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The story of how a humble movement turned into a citywide ritual
A man is trying to navigate a double-wide baby stroller through the Little Italy Mercato Farmers’ Market. It’s going as expected: like a semitruck attempting to weave in and out of rush hour traffic. Jogging strollers, built wide for stability so children don’t fall out onto the sidewalk, also struggle. Compact, economy fold-ups seem the best for this experience.
The double-widers don’t seem to care. They’ve got a fresh pour-over from Bump Coffee, whose booth attendants might be models. Vista’s Hidalgo Flowers is selling lilies and hydrangeas, their display looking like Georgia O’Keeffe had a burst of inspiration and painted for days. Cute dogs sniff each other’s cute butts and play-wrestle, providing onlookers with some free serotonin. Some of the stroller moms and dads have managed to buy an apple from Escondido’s JR Organics, or that wild, alien citrus from Valley Center’s Polito Family Farms, or the beyond-red strawberries from Rodney Kawano Farms in Oceanside.
My tote bag was a freebie. I’m not even sure what it says. Looking around, I feel woefully under-toted. Many have cute designs and slogans, like “Romaine Calm” and “Your Plastic Bag Can Kiss My Canvas.” Some express the diversity of their owner’s shopping habits, like this woman whose bag reads “Walmart.”
Inside San Diego’s Big Farmers’ Market Boom
Discussing baby strollers and tote bags may seem banal and off-topic in a story about farmers’ markets, one of America’s most booming food movements. But it helps to illustrate an important point. Farmers’ markets have transcended local food. They have become a weekly community ritual for tens of thousands of people in San Diego.
For most of our country’s evolution, the only free weekend gathering that people felt compelled to attend was church. It was the place most anyone could go for a sense of community. A place to connect with neighbors, meet newcomers, express proud opinions on matters of interest, disseminate and absorb gossip, get and provide support, see who’s dating or divorcing whom, coddle new babies, create a collective municipal and moral bond.
According to Pew Research Center, church attendance is way down. Less than 20 percent of us are going, though 40 percent of us claim we are. Meanwhile, farmers’ market attendance has never been higher. According to the National Museum of American History, from 1960 to 2000 the number of American farmers’ markets grew from 100 to over 3,000. Now there are over 8,600. In San Diego County, there are now 48 certified farmers’ markets.
Inside San Diego’s Big Farmers’ Market Boom
An aerial view of the Little Italy market, which attracts over 10,000 people every Saturday
Staring down the throng of people at the Mercato on a recent Saturday, it’s easy to see why farmers’ markets have become church replacement therapy for many Americans. They’re a free communal experience that happens every week at a set time, usually on the weekend or after work hours. They are family friendly. Alcohol-free, for the most part. At each booth, someone preaches the virtues of purity and ethics.
Whereas religion has many branches that separate people, food is nondenominational, unless you count organic food as a religion, which some might. Not everyone may love food, but until Silicon Valley solves the issue, everyone still needs it.
So over 10,000 people every week (rain or shine) crowd onto Cedar Street for the Little Italy Farmers’ Market. Some come for the philosophy—to support local farmers and food-makers. For others, markets are simply an alfresco grocery store with better-tasting, in-season goods. Others come for flowers: San Diego has more small farms per capita than any other county in America, a majority of which grow ornamental plants and blooms. Some want to exorcise demons from their dogs or kids. Some come to meet people—like a live-action Tinder or Bumble with snacks. Some buy crafts or jewelry made by the person who’s selling it to them. Some simply come because everyone else is.
Inside San Diego’s Big Farmers’ Market Boom
“Grocery stores are depressing,” a friend tells me. “It’s like a long-distance relationship with food, whereas farmers’ markets are intimate.”
She’s got a point. Farmers’ markets are a very intentional reaction to the impersonal, institutionalized experience of grocery stores. Through the genius of innovation—industrial freezers, bar codes, self-checkout kiosks, packaged-food factories, nationwide distribution networks—we took the humanity and local-ness out of what, for millennia, was a very personal, home-grown, neighborhood experience.
Americans weren’t even allowed to shop without a human escort until 1916, when Piggly Wiggly in Memphis became the country’s first self-serve grocery store. Prior to that, our great-grandparents food-shopped daily, for social exercise as much as function. They knew their farmers’ and food-makers’ names, and their children’s names. We sped the process up in 1937 with the grocery cart, invented by Sylvan Goldman, owner of the Humpty Dumpty grocery chain in Oklahoma. Grocery store shopping became a rushed, antisocial experience—a race through a giant flourescent-lit box to collect largely shelf-stable dinners.
Until recently, aside from fictional characters (Boyardee, Jemima, Snap, Crackle, and Pop), there was no visible human behind grocery store food. Most of it was packaged and shipped by the truckload from other states and countries—on average, grocery store fruits and vegetables travel over 1,200 miles.
Inside San Diego’s Big Farmers’ Market Boom
In California, the re-personalization of food started in 1978, when governor Jerry Brown signed the Direct Marketing Act during his first term. Soon after, California Certified Farmers Markets was formed. Farmers set up tables and tents outdoors, selling produce they’d picked 24–48 hours earlier for cash. The Santa Monica Farmers Market opened on July 11, 1981 and quickly became legend. Chefs and serious food people arrived so early they’d be waiting for the farmers to arrive, competing to grab the limited supply of delicious, super-fresh local fruits and vegetables.
Acquiring them was of the utmost importance for restaurants like LA’s two-star Michelin restaurant Mélisse. Chef Josiah Citrin’s food tasted better, in large part (aside from his immense talent) because the local, in-season fruits and vegetables tasted infinitely better than store-bought. To get an edge at the markets, chefs cut deals with farmers, who would set aside a private stash of the most prized produce for them. Commoners like myself would arrive to find stands looted by chefs, and we were left to pick over the scraps, asking questions like “What is a Meyer lemon, and how the hell do I eat it?”
Even top San Diego chefs were making the weekly trip to Santa Monica. The huge difference in quality was worth the commute—until San Diego’s Hillcrest Farmers Market opened in 1997.
Inside San Diego’s Big Farmers’ Market Boom
Oceanside Farmers Market
More than any other state, California’s rise to the top of food and restaurant culture was directly tied to the quality of our local produce. New York had elite European chefs, who seemed to think they’d reached the end of America when they hit Manhattan and had no interest in going farther west. California’s unique selling point was its abundant supply of world-class soil. The temperate climate allows for nearly year-round growing seasons, and the resulting crops are simply better (crops loathe New York winters just as much as New Yorkers do).
California has over 77,000 farms. The state is virtually the nation’s sole producer (over 99 percent) of almonds, dates, figs, olives, peaches, artichokes, kiwi, pomegranates, raisins, pistachios, plums, and walnuts. California grows about 90 percent of the nation’s avocados, and San Diego County accounts for 40 percent of that. Over 85 percent of farmers’ market vendors travel less than 50 miles to sell. Over half travel less than 10.
A short distance from soil to market is beneficial in a lot of ways, but let’s focus on two: flavor and nutrition. Produce reaches full nutritional value when ripe, and starts losing nutrients the minute it’s plucked from the earth. A landmark University of Texas study showed that fruits and vegetables now contain between 15 and 50 percent fewer nutrients than they did 50 years ago.
Inside San Diego’s Big Farmers’ Market Boom
So, when we buy a tomato grown in poor soil, picked green, put on a train for 1,200 miles and artificially ripened with argon gas—what are we paying for? Fewer nutrients, and only a portion of the tomato’s flavor potential. Some scientists have even argued that, due to our produce having lost nutritional value over the years, eating them causes our brain to demand more food (a personal favorite explanation for my overeating).
Farmers’ markets also serve a preservational function. Farmers are San Diego’s endangered species. We’re losing them. Every city is. But especially San Diego, where the cost of land, water (tripled in the last decade), and labor are higher than most counties. Last June, Suzie’s Farm, one of the county’s most popular, was forced to close because they couldn’t pay the bills.
“At one point we got up to 62 farmers’ markets in San Diego County,” says Catt White, founder of SD Weekly Markets, which operates three of San Diego’s largest in Little Italy, Hillcrest, and Pacific Beach. “And now we’re back down to 48. That’s not because people don’t want them. We just keep running out of farmers.”
Grocery stores have started selling local produce, at least partially in response to the popularity of farmers’ markets. A good thing, for sure. Their bulk sales help local farmers. But the much-needed profit for the farmer is drastically smaller.
Inside San Diego’s Big Farmers’ Market Boom
“If our farmers sell avocados to a packing house or grocery store, they make between 7 and 11 cents per,” White explains. “They can sell them at farmers’ markets for $2.50.”
A study by the Farmers Markets Coalition (potential bias duly noted) concluded that in 2017, farmers received only 17.4 cents for every dollar Americans spent on food, compared to 90 cents on the dollar at farmers’ markets. That’s a 500-percent increase. Some small farmers make only a couple hundred dollars a day, White says, but a few make upward of $250,000 a year selling at multiple markets. Then there’s the effect on the local economy. According to the Institute for Self-Reliance, only 15 cents of every dollar spent in a grocery store stays in the area, while farmers’ markets retain 30–45 cents.
For food-makers—people who make sauces, baked goods, packaged foods, etc.—the markets are a cost-effective way for entrepreneurs to test-market their ideas. White explains that some vendors can get set up at her farmers’ markets for $2,000 to around $5,000 or more for the commercial kitchen space, permits, insurance, marketing, packaging, equipment, signage, and starting inventory. Next month, White will host the InTents Conference, a two-day instructional on how to start and grow a farmers’ market business, including national speakers like New York Times best-selling author Forrest Pritchard and Neal Gottlieb, who started his national ice cream chain, Three Twins, at the Berkeley Farmers’ Market.
Inside San Diego’s Big Farmers’ Market Boom
“As a minority and an immigrant, I came here without job experience or references. The farmers’ market was a way for me to start my business,” says Anis Ben, founder of Chula Vista’s Baba Foods, whose hummus and pita chips have been an icon of SoCal farmers’ markets since 1994. “I also don’t need to wait 21 days for people to pay me. When you go through suppliers, sometimes you have to give them 30-, 60-, or 90-day terms, so you need a lot of capital to pay for a large order up front by yourself. At the market, people hand me cash right there.”
Cassandra Curtis is cofounder of Once Upon a Farm, a San Diego company serving high-pressure-processed baby food using in-season fruits and vegetables. While most baby food is shelf-stable because it has preservatives, Once Upon a Farm has to be refrigerated because it uses real, perishable food without the other gunk. It was a gamble. Because no other baby food had to be refrigerated, stores couldn’t stock it where customers were used to looking. The Little Italy and Pacific Beach markets provided her with invaluable market research from the stroller crowd.
“It wasn’t even called Once Upon a Farm when we started,” she explains. “The markets helped us realize we needed to change the name, and the branding, and some of the recipes. Babies would try our flavors and either swallow it or spit it out.”
Once Upon a Farm recently brought on a new partner in John Foraker, who spent 17 years as the CEO of organic food brand Annie’s before selling it to General Mills for $820 million. So they’re doing okay, thanks in part to baby spit at San Diego’s farmers’ markets.
Baby Clydesdale is a sauce company run by the most entertaining man at the market. Dave Mead stands dressed in a blazer, sunglasses, and with a camera-ready haircut. He has a schtick. He runs us through a tasting of four sauces—a pesto, a carrot-habanero ginger, a lemongrass barbecue sauce, and Sriracha—each on tiny squares of bread on a toothpick.
Inside San Diego’s Big Farmers’ Market Boom
He and his wife, Justine Marzoni, started their company with the idea of creating an organic version of America’s most en vogue commercial hot sauce—Sriracha. It’s good, although the pesto’s better, damn right delicious.
After people fell for their sauces at markets, Baby Clydesdale expanded—first into local gourmet retail, like Seaside Market and Specialty Produce; then on to San Francisco, Seattle, Brooklyn, Maine, Massachusetts, and North Carolina. Another iconic local brand, Bitchin’ Sauce, started at the Pacific Beach market before getting picked up by nearly every grocery in town, including Whole Foods and Costco.
One company, Mush, makes nicely branded overnight oats flavored with dates, vanilla, berries, apples, etc. We try all four, each delicious. We buy two six-ounce packages (apple and blueberry) at four dollars a pop.
Two days later, Mush owners Ashley Thompson and Katherine Thomas appear on the investor TV show Shark Tank. After hearing their pitch, one investor says the food space is too cost prohibitive, so he’s out. Mark Cuban offers them $300,000 for 10 percent of their company. They accept.
Inside San Diego’s Big Farmers’ Market Boom
At Certified Farmers’ Markets, prepared-food makers like Bitchin’, Baby Clydesdale, and Mush have to stay on one side of the affair, away from the farmers who grow their own food. There are rules to this, many good, some downright odd. At “producer only” farmers’ markets—an esteemed designation—you must grow what you sell. You’re legally mandated to have a sign that says some version of “We Grow What We Sell.”
As usual, some rules go a little far. White would love to be able to allow farmers from Valle de Guadalupe and Baja to sell at the San Diego markets, since Baja is a much closer growing region than, say, Fresno. But it’s illegal.
“Our local beekeepers also aren’t allowed to sell their beeswax candles at markets because they didn’t produce the wick locally,” explains White. “Some herb and flower growers can’t sell their holiday wreaths because they didn’t make the twine or metal wire that ties the wreath together.”
Inside San Diego’s Big Farmers’ Market Boom
Visiting San Diego farmers’ markets for this story, I notice I’ve maintained a bad habit. Over 20 years of attending San Diego markets semi-regularly, I’ve often skipped over smaller booths. Guess it’s that old grocery store shopping instinct: I want a big booth for efficient, one-stop shopping.
In doing so, I’ve kind of missed the point, and missed places like Four Sisters. They sell just a few things—scallions, carrots, broccoli, greens, beets, kale—that they grow on four plots of land within San Diego city limits. It’s run by Idzai Mubaiwa, who relocated to San Diego from Zimbabwe with her family. She started farming with her sister, Tsitsi, at the New Roots Community Farm in City Heights, an initiative by the International Rescue Community to help low-income refugee and neighborhood families supplement their incomes and get a good start in America by growing healthy food. Michelle Obama visited the farm in 2010. Tsitsi eventually died of breast cancer, but Idzai carries their legacy.
I sample insane amounts of food. Sampling food is the greatest farmers’ market tradition. A worker takes a knife, cuts a piece of a Honeycrisp apple, stabs it, and pushes the knife toward me. This is their primary sales pitch. A slice of apple so good you realize, after years of shopping at grocery stores, that you’ve never really known what a real apple—grown in good soil, picked in-season at the peak of ripeness, within the last couple of days—tastes like.
It tastes like candy.
At the end of the market operating hours, I watch as farmers and vendors talk among one another. They trade for each other’s goods. Some lemons for some honey. Some fresh-pressed juice for some almonds. They load their trucks with what they didn’t sell, some of which will be made into sauces or jams, some will go to nonprofit hunger organizations.
They clean up, and drive back out of the city. They’ll be back next week. For church.
Inside San Diego’s Big Farmers’ Market Boom
A conversation with Sebastián Morúa on art, community, and why the club’s future heroes should include the creatives helping build it
Sebastián Morúa is the Senior Vice President of Brand & Innovation for San Diego FC. He oversees Playmakers, the program through which the club has, over the past three years, engaged with over 80 working artists—not as marketing partners, but as co-creative directors.
Morúa didn’t build Playmakers as a community-outreach program bolted onto a Major League Soccer franchise. He built it as the identity of the franchise. When we sat down, he talked about the World Cup, San Diego’s creative workforce, his challenge to other sports franchises in the city, and the mural of heroes he hopes people will see one day when they close their eyes and picture San Diego FC.
Sebastián Morúa: I want to answer that in two parts. Philosophically first—because I think what you’re really asking is why should any sports team do this when most don’t.
Sport is a platform for transformation. It has proven that over and over. We saw it this summer with countries participating in the World Cup for the first time and what that did in their home countries—the sense of self-identification, pride, possibility. That is the power of sport.
When you take a sports team that’s fueled by that principle and understands what it could mean for other stakeholders in a community, you start to think about what you can accomplish in collaboration with them. One of those stakeholders, very early on, was the creative community. If we were going to build a team that represents this place and its people, we needed to go to the source. Artists are uniquely positioned to translate the essence and the soul of a community. When you zoom out and look at the multitude of artists in a place, you start to see the fabric of that local culture. That’s where the sense of pride and possibility gets unlocked.
Our mission is to create opportunities for talent to flourish and make San Diego shine. That means the club is a platform. When we started doing the early research for the brand, we brought artists into our focus groups. The response was immediate. There was a clear need. In 2024, we ran the first full year of what became Playmakers, working with more than 20 artists to help us tell the story of how San Diego FC could weave 18 distinct communities together.
We’re in the business of developing communities through sport. We’re not in the business of fútbol to entertain communities. That is an outcome—but not the purpose.
No. I wasn’t thinking about where this was going or how much it would cost. It instinctively felt aligned with our organizational purpose, and we made a decision to go for it. Now it’s become what it’s become.
If a fan closed their eyes 20 years from now and tried to paint a mural of the heroes that make up the club, they would see a big percentage of Playmakers artists on that mural. Ask any fan about the team they’ve supported for decades, and they’ll tell you about players, maybe a coach, maybe an owner. We’re expanding that. In our mural, there’ll be artists, entrepreneurs, community leaders, youth coaches. The community will be present.
Three to five years from now, Playmakers is an established community of creatives who have co-directed the identity of the club and the evolving identity of San Diego. If we keep the pace we’ve kept, we should have collaborated with 150 to 200 artists whose stories we’ve told and whose next steps we’ve helped support.
There’s a huge benefit for us as a club and as a brand. This is symbiotic. The artists have a need, we can support that need, and in return the community cares more about our club because of the investment we’re doing in the community. That’s what I would tell another organization.
San Diego is waking up to how much it has to offer the global conversation around culture. There’s a purity to life here—partly because of the weather, which allows us to spend so much time outside, in nature—and that exists alongside this incredible richness in food, music, art, and now sports.
I have a sense that San Diego is ready to unlock its full potential. You see it in the artists and creatives here. They’re ready. There’s very little hesitation. It’s more like: “Hell yeah, of course I want to do this. I know I’m talented. I’ve been waiting for something like this.”
That energy, combined with the unique lifestyle and character of this place, creates a really exciting sense of what San Diego can become in the years ahead.
I would ask: What would you say to the other big players in San Diego who are—or could be—shaping the cultural fabric of our community? Do they understand the symbiotic benefit? Are they supporting it?
Because Playmakers, in the end, is a cultural compass. It’s making sure that San Diego still feels—and will always feel—represented in the creative process of building San Diego FC and what that means for San Diego.
The pitch is a canvas. Athletes are painting collectively during every game. There is a story in every game. That’s the link between sport and art. At the core, it’s the same creative process.
Surf’n Slaw founder Kumi Alexander is introducing local farmers market crowds to okonomiyaki, the savory Japanese pancake she grew up eating
After 15 years married, my husband and I tend to agree on most things. But there’s one argument we both refuse to bend on—I prefer okonomiyaki Osaka-style, and he’s a die-hard Hiroshima-style devotee. (To be fair, we both adore both styles, but at this point, it’s just fun to have a low-stakes disagreement.)
Okonomiyaki is one of Japan’s greatest comfort foods, a savory pancake that’s about the size of a DVD, if you aren’t too young to know what that is. It’s not terribly hard to make—it’s flour, eggs, dashi stock or water, and a whole heap of shredded cabbage, plus optional fillings like green onions, pork belly, or bonito flakes, all cooked fresh on a flat top griddle. Drizzle some kewpie mayo and okonomiyaki sauce on top, and you’re hot to go.
However, it’s not easy to make well, and as you now know, people have capital-O Opinions about Osaka-versus-Hiroshima. Hiroshima-style layers the ingredients one by one rather than mixing them together, adding a layer of soba or udon noodles and topping it all off with a fried egg. For Osaka-style, all the ingredients are mixed together and then cooked on the griddle, so every bite includes every ingredient in a hodgepodge of deliciousness. (One Osaka variation called modan-yaki does include soba noodles mixed in the batter, but they’re not traditionally used in that regional version.)
Despite a childhood spent in Osaka, Japan, Kumi Alexander specializes in making Hiroshima-style okonomiyaki. “Okonomiyaki has been part of my life for as long as I can remember,” she explains. “My parents ran their own business when I was growing up, so Saturdays were often busy, and okonomiyaki was one of my mother’s go-to lunches because it was simple and easy to make.”
Alexander came to San Diego seven years ago with a desire to bring a part of her culture with her—not just a product, but a feeling. “When I thought about what could do that, the answer was almost obvious: okonomiyaki,” she says.
She originally launched Surf’n Slaw as a mobile pop-up food stand in August 2025, offering what Alexander calls Japanese-meets-California okonomiyaki. “Our full Surf’n Slaw includes cabbage, noodles, umami dough, beef, shrimp, and vegetables,” she explains. The menu also has a “Green Wave Slaw,” an Osaka-style version that can be made vegan and gluten-free, as well as matcha drinks.
Currently, Surf’n Slaw pops up at farmers markets in North Park, Scripps Ranch, Hillcrest, La Jolla, and La Mesa, as well as other local markets and community events. Eventually, she may expand to a permanent location, but that’s a future goal. And while Alexander hopes that one day okonomiyaki will be as well-known to American audiences as ramen or sushi, for now, she’s just happy to share a bit of home with San Diego.
Listen Now: The Latest in San Diego’s Food and Drink Scene
Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Your checklist for the best stage performances, museum exhibits, and one-night-only cinematic events hitting San Diego this autumn
Fall Arts Preview presented by SDFC Playmakers
Now through Jan. 10, 2027
Sift through over 200 photographs, sketches, letters, and costumes from “The King of Vogue,” who photographed World War II, modernized royal portraits, and created the aesthetic for 1920s socialites in London.
Now through Feb. 28, 2027
Walk through an 18-foot whale ribcage (and a couple dozen other marine-creature sculptures) made entirely of plastic bottles, flip-flops, lighters, rope, and other plastic detritus found on the beach in the Nat’s 3,000-square-foot second-floor gallery.
Now through May 31, 2027
Part of SDMA’s centennial, “Forging a Legacy,” highlights artists from the past (Picasso, Monet) and modern day (Hugo Crosthwaite) who contributed to the museum’s collection.
Now through 2027
See the stars (without the smog) at their best from the winners of the world’s largest astrophotography competition—all in the Fleet Science Center’s new basement gallery, specifically dimmed to let the cosmos shine.
Sept. 6–Oct. 11
From the 2013 silver screen to this year’s The Old Globe stage, you can “Begin Again” (again) with a world-premiere musical adaptation featuring new songs—courtesy of Train—and a story overflowing with hope.
Sept. 9–Oct. 4
“On the outside, always looking in…” marks the emotional crux of the Tony-, Grammy-, and Emmy-award winning musical coming to the Cygnet Theatre.
Opening Sept. 12
Learn the history of the Kumeyaay Nation from the perspective of the members themselves in an immersive exhibit inspired by graphic novels “Our Past, Present, and Future,” and “Beyond Gaming.”
Sept. 16–Oct. 11
During Oscar Levant’s appearances on “The Jack Paar Show,” he explained his reality with mental illness—the institutionalizations, electroshock therapies, nothing was too taboo for him. “Good Night, Oscar” takes us backstage in the raw moments before his 1958 television appearance.
Sept. 19–Jan. 10, 2027
A disco ball isn’t just a disco ball. It’s a symbol of where queer communities can finally exhale and be their fullest selves. “Visiones Nocturnas” uses paintings, sculptures, textiles, performances, photos, and videos from Latin American artists to explore what’s at stake when nightclub lights shut off.
Sept. 21, Oct. 26, Dec. 7
Guest organists from across the country will come to the Balboa Theatre to accompany a new silent film for each performance. This year closes out with The Headless Horseman (1922), Dr. Jekyll & Mr. Hyde (1920), and a holiday triple feature of Laurel and Hardy films.
Sept. 29–Oct. 4
“What if Abe’s assassination wasn’t such a bad thing for Mary Todd Lincoln?” was the question that inspired Cole Escola’s play “Oh, Mary!” In the production, Mary Todd desperately tries to return to the cabaret stage, but her husband (President Lincoln in the midst of the Civil War) keeps getting in the way.

Oct. 3–4
Conductor Rafael Payare opens the San Diego Symphony’s 2026-2027 season with a three-part concert featuring composers Sofia Gubaidulina, Wolfgang Amadeus Mozart, and Richard Strauss.
Oct. 8
Two dozen of Emily Dickinson’s poems are turned into songs—composed by Pulitzer Prize winner Kevin Puts and performed by Grammy-winning mezzo-soprano Joyce DiDonato—for a one-night-only exploration of love, loss, loneliness, and mortality.
Oct. 8–Nov. 1
Roommate beef has no age limit. The latest play from Pulitzer Prize winner David Lindsay-Abaire turns that experience into a comedy through retirement home roommates Marilyn and Abby and the bet between them to see who will break first and move out.
Oct. 12
Composer Olivier Messiaen has chromesthia, so for him, sound evokes a visual connotation. His work “Des Canyons aux Étoiles” brings desert rock and the night sky to mind. See what he means from La Casa del Zorro in the Anza-Borrego Desert, in this performance immersed within nature.
Oct. 13–18
San Diego International Film Festival salutes the silver screen for a 25th time, now with a sixth day adding extra time for parties, screenings, and movie-star tributes.
Oct. 23–25
Considered one of the masterpieces from opera great Giuseppe Verdi, San Diego Opera’s “Rigoletto” sees what happens when the prurient Duke of Mantua and his sharp-tongued court jester become entangled in a fatal curse.
Oct. 27–Nov. 29
When the Grim Reaper’s job becomes too…grim…and he retires after 300,000 years, his daughter picks up the family business. But when she falls for a human and finds beauty in the souls she’s meant to reap, she questions her purpose.

Nov. 21–May 9, 2027
San Diego is nothing without skate culture. Mingei’s “Skate Craft” portrays skateboarding as “living folk art” via its DIY roots (skateboards built in garages) and shows how that ethos shapes the future.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.
At Vi at La Jolla Village, residents don't have to choose between security and adventure, connection and independence. They get all of it.
Today’s seniors are more connected than ever, with a renewed focus on retirement as a time of discovery and enriching experiences. The ultimate reward for a retirement well-earned is the wisdom to appreciate it all, and what better place to enjoy that unique perspective than Vi at La Jolla Village, in the heart of San Diego.
All-access pass to good living.
As a Continuing Care Retirement Community (CCRC), Vi provides access to a connected and fulfilling community while making it easy to plan for future care, should the need ever arise. With a care plan in place, residents enjoy greater financial predictability and long-term value, freeing them to focus on making the most out of retirement.
Resort-style amenities at the epicenter of a cultural hub like San Diego offer a retirement experience unlike any other. Paired with exceptional dining, spacious accommodations and dedicated staff, the best of maintenance-free living is all around. And with the introduction of Vista 360 Well-Being, Vi’s panoramic approach to wellness, there are more ways than ever for residents to access it all.
The harmony of mind, body and community.

The key to longevity is striking the right balance in maintaining an active lifestyle with an active mind in a fulfilling community. With newly renovated community spaces and restaurants, Vista brings a variety of opportunities for residents to elevate their well-being through Vi-exclusive “Signature Experiences.”
Vista Enrich takes an evidence-based approach to brain vitality, keeping residents at the forefront of cognitive health through exergaming (exercising + gaming), nutritional plans and informative workshops. It is also home to The Brain Vitality Studio, an innovative facility dedicated to cognitive fitness that has garnered national recognition.
Vista Discover invites residents into stimulating educational experiences, from chef-led cooking demos and guided wine tastings to lectures at local universities and intimate lectures following cultural outings.
While Vista Enrich focuses on brain health and Vista Discover engages residents intellectually, Vista Explore cultivates a sense of adventure through curated travel and local excursions. But broadening one’s horizons doesn’t always require a plane ticket. One recent event brought a taste of the world right to the community: an onsite “jazz cruise” featuring live music and global cuisine served at a series of themed “ports” all within the community’s own ballroom.
“Location, location, location”

One of the biggest perks of life at Vi at La Jolla Village is its proximity to just about everything. With easy access to transportation and local attractions just steps away, residents can explore and engage with their community at their own pace.
“There are trolley and bus stops within a 5-minute walk that will get you to the beach, UCSD Campus, medical appointments, downtown La Jolla or San Diego, et cetera. We rarely use our car,” said resident Tom Yager.
With the best of San Diego just steps away, residents don’t just live in the city, they live within reach of everything that makes it special.
The best of all worlds.

At Vi at La Jolla Village, retirement isn’t a chapter to slow down; it’s an invitation to discover more. Tailored community experiences created by Vista, paired with the vibrant pulse of San Diego just outside the door, mean that residents don’t have to choose between security and adventure, connection and independence. They get all of it.
This is what an all-access pass to good living looks like: the comforts of an elevated lifestyle, a community built for growth and a city made for discovery – all in one place.
To learn more about Vi at La Jolla Village or for details on available floor plans, visit ViatLaJollaVillage.com/SDM.
San Diego entrepreneur Kenji Blouin-Ito is turning a tiny Uptown Inn space into a destination for bentos, coffee, snacks, and more
Tokyo unquestionably holds the title as one of the best, if not the best, food cities of the world. But despite the plethora of Michelin-starred kaiseki restaurants and hole-in-the-wall ramen joints, you’d be remiss in walking past glowing signs beckoning you to enter one of the 56,000-plus konbini across the country.
Konbini cafes like Lawson’s, FamilyMart, and 7-Eleven may look like run-of-the-mill convenience stores, but convenience store culture is a completely different animal there. Absent are the sad, floppy hot dogs sizzling sweatily on a rotating wheel of misery. Instead, konbini are stocked with a bevy of hot and cold drinks in every imaginable flavor, meals like tamago sandos (Japanese egg salad sandwiches) and prepacked bento boxes, snacks like onigiri (handheld triangles of rice and seaweed, often filled with fish or pickled plum), and even limited-edition merchandise (not unlike Wawa’s line of merch).
Soon, Hillcrest will get a taste of konbibi culture. Hako Hako opens in front of Uptown Inn by Vantaggio, next to Ramen Ryoma, in early 2027.
Kenji Blouin-Ito, a half-Japanese, half-French San Diego native grew up eating Japanese food at home and during trips across the Pacific. “I remember looking forward to eating bentos on the train,” he says, grabbing quick items to munch on without sacrificing quality or succumbing to cost. When in France, he saw a rise of appreciation for casual Japanese cuisine, “long before it happened here.”

So he decided to bring it here. After AB 626 passed in 2018 to allow different jurisdictions to permit Microenterprise Home Kitchen Operations (MEHKOs), Blouin-Ito launched Foodnome, the first legal marketplace for homemade food in the US. Eventually, the national nonprofit The Cook Alliance took over the project, leaving him open to the next new idea but with the experience of running a food-based business.
“That experience changed how I think about food, not just what makes it good but what makes it work,” he explains. Bento boxes felt affordable in a time of inflation, convenient in a bustling world, and versatile to a variety of palates. When he got the chance to open a konbini himself, he went for it.
His family runs Uptown Inn, a mix of apartments and hotel rooms that’s seen increased food traffic over the past few years. “We had a small space in front of the building that wasn’t being used, and it just made sense,” he says. Hako means “box” in Japanese, a reference to both bentos and small space from where he’ll sling freshly made bentos, coffee, drinks, pastries, snacks, and a small retail selection.
Hako Hako will initially open for morning and afternoon hours, but you don’t have to wait until next year to get a taste of Japanese culture. Blouin-Ito’s concept is popping up at various coffee shops around San Diego, with a few coming up: Easy Does It on September 19 and Cafe Moto on October 17. Until then, practice the art of gaman: patience with grace.
Hako Hako opens at 819 University Avenue in Hillcrest in early 2027.
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Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
With Sosal Line, Heidi Greenwood and Juerie Masters are importing traceable seafood from small producers and building a global pantry business along the way
No matter your job, it’s helpful to find some sort of joy in it to avoid going completely insane. Some people savor the variety of personalities when dealing with customers. Others find comfort in the predictability of closing a bar after last call, counting tips and wiping counters. Perhaps achieving Inbox Zero really gets your blood pumping, or shipping a new product design sparks joy.
For Heidi Greenwood and Juerie Masters, work doesn’t get better than logistics and operations.
“[We] both love all the unsexy parts of supply chain and backend management,” laughs Greenwood. Tracking outbound orders? Ensuring compliance? Managing inbound freight? Stop me if this is getting too hot for you!
Not enough people think about the unsexy reality of running a business before launch, but effectively and consistently keeping an eye on operations separates successful companies from out-of-business ones. Both Masters and Greenwood already own their own businesses—Greenwood is behind the wine zine Campestre Mag and runs the online wine shop Esquina, and Masters co-owns Clos Wine Shop and Fintastic Provisions in University Heights with her husband Paul. Apparently, these gigs weren’t enough to satisfy their collective yearning for spreadsheets and inventory maintenance.
So, they decided to start another business together—Sosal Line, a San Diego-based import and distribution company specializing in global pantry items. The pair launched Sosal Line at the beginning of 2025 and currently only sell three brands of tinned fish, but Greenwood says they plan to expand their offerings as they discover other small or family-run businesses that share their values.
“We want to work with brands and with products that really have a sense of place and actually tell a story—not just the product, but the people behind it too,” she says.
Masters and Greenwood are both Korean-American and named this burgeoning business after Haenyeo, the legendary free-diving women of Jeju Island in South Korea. Traditional Haenyeo equipment and garb include oribal (swim fins), yeoncheol (lead belts to help them sink), and the company’s namesake sosal, a hand-held fishing spear (sometimes called jaksal).
The average person, if sitting completely still, can stay underwater for up to a minute and a half at most. Haenyeo can hold their breath for up to three minutes while actively foraging, harvesting, and swimming. Scientists say these diving women spend more time underwater than any other group of humans on earth. Not badass enough for you? The average age of Haenyeo is around 70.

“Fishing is a strong heritage for Koreans, and it’s the same here in San Diego with the Portuguese settlers,” Greenwood explains. (We aren’t the tuna capital of the US for no reason.)
Sosal Line carries 100 percent traceable, wild caught fish from Galicia in Northern Spain and the Pacific Northwest, all family-owned companies who don’t compromise on sustainable practices. Tinned fish has never been more popular—or more debated—but there’s more to it than cute labels designed for maximum Instagram reach. “I want to know who I’m purchasing from,” says Greenwood. One of their suppliers, Craft Fish Co., which is based in San Diego but fishes in the PNW, is run by JJ and Jessica Gerritsen. JJ catches, Jessica packages, and it’s a business relationship on a first-name basis. “You can’t find that when you’re working with some nameless brand.”
San Diegans can find Sosal Line products at local retailers like Clos/Fintastic (obviously), allmine in Oceanside, Always Hungry Grocery & Goods in Carlsbad, J. Brix Wines in San Marcos, Collins & Coupe/Tablespoon in North Park, and Green Acre in La Jolla. They’re also available in select retailers in Northern California, Oregon, Arizona, and strangely enough, South Carolina. Expanding its client base is, of course, a goal. But not at the expense of quality or joy of discovery.
“I would love to see people try food from different cultures and be excited about it,” says Greenwood. “Maybe make them want to travel to experience different areas of the world.”
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Laika Nur, MD, takes her love of volleyball from the court to the clinic as team physician for the San Diego Mojo
Growing up, Laika Nur, MD, Scripps Clinic sports medicine specialist, loved watching beach volleyball when the Association of Volleyball Professionals tour came to her hometown of Chicago. A talented volleyball player herself, she remembers sitting in the stands all day, and once, even got a couple autographs. Years later, Dr. Nur was attending a professional event focused on women’s sports, and the discussion turned to a new professional women’s volleyball league. The general manager and coaching staff for San Diego’s team, the Mojo, happened to be in attendance, and Dr. Nur took the opportunity to ask them if they needed a team doctor. Flash forward to the Mojo’s inaugural 2024 season, when Dr. Nur officially became the team physician. Click here to read more about Dr. Nur and how she incorporates lessons she learned on the court into her practice.
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