wildly popular katsu curry has become a ballpark favorite—and now the chain is opening a second San Diego location
I’m a creature of habit. When I go to Petco Park for a Padres game, I order two things without fail: a Swingin’ Friar ale from Ballast Point and a Friar Frank (extra mustard, no ketchup). I might supplement with tri-tip nachos from Seaside Market, or splurge on fancy fish tacos from Deckman’s at the Draft, but there’s no way I’m going to a ballgame without enjoying the classic combo of a beer and hot dog.
But this season, I’m faced with a conundrum. CoCo Ichibanya, the world-famous Japanese curry chain with locations in Convoy District, Los Angeles, Orange County, and Texas, debuted this March at the Mercado near Section 104. I recently attended a game against the New York Mets when I noticed a woman sitting in the row in front of me with a giant helping of chicken katsu curry. I hadn’t seen CoCo’s curry in the wild at the ballpark yet, but the aroma of the crispy fried chicken bathed in savory curry wafting over her shoulder absolutely intoxicated me (and ended up being a nice distraction to the 7-3 loss). Hopefully, she didn’t notice me leering with envy, but I’m 92 percent sure I got some drool on the guy next to me.
The world’s largest Japanese curry chain isn’t done popping up in San Diego quite yet. This July, CoCo Ichibanya will open its second standalone store in San Diego on the ground floor of the Denizen building in Hillcrest.
First launched in Nagoya, Japan in 1978, CoCo Ichibanya specializes in Japanese-style curry dishes, a comfort food signature. Unlike fiery Thai and Indian curry, Japanese curries are often more like gravy, served over rice and alongside katsu pork, chicken, or beef, or as curry omurice (omelet rice). The chain expanded to the United States 15 years ago, and owner Teruyoshi Ono says they’d been eyeing more opportunities in San Diego for some time.

The location in Hillcrest spans 2,585-square-feet with seating for around 49 guests. Menu favorites like the chicken cutlet curry with vegetables, the pork cutlet omelet, and Thai tea will be available, but Ono said Hillcrest will be the first location in the US to offer one major crowd-pleaser: alcohol. And keeping with local baseball fandom, “We will also have Padres x CoCo Ichi limited merchandise at our Hillcrest location,” he promises.
Ono also revealed that CoCo’s future expansion plans include looking for more locations across Southern California and possibly more in San Diego. While the Japanese yen remains at a historic low against the dollar (making it an absolutely unbeatable time to visit the Land of the Rising Sun), why fly overseas when you can get a taste of Japan in your own backyard—or ballpark?
CoCo Ichibanya Hillcrest is slated to open at 3833 5th Avenue in July.
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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
We ask the city's best food photographers to choose their favorite pics and share their secrets to capturing a drool-worthy pic
Food is a notorious diva to photograph. The wrong lighting can make José Andrés’ paella look like a jaundiced grain bowl. You could be staring at the best sandwich of your life, but shoot it from above and—hey, congrats on that abandoned piece of lettuce bread. A cottage meme industry has been built around the hilariously bad photos on review sites that make Michelin-star food look like Michelin tires.
Especially in a visual modern media world, food culture depends on great photographers capturing the painstaking work in equally deserving ways. We asked four of San Diego’s top food photographers for their favorite shot from another year of documenting what we eat.

Getting this kind of shot takes a bit of yoga. Asana yourself into the corner, hold your breath, pray that a chef on the move doesn’t back into your light stand.
“You’re stepping into someone’s workspace during their busiest moments, so it’s a balance of being present to get the shot and being invisible to not slow anything down,” Kimberly Motos says.
The subject here is the Birdman sandwich from Chick & Hawk—hot fried chicken thigh, tangy slaw, kimchi comeback sauce, sweet and spicy pickles, potato brioche bun—getting a hearty dousing of its difference-maker seasoning. Motos captures the parts of the process that diners don’t usually see: the chaos behind something that looks so simple.

“I love this image because it feels like a moment you want to step into,” says Lucianna McIntosh. A warm, sunny day at The Fishery in PB with oysters, caviar, and martinis. Yes, please.
The little details—the glass sweating a little, the direct afternoon light creating stark shadows, the oyster glistening on the tray—are the main characters. Instead of trying to overly control the setup, McIntosh “followed the light and lines that draw you in more,” she says. “This was one of those moments where everything lined up on its own for a second. I love it when the shadows end up being just as important as the food itself.”

La Jolla native Eric Wolfinger—who won a James Beard Award for Tartine Bread, one of the most stunning bread books of all time—says he doesn’t have a signature style. His style is a conduit.
“I see my job is to translate the chef’s point of view into something you can feel,” he says.
For this shot, Fleurette chef Travis Swikard had one directive: cuisine du soleil (“cuisine of the sun”). With a spread of leeks vinaigrette, herb-roasted golden chicken, and beets, Wolfinger wanted to create a scene that felt straight out of the French Riviera, relaying the light, bright style of Swikard’s new spot.
Some bonus additions here: Extra lights—to add lots of warmth—and a clipping from an olive tree.

Timing and light are everything in food photography. In Lucien—La Jolla’s tasting-menu-only restaurant with moody ambiance—a single strobe flash creates the ideal spotlight.
Dee Sandoval says she uses the “natural, just-plated energy” of the dish to “create a portrait of moment and craft.” That’s why this Mostra Ghost Bear espresso ice cream—with San José dark chocolate mousse, soy-miso caramel, and koji shoyu chocolate sauce—looks like it might dissolve halfway to your mouth.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Stake Chophouse & Bar brings contemporary classics and old-school service to the heart of Coronado
Stake Chophouse & Bar isn’t your average steakhouse. Blue Bridge Hospitality’s Coronado outpost is a modern interpretation of a big-city steakhouse nestled in the heart of the small coastal community. The team at Stake has reimagined the whole steakhouse experience. By prioritizing a seasonal farm-to-table sourcing philosophy, a personalized guest experience, and unique service touches, like a formal steak presentation and a bespoke knife selection process, Stake distinguishes itself in a sea of steakhouses.
Exceptional steaks, including Wagyu from Japan, Australia, and the U.S., and fresh seafood flown in daily form the core of Stake’s culinary identity. The menu features a five-course omakase-style steak experience highlighting house favorites, plus an array of cuts, and classic steakhouse staples—think a wedge salad, baked potato, or pasta carbonara—refined for a contemporary palate without losing their traditional appeal. Stake focuses on seasonal sourcing from the region’s best family farms and specialty purveyors, and incorporates intentionally unexpected touches to create something truly unique.
“I challenge our chefs and myself to take it a step further in sourcing,” says Chef Ronnie Schwandt. “It’s important to us to highlight different farms, unique one-off farms—whether it’s cattle, strawberries, a local fisherman or from anywhere in the United States, we’re always trying to find that niche.”
Beyond the menu, Stake emphasizes outstanding service, says Vinny Spatafore, Director of Hospitality Operations. Staff maintains detailed notes, allowing them to remember guests by name, recall previous orders such as a favorite martini (also memorable for the customer since it’s served in an extra tall, distinctly-shaped glass), and celebrate special occasions like birthdays and anniversaries.
“When you have those points of topic that you remember about a guest, they appreciate that,” he says. “Our servers are really good with that—we have a couple servers who have been here since the beginning and they’ll remember somebody from years ago, their name, their kids’ names, where they live. I’m really thankful to have a great front of house staff.”
Award-winning wines, rare whiskeys, special events, and a complementary black car service that provides transportation for guests throughout Coronado add to Stake’s appeal.
Schwandt stresses that Stake offers more than a meal; they aim to give patrons something unforgettable.
“It starts when you walk up the stairs and are greeted by the hostess—that sets the tone for the night. Then you’re greeted by a server, who may know you by name, and can guide you through the menu and curate as they get to know you,” says Schwandt. “Most people leave kind of blown away; they leave feeling like they just had an experience. That’s the goal, right? Whether you’re serving smash burgers or high-end steak, you want somebody to leave thinking, Wow, that was awesome.”
Spruce up your home bar setup with product recommendations from local cocktail aficionado and Collins & Coupe owner Gary McIntire
I peel myself off my couch, crack my back, and force myself to the bar (23 years old, by the way). It’s a Friday night, and my smart watch is already informing me my body battery is critically low.
Nevertheless, party we must.
Because, to be fair, one of the best things about going out—dive bar, velvet-clad cocktail lounge, or anywhere in between—is the performance of it all. Watching a bartender shake and stir like it’s choreography, finishing the drink with a sprig or petal placed just so, feeling like your collection of mixers and spirits is worth pouring into the Holy Grail.
One of the worst things about going out, though? Being out.
So I thank God for the home bar.
No lines, no cover, no shouting your order over someone named Kyle who just discovered the AMF. No $19 cocktails that taste suspiciously like juice. Just me, my apartment (where I can play whatever music I want), and the quiet confidence of knowing I can make something decent without putting on real pants.
A home bar, I’ve learned, doesn’t have to be impressive. It just has to be intentional—a few bottles you actually like, some tried-and-true tools, and at least one drink you can make without Googling. That’s it. That’s the barrier to entry.
To create the ultimate home bar collection, we tapped the folks at San Diego cocktail supply shop Collins & Coupe to give us some of their recommendations. Pick and choose what you need, and start cocktailing.

You won’t get very far in your cocktail-making-journey without shaker tins. Boston shakers (two pieces, tin-on-tin) and cobbler shakers (three pieces with a strainer and cap) are the most classic styles, but if you want to avoid the tins getting stuck (or creating a mess on the floor), Boston shakers are the way to go.
“Koriko Tins by Cocktail Kingdom are the gold standard for every bar worth their salt. Every new bar we help outfit with tools insists on this brand and model,” says Collins & Coupe co-owner Gary McIntire.
“These are handmade, 100 percent solid copper and will last a lifetime,” McIntire says. “Because they are solid, there is no plated finish to wear off, and they will only look more beautiful with age.”
According to the pros, don’t even bother getting bar spoons shorter than 12 inches. One foot long is the magic length to get the best stirring results: “Rule of thumb is at least 50 percent of the spoon should be out of the glass,” says McIntire.
Sugar Skull Bar Spoon
Cocktail Kingdom Enamel Lucky Cat Bar Spoon
Pulp in your orange juice? We’ll allow it. But in your cocktail? Smooth and strained is optimal. You have two choices here: Hawthorne strainers have a spring that attaches snugly to shaking tins; julep strainers have no tabs or springs (originally created to drink mint juleps before straws became commercially available).
Bull in China Julep Strainer, Brushed Stainless Steel
Barfly Two-prong Heavy Duty Hawthorne Strainer
We’ve all seen those seasoned bartenders with the arm tats and haughty demeanors who can assemble perfect drinks with their eyes shut. The rest of us, however, need training wheels. Jiggers—those hourglass-shaped measuring tools—make consistent cocktail-making easy, although cheap versions tend to be inaccurate. Don’t skimp out on these.

“Heavy-duty and made of one piece,” McIntire says. “We use [this jigger] in our classes and at home. It comes in a bell-shaped version and a Japanese version, which is tall and narrow.”
“Glassware is always essential to the cocktail experience,” says McIntire. The martini glass is an avatar for American hair-loosening for a reason: sleek, viciously “V,” and highly spillable (danger always looks good). To start, look for a coupe glass (the fancy cat bowl-looking thing), a highball (glassware with posture), and a rocks glass (the blue collar hero).
Milo Crystal Rocks Glass by Viski
Savage Coupe by Nude Glassware
Meridian Highball with Gold Rim by Viski
You know how Caesar dressing tastes way better when you don’t think about the fact that there are anchovies in it? The same goes for cocktails and raw egg whites. Some of your favorites rely on the frothy ingredient to shine (whiskey sours, gin fizzes, etc.). Mesh strainers help make that magic happen. According to McIntire, always get the conical version; the round, bowl style could cause spills.
Lili Kim is a content coordinator and writer for San Diego Magazine, with experience highlighting local businesses and communities. When not writing or shooting film, she is likely brewing her seventh cup of tea of the day or strolling along Sunset Cliffs.
After eight years and numerous awards, the cafe and roastery expands its operations in North County
San Diego’s coffee industry has yet to hit its ceiling. There are at least 850 coffee shops across the county (possibly over 1,000 at this point) and more specialty cafes and roasters seem to join the roster every other week.
Some newcomers, like Chance’s Coffee, focus on specialties like Vietnamese coffee; other stalwarts, like Bird Rock Coffee Roasters, have helped put the local coffee scene on the map with internationally acclaimed beans and baristas for 20 years. You can get a classic pour-over or an ultra, whipped cream–topped strawberry lavender basil blueberry matcha latte sprinkled with unicorn glitter—whatever your coffee style, San Diego’s got it… somewhere.
Steady State Roasting falls more in the former category, focusing on traceable, sustainable sourcing and no-nonsense roasting (no unicorn glitter here, sorry!). Founder and lead roaster Elliot Reinecke first started Steady State in a garage behind his house, roasting small batches until expanding slightly to a shared and not-quite-permitted space before landing in a lucky spot on State Street in Carlsbad.
Now, eight years later, Steady State is scaling up once more, opening its second cafe in San Marcos next to their roastery. The new location offers the same food and drink menu as the original Carlsbad location, and Reinecke says he plans to add an onsite bakery to bake items like English muffins and country loaves to supplement Prager Brothers’ more specialized pastries.
He doesn’t plan on opening more cafes, though. Rather, Reinecke plans to expand roasting operations and strategic sourcing. Currently, he sources beans from Colombia, Panama, across Africa, and as of this year, Costa Rica. “We’ve had Costa Rican coffee before, but we went to origin a few months ago and bought six different lots from there, all from really good high-end local farmers,” he explains.
The rising cost of sourcing does present some challenges, as does changes within coffee culture itself. Coffee has moved from a mass-market beverage to a highly personalized artisanal experience, but the current feeling is moving back towards focusing on quality over flashiness, says Reinecke.
If Reinecke’s prediction is right, coffee is headed on a similar trajectory to craft beer. Ten years ago, no one knew what Citra hops were. Now, even casual beer fans are versed in hop varieties, and that attention to detail is spilling over to coffee as well. How many of San Diego’s 1,000 coffee shops will remain once the unicorn glitter’s luster fades? My bet is on anyone remaining steadfast to sourcing, sustainability, and simplicity.
Steady State San Marcos is now open at 1320 Grand Avenue, Suite #9, San Marcos. Initial operating hours are Tuesday through Saturday, 7 a.m. to 2 p.m.
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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
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