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An Oral History of the North County Times
Kent Davy
Kent Davy served as editor of the North County Times for 16 of its 17 years. | Photo by Robert Benson
In October 2012, Doug Manchester, owner of U-T San Diego, bought out his biggest local rival, the North County Times, but it wasn’t until May that Manchester and U-T San Diego CEO John Lynch swept away the last vestiges of the northern paper when they shuttered its North County edition, laid off all the journalists at The Californian, and let go a dozen or more former NCT staffers. The move ended an 17-year run that began when Howard Publications merged the North County Blade-Citizen, the Escondido Times-Advocate, and The Californian in 1995. At its peak, the paper employed roughly 500 people. It covered three major wildfires, high school sports, local politics, and the 2001 power crisis, and even sent a team to Iraq three times. This is the tale of that paper, as told in the words of its staff to Eric Wolff, himself a reporter for the paper between 2009 and 2012.
DICK HIGH (Publisher, 1995–2007): The situation (in 1995) was, you had a problem: All three papers [the North County Blade-Citizen, the Escondido Times-Advocate, and The Californian] were seeing either a slow or rapid decline in profitability. Put them together and you had a negative 40 percent profit margin—and in decline. We set out with a very clear growth strategy: I’m going to put a lot more money into the things that other papers would be tight on. The result was that this thing turned around.
BRADLEY FIKES (Reporter, 1997-2000, 2001-2012): The joke was people at the Blade-Citizen, they were the party-hearty types; the people at the Times-Advocate would have little teas and be eating their cookies.
KENDT DAVY (Editor, 1996–2012): There were two managing editors, Rich Petersen and Rusty Harris, at the Times-Advocate and the Blade. Rich became the first editor of the North County Times, and Rusty was managing editor. They had a crisis in the business office, couldn’t get the bills out, they were losing money. I remember standing in the newsroom in Munster, Indiana, saying, “Oh man, the Howards are going to close that thing down because the Howards are losing so much money.”
HIGH: The Howards were very tough. I remember, month after month, they would send me a check for a million dollars or more.
North County Times staff in 2012
The staff of the North County Times, outside the Escondido headquarters in September 2012.
HIGH: We decided we would start zoning and sell a lot of little ads, sell a lot of the smaller mom-and-pop stores. If you look at the North County Times, we were full of a lot of little ads as well as big ads. If you have all big ads, it’s like monoculture. That’s okay, but it gets boring pretty fast. The ads themselves have readership value.
DAVY: One of Dick’s innovations was a letters page that was completely wide open. We were going to print every letter from the community and about the community, and as quickly as possible. This provided a forum for people to have debates there. When you got to election season, we ran four or five pages of letters to the editor in a given day.
RUSTY HARRIS (Managing Editor, 1995–2010): We had this huge fire break out in western Escondido (the Harmony Grove Fire in 1996). Of course, the inland staff, from the old inland paper [the Escondido Times-Advocate], said, “Aha, this is our story.” The problem was, the fire was pushed by the wind so hard and so fast it became a bigger story in the coastal zones, which means the focus shifted to the old coastal paper, and then its staff covered the story. As hellish as it was and as heartbreaking as it was, it kind of tied the two staffs together.
DAVY: Newspapers that bind themselves or build a relationship to the community become mirrors, a mirror to the community itself. You do that by, first off, honoring what the community cares about. In trying to think about our role, we would say to our staff, we are North County-centric almost to the point of being parochial about it.
JAY PARIS (Sports Writer, 1995–2012): Friday nights were a complete fire drill. We were so local, we wanted to cover every high school and get names in the paper. Where a lot of papers maybe have a line score, we tried to be at every high school game.
CYNDY SULLIVAN (Photographer, Photo Editor, 1995–2007): I got a letter from a little girl. I had published a very candid photo of her, this little girl picking yellow flowers. She sent me a note saying she was famous now and people at her school were asking her for autographs. Maybe a month later, there was a horrific accident involving some Marines on a remote stretch of Winchester Road between Temecula and Hemet. They’re notoriously strict on access when it comes to anything involving the military. There was a very large police presence at the accident. I was not getting much cooperation, so I introduced myself to a police officer as Cyndy Sullivan with the Californian. The officer said, “Cyndy Sullivan? With the Californian?” I thought he was going to tell me to get out of there. He said, “We love you! Our family loves you! You took a picture of our daughter in the flower fields. We just love you, we have your picture on the refrigerator!” He told me he would help me in any way he could to gain access to this military situation.
JAMIE LYTLE (Photographer, 1995–2012): I came walking up with Timothy O’Hara, a reporter; we were way out in Rancho Santa Fe. He said, “There’s 38 dead people up in that house right there.” We were the only two guys there, there was one cop standing in front of the house. Four hours later, the whole world was there.
HAYNE PALMOUR IV (Photographer, 1995–2012): I remember flying in the helicopter above it. Kent sent me up there. We were just watching wrapped-in-white-sheet body after body after body coming out the door of that mansion and into a truck—the medical examiner’s truck. It went on forever.
HIGH: My view was, North County went to war. That’s all there was to it. Forty percent of all the fighting over there was done by guys stationed in North County.
PALMOUR: [The newsroom staff] presented us with this cake and it had little plastic Army men on top of the cake. I do remember thinking, “How nice, a cake. A cake with Army men. Thank God it doesn’t have red icing pouring out.”
PALMOUR: We had a satellite modem we had gotten to work. We knew how to work it, but it was really hard, you had so many media trying to connect to it in that country. I had shot a ton, and Darren had a ton of stories, but by the time we stopped and put out the satellite gear, a massive sandstorm hit and we couldn’t do it. Five days passed before we could finally connect to the satellite. We kept envisioning that they were getting mad back in that newsroom. We found out when we came back that Kent didn’t even sleep at night.
DAVY: There’s a real helpless feeling when you are half a world away.
PALMOUR: There were a pair of Reuters photographers in the same battalion. They had a better satellite setup. I asked them, “Can you please let me send an email to my newsroom?” By the time I sent that email I’d seen a lot of death. I wrote, “We can’t connect to satellite, we’re getting error messages. Please tell our parents that we’re okay.” The Reuters photographer came back, “I got lots of replies to your email.” It was just this outpouring; we were so relieved. They thought we might have been killed.
PALMOUR: I was heading toward Scripps Ranch and I could see this gigantic brown cloud. This was a monster. This was a big dangerous monster and I just got into it, and next thing I got on a street and all the houses were burned down or still burning.
HIGH: Lee is a good newspaper group, but they’re a corporation. They bought the Howard papers and it worked so well, they decided to do it again, so they decided to buy the Pulitzer papers. That time they went deeply into debt to do it. They paid a high price and then the Great Recession occurred. They got hung out to dry and pretty soon the company was basically de facto being run by the creditors. Wall Street creamed ’em.
breaking up furniture in the old North County Times office
After the sale became official on October 1, 2012, workers employed by the U-T San Diego came in during the work day and broke up the furniture and carted it off. This shot faces the former locations of cubicles occupied by (from left to right) features editor Laura Groch, managing editor (now U-T business columnist) Dan McSwain, and editor Kent Davy.
DAVY: [Assistant editor for new media] Michael Donnelly was up all night on the website when we opened comments up and got thousands and thousands of comments. He engaged in conversation in Fallbrook and De Luz, which weren’t getting a huge amount of coverage. For a week or so, our comments section turned into this great conversation. People talked to us and as a community tried to sort out what was happening.
ZACK FOX (Housing Reporter, 2007–2009): We could walk up and down the street and knock on people’s doors who’d had foreclosure notices. I could have a story on every other block. Nobody really knew what was going on. We came up with the idea of having a forum where we would discuss the state of the market. The response was completely ridiculous; we packed the [Escondido] library auditorium.
PETER YORK (Publisher, 2007–2012): It was a bell curve turned upside-down of newspaper revenues, starting in 2007 and bottoming out in 2012. We got down to three zones, we closed an office in Vista, we closed an office in San Marcos. We really got pretty lean and mean. We were still in the black.
DAVY: In the first 10 years or so of the North County Times, the shrinkage of the staff was all done by attrition. In 2007 we started seeing the signs. In 2008 it really accelerated; we started going through spasms of layoffs. It was the summer of 2008, I guess, in which 25 people were laid off. Those things were gut-wrenching for me. Most people took it with more grace and more courage than I would have expected. One guy left and was so angry. The publisher was driving out of the parking lot, [and] he slammed his fist into the hood of the publisher’s car.
North County Times newspapers
North County Times newspapers.
CHRIS NICHOLS (Reporter, 2008–2012): It just so happens that I lived up the street from the Dubois family, about three or four blocks away. It was a very emotional time for the community. [Six months after the abduction], I went up to Amber’s room with her mother to go through all of her personal items and I watched her cry. That was one of the more difficult ones: Watching her mother cry, looking at all of Amber’s possessions, her posters, a Twilight poster on her wall, a sketchpad where she would draw wolves. It was a deeply personal experience—a direct window into their world and their pain.
YORK: (In early summer, 2012), myself, the finance director, Tim Bruinsma, and Peggy Chapman were told to meet our operating vice president [from Lee, in Iowa] over at the Carlsbad Airport. He and the VP of human resources flew in and said, “Hey, you guys have been sold.” That was the first time I heard. It was a shock to us as a management team.
NICHOLS: We all knew the North County Times’ parent company had financial troubles. Some of us were surprised, and maybe disappointed, that we were being purchased and the North County Times would go away.
HIGH: Wall Street took away North County’s newspaper and the execution was at the hand of Manchester.
YORK: Not a day goes by that someone doesn’t say [to me], “I hate the U-T, I wish the North County Times was back. I can’t get anything in the paper. They ignore us.”
DAVY: The sale of the newspaper was pretty stunning. I had bought the company line that they saw great value in us and would ride it up, just as they rode it down. So, when I was told of the sale, I was hit by a hammer. The worst part was living with the knowledge that the end was coming but being under orders to keep my mouth closed. There were only a handful of top NCT execs that knew in August or early September what was going to happen. And that knowledge carried with it the anxiety over what would happen to all the people who worked for us, after all, these people in a real sense were my family. I wrote in a column on the last day of September that this wasn’t the worst day of my life, but it was pretty hard nonetheless.
No gatekeepers, no creative rules, no perfect definition—the city’s DIY publishing scene makes room for anyone with something to say.
If magazines are like the adultier eldest daughters who know exactly how much anarchy they can get away with, zines are the far less predictable younger siblings going on whim and instinct. Those who draw on the walls around the house, DIY their own piercings, and experiment with different emo/straight-edge/back to emo phases (or not-phases). Boundaries and routines are what zines were created to rail against.
Walk into Verbatim Books’ zine corner, and this rebellion is immediately clear. Zines have no singular form, no clean category or definition. Vintage magazine scraps are collaged into new meaning alongside mini fandom zines. Single sheets of plain white printer paper are covered in nothing but black ballpoint pen. Repurposed hardback book covers are folded into something entirely new. Some are duct-taped together, others stapled. Some glossy, others matte. There are guides to anything and everything, comic panels, photography, hand-drawn cartoons, poetry, recipes, diaries, and ramblings that only make sense to the person who made them—and that’s on purpose.
Zines are creative magic. And with no rules, they’re incredibly accessible. Anyone can zine and have a voice, regardless of artistic training or work life experience.
You are your own Anna Wintour, Graydon Carter, Ruth Whitney.
San Diego–based zine creator Lyssette Williams specializes in mini zines—often limited to eight pages, they’re meditations in abbreviation. Outlining, thumbnailing, and revision all move quickly from idea to page. Larger projects, including Williams’ long-form graphic novel thesis, move at a slower pace. For those, she often returns to pen and ink, a choice that resists the over-editability of digital work.
Raised by a single mother and navigating mixed-race identity in a predominantly white town, she finds a home for processing it all in zines. Her work deals in identity, belonging, self-definition, and punk-rock childhood. But it isn’t always heavy; Williams creates a mini duck-themed zine called Backyard Duck Propaganda that’s hard not to love. “When I create, I think about what would have helped me find the words back then, what my younger self would’ve needed,” Williams says. “[Zines] put the tools in your hands and democratize art. They’re translations of memories and identities.”

For Williams, a big reason she keeps creating is being surrounded by other creatives—a scene that extends across the border. She points to Verbatim and Comicbook Artists of San Diego, plus events like Zine Fest (October 17–18 this year at Woo in Barrio Logan) and Black Comix Day at the WorldBeat Cultural Center.
Zines have always been a road for subcultures. During the Harlem Renaissance, Black creatives like Langston Hughes and Zora Neale Hurston self-published one issue of Fire!!, which inspired other Black authors. In the 1930s, zines (then called fanzines) were hubs for sci-fi nerds to write fanfiction, address the fandom, and create new characters. Superman actually made his public debut in a fanzine called Science Fiction (he was originally cast as a villain with a fully receded hairline). A couple decades later, zines about feminism and riot grrrl became subculture de rigueur.
The internet nearly killed zines, of course. But now, people tired of the algorithm’s firehose are finding comfort and renewed inspiration in analog. Zines, a salve for digital fatigue.

A giant figure in San Diego zine culture is Burn All Books. Founded by Amanda and Nick Bernal, BAB started as a risograph (digital screen printing) studio and turned into one of those places that keeps expanding the whole scene around it, even forming its own archive group, SCANNNERS. Since opening in January 2023, it has published over 35 works and collaborated with more than 100 artists, writers, and zinesters.
For Duophobia, the pseudonym for local twin sisters Alora and Kiani Dotson (affectionately known as the “possum twins”), zines make room for experimentation and play that doesn’t fit anywhere else. Room for eclectic cartoons and dirty jokes. For sticker-covered sketchbooks.
It’s that same brand of nostalgia you might feel when, say, you walk past the carcass of an abandoned mall and see a faded cartoon mural. Their work lives somewhere between childhood and adulthood, where being unserious is taken very, very seriously.
“We’re born and raised in San Diego, and the community of artists here is a main reason we started publishing,” Kiani Dotson says. “There are people here like Trixxie Land who run open art gatherings. Show up, and you’re part of it.”
Land, a zinester herself (she made 250 single-page zines during 2020’s lockdown), is all about storytelling over hierarchy. Art shouldn’t be about gatekeeping or intimidation, she says. So she holds open-invite arts shows at Subterranean Coffee.

Duophobia regularly share their work at local galleries like Subterranean, filling that lowbrow space with pieces that answer: “What would’ve made us laugh as kids?” Children are often the first to pick up their zines, unfolding them in every direction while parents briefly panic at the impulsive destruction. The twins always step in. “No, no, it’s okay,” they say, before showing how one sheet of paper folds into an entire little book. “It’s like magic.” More often than not, the kids leave with a tiny zine tucked under a tiny arm, future San Diego zinesters in the making.
When asked what a zine really is, Alora Dotson’s response was simple: “It’s anything. Literally anything. The more genuine you are, the more people are going to hear what you have to say. Your voice matters, even if it’s just a silly joke or story. People want to hear about it.”
Not a perfect definition? Exactly. Zines inherently resist categories. Want to turn a single playing card into a storybook? Do it. What about your favorite graffiti artist’s signature tag at Prince Memorial Skatepark? Turn it into a zine.
Everything’s a zine.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
From tacos to tailors and trainers to travel, these are the businesses, people, and places that earned San Diego readers' votes
San Diego Aesthetics and Med Spa
Elicia Soltesz, Elicia Marie Beauty
Ashley Fierro, Ashley Fierro Makeup
Michelle Langston, MSN, APRN, FNP-BC, HNB-BC, Starlite Aesthetics
Alysa Espiritu, Afterglo Beauty Lounge
Ronnie Page, Gold Comb Barbershop North Park

Ryleigh Hunter, Headbang Salon
Ann Teresa Degischer, Maen the Salon
Lindsay Axelrod, Pixiedot Salon
Lauren Skinker, Lucky Cat Tattoo

Father Joe’s Villages Turkey Trot
The Camp Transformation Center, West Chula Vista
Singing Hills Golf Club at Sycuan

Camila Casanueva, The Yard Gym

Austin Harrington, Captain’s Quarters
Bivouac Ciderworks, Savoy Dry Apple Cider

Missi Burns, Et Voila

Prospera Internal Medicine and Aesthetics
From handmade goods to one-of-a-kind finds, these local shops prove the best souvenirs are the ones with a story
Almost everything in this Oceanside shop is made by local artists and independent weirdos, and almost none of it requires a gallerist’s budget. Goblin Shark Emporium rotates a new featured artist every month between the vinyl crates, blacklight posters, and hilariously specific stickers, so you can walk out with original work and a tarot reading to contemplate as you sip your Banana Dang Coffee from a couple storefronts down.
Tucked within the potting tables and ferns of Mission Hills Nursery, the oldest nursery in Southern California and a Kate Sessions original, sits Through the Fold, the sweet indie bookstore that mother-daughter team Gail Levine and Jennifer Medeiros hand-built and opened in late April. Two retired educators and lifelong bibliophiles run it like a neighborhood living room: three book clubs, toddler story time, and a summer camp for the 7-to-12 set. It’s the rare retail run that smells like soil and new paperbacks, which is to say, like a very specific kind of heaven.
Open since 1993 under the unbeatable tagline “Books of Martians, Murder, Magic, and Mayhem,” this Rosecrans Street institution is the city’s portal for anyone who would rather be on a different planet. Load up on sci-fi, horror, and fantasy, then stick around for the weekly Dungeons & Dragons campaign, because the only thing better than reading about another universe is rolling a d20 inside one.
On the ground floor of the downtown Central Library, tucked into the Joan and Irwin Jacobs Common, sits the Library Shop, a tightly curated gift store stocked with presents and trinkets you didn’t know you needed: wind-up kitchen timers, specialty pencils, felt coasters in colors cheerful enough to overcome the first half of the Padres’ season—you get it. Every dollar funds the San Diego Public Library system, which makes the shop’s official “Guilt-Free Shopping” motto the rare slogan that holds up. Come for a paperback, leave having formed a genuine emotional attachment to a $4 pencil.
The window at this North Park shop is alive: a front-of-house catio where adoptable rescue cats audition for your heart while you pretend to be just browsing. From there, a literal catwalk runs along the ceiling to a back resting room (because existing around inferior beings is exhausting for cats). Owner Vera Blatchley of Purrgatory stocks the full cat-lover arsenal, plus a wall of gifts for the feline who already has nine of everything. Fan favorite: a retro-style, bubblegum-pink Kit-Cat Clock.
Surf art’s everywhere, but it’s somehow always a little kooky. Painter Andy Davis’ style captured that elemental soul, making him one of the most successful surf artists of the last few decades (check his giant mural at Town and Country Resort). His tiny Encinitas storefront, Club Paradise, is a gallery-slash-gift shop that stocks his paintings and prints—and he’s using the space as a culture club for local and touring creatives.
Tulux is the Pacific Beach swimwear label out of Cass Street, where designer Yamhed Torres turns the whole Tulum fantasy into bold, limited-run bikinis. This year, Vogue México y Latinoamérica named her one of just 10 emerging designers to watch, so each suit comes with the kind of credentials that practically books its own sunset getaway. Everything is one and done: When a piece sells, it’s gone for good, which is either smart scarcity or the universe telling you to commit.
Free lotto tickets at crystal shops? Yes, please. Pacific Beads owner Shlomo Gruer greets you at the door of this Clairemont Mesa warehouse with 4,000 square feet of crystals, geodes, and beads by the bin. You come for wholesale amethyst and sterling findings; you leave holding a fistful of healing stones and a statistically remote shot at early retirement. Need another reason to visit? Owner Gruer has his own line of jewelry, and Pacific Beads also hosts jewelry-making classes.
El Cajon’s Parkway Plaza could look radically different in the near future, as city officials are hatching plans to reinvent the one-time community and commercial center. Inflection points of iconic structures are always compelling times to visit and tabulate your own urban-planning daydreams. As you do, hit the first NAMA-certified automatic cotton candy vending machine in the country. Push a button, and 123 Sweetsss spins you a fresh cloud of childhood in under a minute. No carnival, no county fair admission, no sweaty teenager in a paper hat required.
Behind every beautiful space is a thoughtful process, and ASID San Diego is helping homeowners understand the value of professional design.
A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.
It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.
For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.

“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”
ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.
Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?
ASID’s answer: start with one hour.
ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!

“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”
Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.
“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”
Follow ASID San Diego on Instagram, LinkedIn, and Facebook for updates on upcoming events, or connect with the chapter directly at [email protected] or 619-548-8847.
From getting your sweat on at hip-hop class to celebrating with a zero-proof cocktail, here are San Diego's top fitness and wellness spots
For thousands of years, the Kumeyaay who lived in this area called a mountain south of Julian Cush-pii, meaning “sharp peak.” Then, after the Civil War, Confederate sympathizers saw that same mountain and decided to rename it Stonewall Peak—after General Stonewall Jackson. The name stuck for nearly a century and a half, until Cuyamaca Rancho State Park announced earlier this year that the name will return to its original, Cush-pii. Hike to the summit for expansive views of the Coronado Islands to the west and Mexico to the south.

In 1993, Angie Bunch gathered a group of hip-hop dancers—called Culture Shock Dance Troupe—and gave them a space to practice and perform. As hip hop grew through the ’90s, so did Culture Shock. It has since become a nonprofit, a space for young and old, beginner and expert dancers. Culture Shock has also expanded to Los Angeles, Oakland, Las Vegas, Chicago, Atlanta, New York City, and Washington, D.C., as well as Ottawa and Toronto, Canada.
In 2019, Amanda Leach created the Yoga Box method, which takes high-energy flows and adds strength-building poses in heated, vibey, lava-lamp-lit studios. What started on Grand Avenue in Pacific Beach has spread to 15 locations across the county, with even more trickling into Denver, Chicago, and Brooklyn. The best part? Mindfulness newbies who can’t touch their toes and six-packed contortionists can hang in the same class. You can customize each session based on your ability and fitness level.

A gym taking over a historic beachfront pool sounds like the setup for a new season of Love Island, but Fit Mission Beach operating the nearly 100-year-old Plunge at Belmont Park is real. The independent fitness brand has spent the past several years building a loyal following through group fitness classes, community events, and a members’ social club overlooking the ocean. Upstairs, members can work remotely, meet friends, or hang out long after their workout ends. Between the Plunge, the coworking-style lounge, and a packed calendar of events, Fit has evolved into something bigger than a gym. It’s a clubhouse for San Diego’s fitness crowd.
The wellness world is finally transitioning away from HIIT workouts and cult-like spin classes, where your heart rate hits Zone 5 within minutes and stays there until cooldown. Good. At Breathe Degrees, wellness takes the form of zenned-out communal breathing sessions or vagus nerve–activating cold plunges. Breathwork is said to boost your mood in the short term and improve your heart health in the long term, and maybe that’s why everyone’s coming back for more. You can’t run into someone in Carlsbad who hasn’t dropped into at least one breathwork session, and now the studio has opened a second location in Liberty Station.

Pilates wasn’t just popular this year; it was practically a requirement for maintaining your San Diego residency. New studios seemed to appear weekly across San Diego, each promising stronger cores and better posture, but Soul Pilates and Care found a way to stand out by addressing a challenge many parents know well: finding time to exercise at all. Fitness doesn’t have to compete with parenting responsibilities. Parents can drop their kids off with trained caregivers while they head into reformer classes, eliminating one of the biggest barriers to working out. The studio has earned strong reviews for both its instruction and family-friendly approach.
The Hotel del Coronado’s sweeping $550 million restoration touched nearly every corner of the historic resort, but one of the most anticipated unveilils was the debut of its redesigned spa. The oceanfront wellness destination now features 21 treatment rooms, a relaxation lounge, a sauna, steam room, and a treatment menu inspired by the coastal environment just steps away. The redesign blends the Del’s Victorian legacy with a cleaner, more contemporary aesthetic, creating a space that feels distinctly SoCal rather than generic luxury hotel. For locals who don’t have time for a vacation, it’s the next best thing.
As non-alcoholic beverages continue their meteoric rise, Good News Bar has become one of San Diego’s most compelling arguments for a booze-free evening. The University Heights hotspot serves a menu of carefully crafted zero-proof cocktails that borrow techniques and ingredients from traditional cocktail programs (it’s not just fancy juices and soda water), minus the hangover. The space also hosts regular community events and has quickly become a gathering place for everyone from sober San Diegans to the merely sober-curious. In a nightlife industry built around alcohol sales, Good News proved there’s plenty of demand for connection without the buzz.
From elephant encounters to escape rooms, these are the adventures that kept San Diego families busy all year long
If you can’t quite swing the cost of a trip to the African outback, the Safari Park’s new Elephant Valley is a pretty convincing Plan B. The 13-acre immersive habitat—the largest project in the San Diego Zoo Wildlife Alliance’s 109-year history—is home to eight African elephants, but it’s the thoughtful details that steal the show. Keep your eyes open for intricate Kenyan-inspired artwork, native landscaping, and stop by the Mkutano House, where you can grab lunch with a front-row view of the herd.
Pepper Park became the emotional anchor of the bayfront overhaul when the National City park reopened this March with a 2.5-acre expansion. Hopefully that’s just the start. The California Coastal Commission also approved the city’s ambitious waterfront plan, clearing the way for a long-envisioned 77-acre bayfront makeover with more green space, better bike paths, and improved waterfront access. Money still has to be raised, but head to Pepper Park, sit on a brand-new bench, and gaze out at the future of the South Bay.
Not every family destination comes with roller coasters—sometimes, they have paint rollers. The Willie Henderson Sports Complex in southeast San Diego recently received a new paint job and major facelift (courtesy of San Diego FC, the Prebys Foundation, and community advocates), giving thousands of kids a safer, smoother, and more colorful place to play basketball or soccer. If your weekends revolve around sports gear, folding chairs, and orange slices, you’ll definitely appreciate the upgrade.
Parents come for the pizza. Kids come for the games. Sci-fi nerds come for it all. Killer Pizza From Mars is an Oceanside mainstay for families who love arcades, vintage Star Wars memorabilia, and piled-high pizzas with outrageously silly names like the “Mars”gherita pizza. Order a basket of Killer Fries, sink your teeth into a Martian Melt sandwich, and don’t be surprised if your kids clamor for a return mission.
After what must have felt like an eternity for Pacific Beach families, Fanuel Street Park’s playground is finally back. The old play structure got the heave-ho nearly two years ago, but this spring, the community raised enough donations to replace it with modern climbing structures, new swings, and better accessibility. It’s finally back to being a low-key locals spot perfect for picnicking, splashing around, and letting the kids burn off some energy.

If screen time has obliterated your attention span, try giving your brain a workout at an escape room. Lara’s Labyrinth provides a few options ranging from kid-friendly to “try not to pee your pants in fright,” where participants can attempt to escape an enchanted forest or decipher clues left by Leonardo da Vinci. (Some rooms have G, PG-13, and R-rated versions for your family’s comfort level, but maybe save the “Cannibal” room for an adults-only excursion.)
Birch Aquarium has always made a splash, but the $18.7 million Living Seas exhibit is a tidal wave of awesome. The immersive exhibit features different marine ecosystems throughout the Pacific Ocean, from the warm aqua waters of tropical zones to the frigid (but nourishing) Pacific Northwest. Bigger is better here: There are areas designated for the gigantic sunflower sea star and giant Pacific octopus, so prepare for oceanic marvels to wow you.
Forget “don’t touch the art.” At Artopia, touching, building, climbing, experimenting, and making a colorful mess are all exactly the point. Created by the museum’s in-house Creative Studios team, the interactive space invites kids to become artists through hands-on projects like weekend ceramics workshops and after-school programs. When creativity gets a little chaotic is when it’s at its most fun.
The Fairmont Grand Del Mar used to feel like someplace you admired from afar. Grand Social changed that. Three levels of outdoor space are now home to a bar and grill, bocce courts, and other lawn games, as well as a summertime concert series and other family-friendly events that welcome locals just as much as overnight guests. It’s proof that one of San Diego’s fanciest addresses also knows how to have a little fun.
You don’t need a cage to come face-to-face with sharks anymore. SeaWorld’s revamped Shark Encounter lets you get startlingly close to species like reef sharks, massive sand tigers, and endangered Australian leopard sharks, all inside newly redesigned habitats. It’s equal parts adrenaline and education, and a good reminder that these misunderstood predators are closer to Bruce in Finding Nemo than Jaws in… well, Jaws.

Houston, we have a new reason to visit LEGOLAND California. LEGO Galaxy is the plastic-brick haven’s biggest in-park investment ever, including the first new roller coaster in 20 years. Between the customizable Galacticoaster experience, build-your-own spacecraft stations, and interactive space adventures, aspiring astronauts can easily spend hours exploring this brick-built universe.
Circadian Sleep Clinic Helps Reset the Body Clock
Nearly everyone experiences a sleepless night once in a while. But for those with a circadian sleep disorder, being well-rested can feel out of reach. A circadian sleep disorder occurs when a person’s internal clock doesn’t align with their desired or socially required sleep schedule. This can significantly impact quality of life, mental health and physical well-being. Scripps Circadian Sleep Disorders Clinic, launched in 2019, was the first of its kind in the state. Its specialists diagnose and treat conditions like delayed sleep phase disorder, shift work sleep disorder and non-24-hour sleep-wake disorder. Many patients have spent years—or even decade —thinking there was no hope for their sleep behavior. A solution can be life-changing. Read more about the Scripps Circadian Sleep Disorders Clinic here.
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